Flag Halyard Chair by Hans Wegner, circa 1952

You are not only viewing a comfortable pair of 1970s chairs but the actual ones used in the "The Hunger Games" Catching Fire. These chairs were reupholste...

This untitled piece was done by Alexander Brook, (1898-1980) a realist painter born in Brooklyn, NY, whose works mostly consisted of still-life subjects, landscapes, and quite often, women figures. Successful in his day, in 1930 he won second prize to Picasso's first, at the Carnegie Institute International Exhibition of Modern Painting. Mr. Brook studied at the Art Students League between the years of 1914-1918 where he interacted with Niles Spencer...

You are looking at an outstanding set of four allegorical gouache and tempera painting on linen canvas mounted on panels. Very finely detailed by American artist Allen Townsend Ferre...

A fine and very striking pace collection wall mirror with matching Lucite cylinder shelf supports. This piece is in exceptional condition for its age. F...

Large, wide and low triangular chrome coffee table by Pace. Very sharp pace design with concave/convex legs. This extra little concave/convex design makes it an uncommon piece. The t...

You are viewing a very special and documented one of a kind Paul Evans coffee table, circa 1968. Designed in the original studio on Aquetong Road. New Hope, PA. A few things to point out. 1. This is massive example from the Reversed series. 2. It was specially ordered to these specifications by Mrs. RIMA...

An early c. 1950 Flag Halyard chair in very good vintage condition. Hans Wegner conceived this iconic design while lounging at the beach. We added one of our cozy, high loft Californ...

Flag Halyard chair lounge chair PP 225 new edition. The Flag Halyard Hans Wegner is a tribute to the modernist Le Corbusier, Mies Van Der Rohe and Marcel Bre...

A laminated orange lacquered "shell" lounge chair with upholstered seat and back.

A mid-century modern PP550 ‘Peacock’ chair designed by Hans Wegner in 1947 for Johannes Hansen. Modeled after a traditional American Windsor chair, Hans Wegner’s Peacock chair strips the form to reveal its construction while retaining aesthetic, decorative impact. The chair reveals a modernist approach to designing around the human body and using natural materials, with one exception. The “rush” seat is actually made of paper cord: when the chair was first designed in 1947, shortages caused by World War II prevented Wegner from using jute. Fellow designer Finn Juhl gave the nickname of ‘Peacock,’ seeing the chair’s flattened spindles and magnificent arc resembling the bird’s plumage. Dimensions: 41 3/4 in. H × 27 1/2 in. W × 20 1/2 in. D Seat: 22 1/2 in. x 19 3/4 in. x 12 in. at back Floor to top of seat: 14 in. Top of seat to arm rest: 10 1/8 in. Seat to top head rest: 31 3/4 in. Condition: Excellent, with some minor wear throughout. Gap between arm and chair back measuring approximately 1/4 inch. Some light water staining on both arms. Wood split to one seat joint measuring 3/8 and 5/8 inches on either side. Four deeper scratches on back. Area of staining on bottom chair rung measuring 2 3/4 inches long. Chair back’s fifth spindle from right with wood chip measuring 1 inch long. Chair back’s sixth spindle from left loose. Literature: 40 years of Danish furniture design: 1947-1956, ed. Grete Jalk, vol. 3 (Copenhagen: Lindhardt og Ringhof, 1987), pp. 15-17. Arne Karlsen...

A PP550 ‘Peacock’ chair designed by Hans Wegner in 1947 for Johannes Hansen. Modeled after a traditional American Windsor chair, Hans Wegner’s Peacock chair strips the form to reveal its construction while retaining aesthetic, decorative impact. The chair reveals a modernist approach to designing around the human body and using natural materials, with one exception. The “rush” seat is actually made of paper cord: when the chair was first designed in 1947, shortages caused by World War II prevented Wegner from using jute. Fellow designer Finn Juhl gave the nickname of ‘Peacock,’ seeing the chair’s flattened spindles and magnificent arc resembling the bird’s plumage. Dimensions: 41 3/4 in. H × 27 1/2 in. W × 20 1/2 in. D Seat: 22 1/2 in. x 19 3/4 in. x 12 in. at back Floor to top of seat: 14 in. Top of seat to arm rest: 10 1/8 in. Seat to top head rest: 31 3/4 in. Condition: Excellent, with some minor wear throughout. Wood splits to three of the seat joints measuring 1 inch, 1/2 and 1/4 inch on either side, and 1/4 inch. Area of discoloration to arm, possibly from sticker, measuring approximately 3/4 inch. Some nicks to side of one arm. On the other arm, a scratch measuring 1 1/8 inches on the side. Literature: 40 years of Danish furniture design: 1947-1956, ed. Grete Jalk, vol. 3 (Copenhagen: Lindhardt og Ringhof, 1987), pp. 15-17. Arne Karlsen, Danish Furniture Design: in the 20th Century, vol. 2 (Copenhagen: Christian Ejlers, 2007), p. 90. Christian Holmsted Olesen, Wegner: Just One Good Chair (Germany, Hatje Cantz Verlag GmbH & Company KG, 2014). Johan Møller Nielson, Wegner en Dansk Møbelkunstner (Copenhagen: Gyldendal, 1965), pp. 42, 98, 103, 106. Noritsugu Oda, Danish Chairs (San Francisco: Chronicle Books), 1996, pp. 106, 107. Svend Erik Møller and Viggo Sten Møller...

When this iconic model was released in 1950, the unusual combination of rope, white-varnished steel and sheepskin had never been seen before in the furniture industry. It was a way for Hans Wegner to demonstrate his ability to design innovative, practical and comfortable furniture with every possible material. Unveiled in Copenhagen in 1950 at an exhibition at the Designmuseum Danmark, the design received mixed reviews. Kaare Klint famously likened it to something from a gynaecologist’s office. But from the jump, fashion people fawned. It was splashed across magazines, models posing on its tightly wound string seat. The Flaglinestol or Flag Halyard string-wrapped lounge chair quickly became a 21st-century icon. The story goes that in 1949 Wegner was at the beach, digging himself into the sand when he found the perfect lean-back position for seaside repose, which inspired him to make it in something more sturdy. This gave birth to this chair with its famous steel frame wrapped in rope commonly used for flagpoles. The ergonomic, spaceship-like form still looks innovative despite being over 70 years old. The bottom frame is made of a white-varnished steel structure with beechwood leg caps. The legs are splayed with the front ones connected by a stretcher, establishing the firm base for the body. The top-frame is made of chrome-plated steel that serves as the frame for the stretched halyard. Halyard rope, or flagpole rope, is traditionally used to raise and lower a flag on most external halyard flagpoles. The unusual combination of materials is continued by the cognac leather head pillow secured to the back. The chair is cosied up with sheepskin that - along with the headrest - softens the industrial shape of the steel. This iconic Wegner model was already presented at The Arts & Crafts Spring Exhibition at Designmuseum Danmark in 1950. For several decades it was manufactured by Danish brand Getama in small quantities. In the late ’80s it went out of production altogether. PP Møbler...