Midcentury Danish Modern Selig Eames Lounge Chair and Ottoman

Charles Eames and Ray Eames were the embodiment of the inventiveness, energy and optimism at the heart of mid-century modern American design, and have been recognized as the most influential designers of the 20th century.

As furniture designers, filmmakers, artists, textile and graphic designers and even toy and puzzle makers, the Eameses were a visionary and effective force for the notion that design should be an agent of positive change. They are the happy, ever-curious, ever-adventurous faces of modernism.

Charles (1907–78) studied architecture and industrial design. Ray (née Beatrice Alexandra Kaiser, 1912–88) was an artist, who studied under the Abstract Expressionist painter Hans Hofmann. They met in 1940 at the Cranbrook Academy of Art in suburban Detroit (the legendary institution where Charles also met his frequent collaborator Eero Saarinen and the artist and designer Harry Bertoia) and married the next year.

His technical skills and her artistic flair were wonderfully complementary. They moved to Los Angeles in 1941, where Charles worked on set design for MGM. In the evenings at their apartment, they experimented with molded plywood using a handmade heat-and-pressurization device they called the “Kazam!” machine. The next year, they won a contract from the U.S. Navy for lightweight plywood leg splints for wounded servicemen — they are coveted collectibles today; more so those that Ray used to make sculptures.

The Navy contract allowed Charles to open a professional studio, and the attention-grabbing plywood furniture the firm produced prompted George Nelson, the director of design of the furniture-maker Herman Miller Inc., to enlist Charles and (by association, if not by contract) Ray in 1946. Some of the first Eames items to emerge from Herman Miller are now classics: the LCW, or Lounge Chair Wood, and the DCM, or Dining Chair Metal, supported by tubular steel.

The Eameses eagerly embraced new technology and materials, and one of their peculiar talents was to imbue their supremely modern design with references to folk traditions. Their Wire chair group of the 1950s, for example, was inspired by basket weaving techniques. The populist notion of “good design for all” drove their molded fiberglass chair series that same decade, and also produced the organic-form, ever-delightful La Chaise. In 1956 the Eames lounge chair and ottoman appeared — the supremely comfortable plywood-base-and-leather-upholstery creation that will likely live in homes as long as there are people with good taste and sense.

Charles Eames once said, “The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests.” For very good collectors and thoughtful interior designers, a piece of design by the Eameses, the closer produced to original conception the better, is almost de rigueur — for its beauty and comfort, and not least as a tribute to the creative legacy and enduring influence of Charles and Ray Eames.

The collection of original Eames furniture on 1stDibs includes chairs, tables, case pieces and other items.

As an importer and producer, the Selig furniture company helped popularize timeless and elegant postwar designs in the United States.

Selig created Danish-inspired chairs, sofas and other furnishings for the home that were cutting-edge, contemporary and airy. The brand was also among the first to introduce Scandinavian and European modern styles to Americans in the 1950s and 60s. The company imported and manufactured furniture known for its extraordinary design and style using high-quality, enduring and seductive materials.

Selig was founded in 1931 by Mandell Selig and Samuel Wexler. The pair started the business during the challenging economic times of the Great Depression prior to World War II. By the 1960s, under the leadership of Wexler's son, Robert, Selig peaked with manufacturing factories in five American cities.

Selig’s importing business had a meaningful impact on Italian furniture manufacturers. Wexler, the junior, had a hand in advancing and growing the manufacturing sector of the country’s Udine region. Due to this contribution, the Italian government saw fit to knight Robert Wexler with the title of “Cavaliere.”

After nearly four decades of influencing seating and lounging preferences in the United States with sophisticated mid-century modern and Scandinavian modern furniture — including its own chrome rocking chairs and leather club chairs — Selig sold to Simmons, the mattress company, in 1970, thus dissolving. Much of what they produced and imported is still available despite no longer being manufactured, and many collectors seek original Selig furniture.

On 1stDibs, find an array of vintage Selig furniture that includes lounge chairs, armchairs, tables and more.