Tandem Sling by Eames for Herman Miller, Restored in Edelman Leather, circa 1962
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Tandem Sling by Eames for Herman Miller, Restored in Edelman Leather, circa 1962
About the Item
- Creator:
- Design:
- Dimensions:Height: 34 in (86.36 cm)Width: 47 in (119.38 cm)Depth: 25 in (63.5 cm)Seat Height: 17.5 in (44.45 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1962
- Condition:Reupholstered. Refinished. In expertly restored condition.
- Seller Location:Los Angeles, CA
- Reference Number:1stDibs: LU133026018463
Charles and Ray Eames
Charles Eames and Ray Eames were the embodiment of the inventiveness, energy and optimism at the heart of mid-century modern American design, and have been recognized as the most influential designers of the 20th century.
As furniture designers, filmmakers, artists, textile and graphic designers and even toy and puzzle makers, the Eameses were a visionary and effective force for the notion that design should be an agent of positive change. They are the happy, ever-curious, ever-adventurous faces of modernism.
Charles (1907–78) studied architecture and industrial design. Ray (née Beatrice Alexandra Kaiser, 1912–88) was an artist, who studied under the Abstract Expressionist painter Hans Hofmann. They met in 1940 at the Cranbrook Academy of Art in suburban Detroit (the legendary institution where Charles also met his frequent collaborator Eero Saarinen and the artist and designer Harry Bertoia) and married the next year.
His technical skills and her artistic flair were wonderfully complementary. They moved to Los Angeles in 1941, where Charles worked on set design for MGM. In the evenings at their apartment, they experimented with molded plywood using a handmade heat-and-pressurization device they called the “Kazam!” machine. The next year, they won a contract from the U.S. Navy for lightweight plywood leg splints for wounded servicemen — they are coveted collectibles today; more so those that Ray used to make sculptures.
The Navy contract allowed Charles to open a professional studio, and the attention-grabbing plywood furniture the firm produced prompted George Nelson, the director of design of the furniture-maker Herman Miller Inc., to enlist Charles and (by association, if not by contract) Ray in 1946. Some of the first Eames items to emerge from Herman Miller are now classics: the LCW, or Lounge Chair Wood, and the DCM, or Dining Chair Metal, supported by tubular steel.
The Eameses eagerly embraced new technology and materials, and one of their peculiar talents was to imbue their supremely modern design with references to folk traditions. Their Wire chair group of the 1950s, for example, was inspired by basket weaving techniques. The populist notion of “good design for all” drove their molded fiberglass chair series that same decade, and also produced the organic-form, ever-delightful La Chaise. In 1956 the Eames lounge chair and ottoman appeared — the supremely comfortable plywood-base-and-leather-upholstery creation that will likely live in homes as long as there are people with good taste and sense.
Charles Eames once said, “The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests.” For very good collectors and thoughtful interior designers, a piece of design by the Eameses, the closer produced to original conception the better, is almost de rigueur — for its beauty and comfort, and not least as a tribute to the creative legacy and enduring influence of Charles and Ray Eames.
The collection of original Eames furniture on 1stDibs includes chairs, tables, case pieces and other items.
Charles Eames
The legacy of Charles Eames looms large in design. In partnership with his wife, Ray, Charles was at the forefront of pioneering innovation in the use of molded plywood for furniture making. The Eameses’ cheerful and inviting work has endured among the most important advancements in the history of 20th-century design.
Together, visionary mid-century modern duo Charles and Ray Eames introduced a wide range of renowned furniture to the postwar market, including iconic designs such as the Eames lounge chair and ottoman, the wildly colorful birch plywood-and-plastic-laminate Eames storage unit, the Eames compact sofa and more. The designers were trailblazers in molded plywood furniture and brought lively organic form to metal and plastic.
Charles Eames studied architecture at Washington University in St. Louis. He traveled to Mexico and Europe, and experienced firsthand the work of designer-architects Le Corbusier and Ludwig Mies van der Rohe. In 1930, upon returning to Missouri, Eames opened an architecture practice with Charles M. Gray but later moved to Michigan in 1938. He received a fellowship at Cranbrook Academy of Art, which would become a breeding ground for the stars of mid-century design. Eames continued his architecture studies at Cranbrook and also taught in the design department.
In 1940, Eames met his future wife, artist and designer Beatrice Alexandra "Ray" Kaiser, who was studying at Cranbrook under Abstract Expressionist painter Hans Hofmann. Charles teamed up with another Cranbrook instructor, Finnish-American designer Eero Saarinen, to explore the possibilities of plywood for use in furniture design.
With support from Ray, Charles and Eero created chairs and case pieces and submitted them to the “Organic Design in Home Furnishings” competition at the Museum of Modern Art in New York City — among them was the groundbreaking organic Side chair made of molded plywood with maple legs. It was upholstered by Heywood-Wakefield. This exhibition is considered critical by many to the popularization of what is known as mid-century modernism. Eames and Saarinen won first place for their submissions to the competition.
Charles and Ray were married in 1941 and soon after moved to Los Angeles, California, and lived in an apartment building designed by architect Richard Neutra. Charles worked on set design at MGM, and at night, in a humble workshop they established in the guest bedroom, he and Ray experimented with molded plywood on a homemade device they called the “Kazaam!” machine. In 1942, the couple won a U.S. Navy contract to create molded plywood leg splints that would be used to support wartime medical efforts. Soon, the Evans Product Company was making the splints and the Eameses opened the famed Eames Office and studio.
The Eameses’ innovative use of wire framing, molded plywood and applied fabrics caught the attention of many notable figures in interior design and architecture, including George Nelson, director of design at Herman Miller, a now-legendary modern furniture manufacturer. The company enlisted the Eameses’ talents and was eventually home to the couple’s classic pieces such as the Eames DCW chair and the DCM chair.
Find an extensive array of vintage Charles Eames seating, tables and case pieces on 1stDibs.
- Eames for Herman Miller Two-Seat Tandem Sling Airport ChairBy Charles and Ray Eames, Herman MillerLocated in Los Angeles, CARay & Charles Eames were commissioned to design the perfect utilitarian seating for the first international airports in 1962. Created for comfort and convenience, this chair is iconi...Category
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- Tandem Sling by Ray and Charles Eames for Herman Miller, Four-SeatBy Charles and Ray Eames, Herman MillerLocated in Los Angeles, CARay and Charles Eames were commissioned to design the perfect utilitarian seating for the first international airports in 1962, created for comfort and convenience. For the modern-da...Category
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$1,350 Sale Price / item57% Off - 'Ilona' Safari Style Leather Sling Loveseat by Arne Norell, circa 1970By Arne Norell, Norell Möbel ABLocated in Los Angeles, CAThis beautiful Arne Norell 'Ilona' loveseat features thick saddle leather slings with straps and buckles and groovy 70s Marimekko-style fabric cushions. Produced in the 1970s by ...Category
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- 'Bounty' Leather Loveseat by L. Davanzati for The Pace Collection, 1980sBy Lorenzo Forges Davanzati, Elam, Pace CollectionLocated in Los Angeles, CAA lovely example of the 'Bounty' series two-seat loveseat / settee by The Pace Collection in the early 1980s, this deep seated channel-tufted loveseat sofa was designed by L. Davantazi produced by Elam and retailed by The Pace Collection. Perfect for a cigar, whiskey or wine lounge or any space that can use something a bit modern yet still refined and classy. *Note, we have the matching club lounge chair and three-seater couch in another listing. Last two photos show the entire set. See our other listings or contact us for more details if you wish to create a living room or office / hotel lobby set. This channel-tufted leather love seat retains its original supple leather upholstery in an intriguing deep burgundy-brown color, almost like dark-cognac with beautiful lightly aged leather patina. The sumptuous seats are encased in a dark colored lacquer, providing an attractive modern contrast with the rich and elegant leather. This two-seater sofa has casters for ease of relocation according to occasion and mood or to better suit a view. The back is finished with tufted leather making this loveseat look incredible when floating in a room with the back exposed. Curved Art Deco styled arms lend 1980s juxtaposition and character to any room. Similar in style to the Saratoga Sofa by Massimo and Lella Vignelli for Poltronova 1970s, but at a fraction of the price. Plus something you don't get with the Saratoga sofa is the refined style of the elegant channel-tufted leather cushions on this Bounty loveseat sofa by The Pace Collection. The Pace Collection also offered the highly sought after collection by Guido Faleschini such as the Tucroma chair which is an interior designer and 20th century Modern design collector's favorite go to chair. Another example is the wild 1970s bed that featured interior design magazine covers when Lenny Kravitz home was featured with the Mariani bed...Category
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$2,800 Sale Price20% Off - Tandem Eames for Herman Miller for Three Shells and a Table TopBy Charles and Ray Eames, Herman MillerLocated in Amsterdam IJMuiden, NLTandem Base and Table without shells. Show signs of use. 35 cm H incl the height of the bar of the base/ 40 incl the top of the seat support/ 42 cm incl the top of the table top su...Category
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