Vintage Maple Frame Knoll Sofa by Lewis Butler for Knoll

Iconic Florence Knoll three-seat sofa in original berry fabric. Chrome legs. Chrome has been restored. Measures: 90 in.

A midcentury Knoll classic designed by Florence Knoll. This three person sofa features tufted black leather upholstery with chrome plated steel legs. Measures: 90". Recently restored.

May 1963, an ambitious graduate of the Kendall School of Design in Grand Rapids, Michigan, decided he wanted to design contemporary seating. That young man was Jack Cartwright. His name also became the name of the company he started with just one other employee, a production specialist. Together they pursued a clear vision: “To provide the market with upholstered furniture of modern design, produced with exceptionally high quality and priced within reach of many” Vintage midcentury sofa...

Janus sofa #6329 by Edward Wormley for Dunbar Stunning sofa recently restored in champagne velvet with tufting. Mahogany base.  

Curved Tufted Sofa by Ward Bennett for Brickel Associates Gently curved classic design. Button tufted pin stripe fabric. Walnut legs. See lounge...

A high back Bernie sofa designed by Douglas Levine and made by Bright Furniture which is known for its eco-friendly production. Upholstered in a camel ...

Created in 1955 by Lewis Butler, senior designer and later head of Knoll’s Planning Unit, this lounge chair, model 645, features a dynamic but clean-lined frame of maple into which are set angled planks of walnut plywood to form the seat and backrest. Upholstered pillows...

Lewis Butler model 645 lounge chair for Knoll.

A classic mid-century tufted sofa by Florence Knoll Sofa for Knoll International c.1950s, USA. It can easily be floated in the center of a room as the b...

Pristine Florence Knoll sofa for Knoll International. Upholstered in gorgeous Sina Pearson fabric. Florence Knoll was a pioneering designer and entrepreneur who created the modern look and feel of America’s postwar corporate office with sleek furniture, artistic textiles and an uncluttered, free-flowing workplace environment. To connoisseurs of Modernism, the mid-20th century designs of Florence Knoll, were — and still are — the essence of the genre’s clean, functional forms. Transcending design fads, they are still influential, still contemporary, still common in offices, homes and public spaces, still found in dealers’ showrooms and represented in museum collections. Ms. Knoll learned her art at the side of Modernist masters. She was a protégé of the German-American architect Ludwig Mies van der Rohe and Eliel Saarinen, the Finnish architect and teacher and the father of the architect Eero Saarinen. And she worked with the renowned Bauhaus architects Walter Gropius and Marcel Breuer. Throughout her career, influenced by the German Bauhaus school of design, she promoted the Modernist merger of architecture, art and utility in her furnishings and interiors, especially — although not exclusively — for offices. In the 1940s, she married and became a business partner of the German-born furniture maker Hans Knoll, and over 20 years she was instrumental in building Knoll Associates into the largest and most prestigious high-end design firm of its kind, with 35 showrooms in the United States and around the world. While her husband handled business affairs, Ms. Knoll was the design force of Knoll Associates. It grew to become the leading innovator of modern interiors and furnishings in the 1950s and ’60s, transforming the CBS, Seagram and Look magazine headquarters in Manhattan, the H. J. Heinz headquarters in Pittsburgh and properties across the United States, Europe, Asia and South America, including American embassies. Her “total design” favored open work spaces over private offices, and furniture grouped for informal discussions. It integrated lighting, vibrant colors, acoustical fabrics, chairs molded like tulip petals, sofas and desks with chrome legs...

Pristine Florence Knoll Sofa for Knoll International. Upholstered in gorgeous Sina Pearson fabric. Florence Knoll was a pioneering designer and entrepreneur who created the modern look and feel of America’s postwar corporate office with sleek furniture, artistic textiles and an uncluttered, free-flowing workplace environment. To connoisseurs of Modernism, the mid-20th-century designs of Florence Knoll, were — and still are — the essence of the genre’s clean, functional forms. Transcending design fads, they are still influential, still contemporary, still common in offices, homes and public spaces, still found in dealers’ showrooms and represented in museum collections. Ms. Knoll learned her art at the side of Modernist masters. She was a protégé of the German-American architect Ludwig Mies van der Rohe and Eliel Saarinen, the Finnish architect and teacher and the father of the architect Eero Saarinen. And she worked with the renowned Bauhaus architects Walter Gropius and Marcel Breuer. Throughout her career, influenced by the German Bauhaus school of design, she promoted the Modernist merger of architecture, art and utility in her furnishings and interiors, especially — although not exclusively — for offices. In the 1940s, she married and became a business partner of the German-born furniture maker Hans Knoll, and over 20 years she was instrumental in building Knoll Associates into the largest and most prestigious high-end design firm of its kind, with 35 showrooms in the United States and around the world. While her husband handled business affairs, Ms. Knoll was the design force of Knoll Associates. It grew to become the leading innovator of modern interiors and furnishings in the 1950s and ’60s, transforming the CBS, Seagram and Look magazine headquarters in Manhattan, the H. J. Heinz headquarters in Pittsburgh and properties across the United States, Europe, Asia and South America, including American embassies. Her “total design” favored open work spaces over private offices, and furniture grouped for informal discussions. It integrated lighting, vibrant colors, acoustical fabrics, chairs molded like tulip petals, sofas and desks with chrome legs...

Florence Knoll Parallel Bar Armed Sofa. Newly reupholstered in a great weave fabric in shades of red, gray and purple. Very solid and subst...