Pair of Tall Narrow Armoires by Henredon

Early 1940's sideboard or linen press by Lorin Jackson for Grosfeld House. Two banks of four open drawers behind double doors. Carved foliate handles and curved notched corners. T...

1970 designed "Moods" tall boy wardrobe designed by O. B. Solie for Ello Furniture Mfg. Co. clad in gunmetal tinted brushed stainless steel and smoked mirror. Post Moden space age vibe, luxury construction. Six smoked mirror clad drawers on left side and two cabinets on right side with doors clad in tinted mirror. Each cabinet has a single removable shelf. Blackened metal pulls. White laminate interior. Smoked mirrored glass on top of case. Case floats 7' above the floor on smoked stainless clad slab sides. Please see our separate Ello listings for the matching queen size floating platform bed...

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...

Henredon scene two credenza sideboard buffet cabinet in olive ash burl bookmatched veneer with zebra wood radiused corners and four flush doors with spring clip...

Chinese Qing Dynasty wedding cabinet in black lacquer with red accents featuring large circular brass medallion hardware on two 45 inch high doors above two drawers. The interior is...

Single nightstand with an open cabinet and single drawer above, the face of which has been decoratively incised with a pattern of flowers and embellished with solid brass belting, circa 1959. Very clean inside and out. Patination to brass. Discretely concealed electric cord for your lamp and phone...

Dutch Oak Linen press cupboard armoire. Made in the 18th century the cabinet work is still excellent to this day, these pieces were often made for larg...

Armoire or wardrobe with two drawers and nice carvings. Very well-built with dovetail joints all around. Lock and key still work. Has rod for hanging clothes but we can modify an int...

Lucien Rollin Massive Art Deco Style Marquetry Armoire by William Switzer Give your living space a touch of elegance with this stunning Lucien Rollin massive art deco style marquetr...

20th c., A beautiful custom made Louis XVI style armoire, hand painted with a flowering urn motif, in pale beiges on a light cream background. The upper cabinet interior has been fitted with two shelves and has space for electronics. This section could easily be converted into hanging space for clothes or for linen storage. The lower section of the cabinet has three drawers. The quality of the painting is exquisite. The designer commissioned for this piece, Ned Marshall, is a master at beautifully painted furniture. A piece like this would have been time consuming and costly to produce. The cabinet is unmarked. Dimensions: 80"h x 49"w x 27"d Condition: Good. Overall condition is very clean, with paint intact. There are a few small nicks and scratches, consistent with age and use. There is a small (and inelegant) cut-out at the back of the upper cabinet. Shows well and ready to place, Provenance: A Private Collection: 600 West 115th Street, NYC; Ned Marshall Interiors, Inc. About Ned Marshall Interiors, Inc.: His work has appeared in Architectural Design, House + Garden, House Beautiful, Town & Country, The New York Times, New York Magazine, Vogue Magazine and The Advocate and books such as “Big Easy Style”, “40 years of Fabulous”, “House Beautiful Windows”, “Rooms with a View”, “Interior Visions...

A Spanish Mission style armoire / linen press by Drexel Heritage, from their Sonora Collection. Solid pine with an antiqued finish, metal hardwar...

An exquisite French Renaissance Revival Bibliotheque, Linen press or display cabinet. Circa mid 19th cenutry. A large rectangular oak case centered by original 3/4 length glass between turned and fluted columns. Lower side of doors features an inset baroque cartouche with fruit basket and foliate motif within an arched deisgn. Upper molding is stylized with a dentil molding over acanthus frieze. Opens to four adjustable shelves. Case is supported by bun feet. With large full length doors, we often look at antique armoires as passageways to secret rooms or even different worlds. While most antique armoires don’t take us to a different dimension, they nonetheless add incredible charm and beauty to both new and old homes alike. Before closets were built into rooms, a solid wood free-standing wardrobe or “armoire” (French for Wardrobe) was standard for storing clothes. However, not all could afford such a luxury, and many antique wardrobes belonged to the upper classes who owned more than one set of clothes. Thus, on antique armoires from the 17th, 18th and 19th centuries, we often see artistic embellishments and luxurious details. Antique French armoires often have Rococo or Gothic carvings, mirrored doors and naturalistic carvings. These feminine elements on antique French armoires demonstrate a high level of craftsmanship and artistry afforded only by the rich. The phrase Knock-down referes to the ability for these pieces to be easily disassembled and re-assembled. This allowed for these massive...