Vintage Mid Century Modern Herman Miller No1 Eames Conference Table
About the Item
- Creator:Herman Miller (Designer),Charles and Ray Eames (Designer)
- Dimensions:Height: 28.35 in (72 cm)Width: 79.93 in (203 cm)Depth: 41.74 in (106 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:Bamboo,Chrome,Hand-Crafted
- Place of Origin:Europe
- Period:Mid-20th Century
- Date of Manufacture:20th Century
- Condition:Wear consistent with age and use. Minor fading.
- Seller Location:GB
- Reference Number:1stDibs: LU2823328217352
Herman Miller
No other business of its kind did more than the Herman Miller Furniture Company to introduce modern design into American homes. Working with legendary designers such as Charles and Ray Eames, George Nelson and Alexander Girard, the Zeeland, Michigan-based firm fostered some of the boldest expressions of what we now call mid-century modern style. In doing so, Herman Miller produced some of the most beautiful, iconic and, one can even say, noblest furniture ever.
Founded in 1923, Herman Miller was originally known for grand historicist bedroom suites: heavily ornamented wood furniture that appealed to a high-minded, wealthier clientele. The company — named for its chief financial backer — began to suffer in the early 1930s as the Great Depression hit, and D.J. De Pree, the company’s CEO, feared bankruptcy. In 1932, aid came in the form of Gilbert Rohde, a self-taught furniture designer who had traveled widely in Europe, absorbing details of the Art Deco movement and other modernist influences. After persuading De Pree that the growing middle-class required smaller, lighter household furnishings, Rohde set a new course for Herman Miller, creating sleek chairs, tables and cabinetry that were the essence of the Streamline Moderne style.
Rohde died suddenly in 1944. The following year, De Pree turned to George Nelson, an architect who had written widely about modern furniture design. Under Nelson’s leadership, Herman Miller would embrace new technologies and materials and audacious biomorphic forms. Some of the pieces the company produced are now emblems of 20th century American design, including the Eames lounge chair and ottoman and Nelson’s Marshmallow sofa and Coconut chair. As you can see on 1stDibs, such instantly recognizable furnishings have become timeless — staples of a modernist décor; striking, offbeat notes in traditional environments.
Charles and Ray Eames
Charles Eames and Ray Eames were the embodiment of the inventiveness, energy and optimism at the heart of mid-century modern American design, and have been recognized as the most influential designers of the 20th century.
As furniture designers, filmmakers, artists, textile and graphic designers and even toy and puzzle makers, the Eameses were a visionary and effective force for the notion that design should be an agent of positive change. They are the happy, ever-curious, ever-adventurous faces of modernism.
Charles (1907–78) studied architecture and industrial design. Ray (née Beatrice Alexandra Kaiser, 1912–88) was an artist, who studied under the Abstract Expressionist painter Hans Hofmann. They met in 1940 at the Cranbrook Academy of Art in suburban Detroit (the legendary institution where Charles also met his frequent collaborator Eero Saarinen and the artist and designer Harry Bertoia) and married the next year.
His technical skills and her artistic flair were wonderfully complementary. They moved to Los Angeles in 1941, where Charles worked on set design for MGM. In the evenings at their apartment, they experimented with molded plywood using a handmade heat-and-pressurization device they called the “Kazam!” machine. The next year, they won a contract from the U.S. Navy for lightweight plywood leg splints for wounded servicemen — they are coveted collectibles today; more so those that Ray used to make sculptures.
The Navy contract allowed Charles to open a professional studio, and the attention-grabbing plywood furniture the firm produced prompted George Nelson, the director of design of the furniture-maker Herman Miller Inc., to enlist Charles and (by association, if not by contract) Ray in 1946. Some of the first Eames items to emerge from Herman Miller are now classics: the LCW, or Lounge Chair Wood, and the DCM, or Dining Chair Metal, supported by tubular steel.
The Eameses eagerly embraced new technology and materials, and one of their peculiar talents was to imbue their supremely modern design with references to folk traditions. Their Wire chair group of the 1950s, for example, was inspired by basket weaving techniques. The populist notion of “good design for all” drove their molded fiberglass chair series that same decade, and also produced the organic-form, ever-delightful La Chaise. In 1956 the Eames lounge chair and ottoman appeared — the supremely comfortable plywood-base-and-leather-upholstery creation that will likely live in homes as long as there are people with good taste and sense.
Charles Eames once said, “The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests.” For very good collectors and thoughtful interior designers, a piece of design by the Eameses, the closer produced to original conception the better, is almost de rigueur — for its beauty and comfort, and not least as a tribute to the creative legacy and enduring influence of Charles and Ray Eames.
The collection of original Eames furniture on 1stDibs includes chairs, tables, case pieces and other items.
- ShippingRetrieving quote...Ships From: United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Restored 1960's Herman Miller No1 Hardwood Eames Lounge Armchair and OttomanBy Herman Miller, Charles and Ray EamesLocated in GBWe are delighted to offer for sale extremely rare and important lightly restored, original, Herman Miller No1 1960's black leather and Rosewood lounge armchair and ottoman This is...Category
Vintage 1960s European Mid-Century Modern Lounge Chairs
MaterialsLeather, Hardwood
- Restored Pair of 1960 Herman Miller No1 Hardwood Eames Lounge Armchairs OttomansBy Charles Eames, Herman Miller, Charles and Ray EamesLocated in GBWe are delighted to offer extremely rare and important pair of fully restored, original, Herman Miller No1 & Herman Miller Hillie circa 1958-1960 black leather and Rosewood lounge armchairs and ottomans These are pretty much the most iconic and well known armchair and ottoman ever made, exhibited countless times, displayed in the V&A, Metropolitan Museum of Art, winners of countless awards these are the simply put the finest suite around They have been on a journey, I’ve had all pieces stripped to the bare shells, the frames have been washed back and traditionally French polished, the leather all restored and hand dyed the original nero black, they are the finest example pair anywhere in the world today One suite has the black Herman Miller No1 label, the other, the earlier redish Herman Miller Hillie label Condition wise, the restoration has been done in such a way to keep all the original charm and patina but make them gallery ready, they will have age and use related patina marks here and there but mostly they are in very fine order Dimensions armchairs Height:- 80.5cm Width:- 85cm Depth:- 86.5cm Seat height:- 41cm Dimensions ottomans Height:- 42cm Width:- 65.5cm Depth:- 53.5cm Please note all measurements are taken at the widest point, MUST READ! The Eames Lounge Chair and ottoman are furnishings made of molded plywood and leather, designed by Charles and Ray Eames for the Herman Miller furniture company. They are officially titled Eames Lounge ( 670 ) and Ottoman ( 671 ) and were released in 1956 after years of development by designers. It was the first chair that the Eameses designed for a high-end market. Examples of these furnishings are part of the permanent collection of New York's Museum of Modern Art. Design Charles and Ray Eames sought to develop furniture that could be mass-produced and affordable, with the exception of the Eames Lounge Chair. This luxury item was inspired by the traditional English club chair. The Eames Lounge Chair is an icon of Modern style design, although when it was first made, Ray Eames remarked in a letter to Charles that the chair looked "comfortable and un-designy". Charles's vision was for a chair with "the warm, receptive look of a well-used first baseman's mitt." The chair is composed of three curved plywood shells covered with veneer: the headrest, the backrest and the seat. The layers are glued together and shaped under heat and pressure. The shells and the seat cushions are essentially of the same shape, and composed of two curved forms interlocking to form a solid mass. The chair back and headrest are identical in proportion, as are the seat and the ottoman. The products have changed in various ways over time. Beginning in 1956 and running through the very early 1990s, the shells were made up of five thin layers of plywood which were covered by a veneer of Brazilian rosewood. The use of Brazilian rosewood was discontinued in the early 1990s, and current production since then consists of seven layers of plywood covered by finishing veneers of cherry, walnut, palisander rosewood (a sustainably grown wood with similar grain patterns to the original Brazilian versions), and other finishes. Small changes include the sets of spacers between the aluminum spines and the wood panels, originally of rubber, later hard plastic washers, and the number of screws securing the armrests, originally three, changed to two in second-series models, while the "domes of silence" (glides/feet) on the chair base originally had thinner screws attaching them to the aluminum base than those on later chairs, and the zipper around the cushions, either brown or black on early models, was later black only. Further, early ottomans had removable rubber slide-on feet with metal glides, and early labels are of oblong foil. History The Eames Lounge Chair first...Category
Vintage 1960s Danish Mid-Century Modern Lounge Chairs
MaterialsLeather, Hardwood
- Italian 1970's Mid-Century Modern Vintage Chrome Brass & Glass Console TableLocated in GBWe are delighted to offer for sale this very fine, circa 1970’s Mid Century Modern chrome, brass and glass large consoles table. A good looking well made and decorative piece, the...Category
Vintage 1970s European Mid-Century Modern Console Tables
MaterialsChrome
- VINTAGE MID CENTURY MODERN MARCEL BREUER CESCA HABITAT EXTENDING DiNING TABLEBy Marcel BreuerLocated in GBRoyal House Antiques Royal House Antiques is delighted to offer for sale this vintage Mid Century Modern, Marcel Breuer Cesca designed for Habitat, black Ash & Chrome extending dining table...Category
20th Century European Mid-Century Modern Dining Room Tables
MaterialsChrome
- 1 of 10 Vitra Eames Herman Miller Black Leather Swivel Office ChairsBy Charles Eames, Herman Miller, VitraLocated in GBWe are delighted to offer for sale 1 of 10 original vintage Charles & Rays Eames, Vitra, Herman Miller high back black leather office swivel ar...Category
20th Century English Modern Swivel Chairs
MaterialsChrome
- HIGHLY COLLECTABLE MiD CENTURY MODERN MAISON BAGUES GUERIDON OCCASIONAL TABLEBy Maison BaguèsLocated in GBRoyal House Antiques Royal House Antiques is delighted to offer for sale this super rare and highly Collectable Maison Bagues Gueridon table pu...Category
Mid-20th Century French Mid-Century Modern Tables
MaterialsBrass
- Eames large dining / conference table for Herman MillerBy Charles and Ray Eames, Herman MillerLocated in Brussel, BEIconic large conference table or dining table by Eames for Herman Miller. The top is in 2 parts and the bottom in 3 parts.Category
Vintage 1960s American Mid-Century Modern Conference Tables
MaterialsMetal
- Eames Herman Miller Mid Century Conference Dinning Table, 1960s 245cm DiameterBy Charles and Ray Eames, Herman MillerLocated in Mortsel, BEIntroducing the large conference table by Herman Miller Eames, a striking centerpiece that commands attention with its impressive size and timeless allure. The wooden tabletop, showc...Category
Late 20th Century American Mid-Century Modern Conference Tables
MaterialsMetal, Steel
- Charles & Ray Eames for Herman Miller Conference Dining TableBy Charles and Ray Eames, Herman MillerLocated in San Pedro Garza Garcia, Nuevo LeonRosewood top Aluminum Group Conference Table, missing a padded leg.Category
Vintage 1970s American Mid-Century Modern Conference Tables
MaterialsAluminum
- Charles & Ray Eames for Herman Miller 6' Conference Dining TableBy Charles and Ray Eames, Herman MillerLocated in South Charleston, WV71.75 x 41.75 x 27 7/8". Table was designed by Charles and Ray Eames in the early 1960s for Herman Miller, This model produced 1980. Laminate combed oak top. Signed to underside. Fea...Category
Vintage 1980s American Mid-Century Modern Conference Tables
MaterialsAluminum
- Vintage Mid Century Modern Eames Herman Miller TableBy Charles and Ray Eames, Herman MillerLocated in Chicago, ILVintage Mid Century Modern Eames Herman Miller Table This small table would is a cute stand that you can display statues, drinks, or other s...Category
21st Century and Contemporary American Mid-Century Modern Tables
MaterialsChrome
- Charles and Ray Eames Round Conference Table by Herman MillerBy Charles and Ray Eames, Herman MillerLocated in Van Nuys, CALarge 8' foot Charles and Ray Eames designed round conference table by Herman Miller. The table features a large two-piece round laminate...Category
Vintage 1960s American Mid-Century Modern Conference Tables
MaterialsAluminum, Steel
Recently Viewed
View AllRead More
The 21 Most Popular Mid-Century Modern Chairs
You know the designs, now get the stories about how they came to be.
A Guide to Herman Miller’s Most Iconic Furniture
The prolific manufacturer has partnered with many of the world’s top designers since opening its doors in 1923. Here are some of the company’s greatest hits, which helped transform the American home and office.