Elegant Pair of Neo-Greek Bronze Stands Attributed to G. Servant

Rare pair of Greek style candelabras made in patinated bronze and gilded bronze, attributed to G. Servant. Each with ten light arms topped by a heron shaped extinguisher. Decorated with various Greek style motifs such palmets, pine cones ans water leaves. Standing on a small triangular architecture presenting a theatre mask and reposing on a tripod base formed with lion paw feet. Georges Emile Henri Servant (circa 1828-1890), who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860’s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York. But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a Gold Medal for his neo-Greek and Egyptian works (Les Merveilles...

Beautiful silvered bronze neo-Greek style bowl in a circular shape, adorned on the body with female masks in the antique style and on the sides with handles in the shape of busts of ...

Rare pair of Greek style floor lamps made in patinated bronze attributed to G. Servant, each surmounted of a frosted glass globe engraved of stars and a Greek motif frieze. The body of the vase, decorated with Greek style patterns such as palmets, Greek motif frieze and water leaves, stands on a shaft decorated with deer heads. Fine chains are connected to a delicate butterfly. The set is based on tripod legs with lion claw feet alternating large palmets. Height : 183 cm (72 in.) ; 213 cm (83 3/4 in.) with glass shades ; Diameter : 43 cm (19 2/3in.) Georges Emile Henri Servant (1828-c.1890), who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860’s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York. But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

Pair of patinated and gilded bronze turntable pedestals with for each of them, three paw feet, headed by stylized lion muzzles, ornated with beaded chains and joined by a fine foliate stretcher. The belt is adorned by a banded frieze cast in low-relief representing an ancient scene : “The Battle of the Lapithes and the Centaurs”. These pedestals can be associated with the "Vases de Bacchus", presented by G. Servant at the 1867 Exposition Universelle, on which the similar ornamentation is applied. (Reproduced in « Merveilles de l'Exposition Universelle de 1867 », Jules Mesnard, p°167) Biography : Georges Emile Henri Servant...

A black and red marble clock in the shape of an Egyptian temple attributed to G. Servant, flanked by double columns inscribed with hieroglyphs and ornated with a winged uraeus, all made in two patina bronze. The clock is surmounted by a patinated bronze sphinx. Resting on four bronze faces wearing the nemes and terminating in lion paw feet. Georges Emile Henri Servant (circa 1828-1890) who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his sphinx clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York (A similar clock is now exposed at the Metropolitan Museum of Art, New York). But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

A pair of neo-Greek wall-light sconces executed in two patina bronze attributed to F. Barbedienne. The central up-turned foliage stem, surmounted by a Greek style vase...

An absolutely incredible console in solid bronze with a black steel table top. The table which has had a steel top inserted is made in the matter of the work of Diego Giacometti, bro...

Beautiful discover, it was very distressed and has be refurbished in a distressed look in Black with large patinated gold flecks and a celadon green undertones as well. Could be used...

Stunning American late 19th century wall mounted Console attributed to A. H. Davenport. Console is as found and has an old lacquered finish over the original finish which is showing ...

Pair of Italian Neo-classic (19th Century) demilune top console tables with faux rosewood & ebonized trimmed painted finish and decorated with foliage on apron. (PRICED AS Pair)

Similar in style to Grosfeld House, a pair of excellent single drawer entry consoles on pedestal bases with a flowering column and hand carved details. This model is identical to doc...

Pair Of French Art Deco Console Tables Attributed To André Arbus. These stunning French Art Moderne or French Art Deco u-shaped console tables are constructed of brushed aluminum wi...