Ligne Roset Dining Room Expandable Table & Marcel Breuer Leather Corset Chairs
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Ligne Roset Dining Room Expandable Table & Marcel Breuer Leather Corset Chairs
About the Item
- Creator:Marcel Breuer (Designer),Ligne Roset (Manufacturer)
- Dimensions:Height: 29 in (73.66 cm)Width: 67 in (170.18 cm)Depth: 37 in (93.98 cm)Seat Height: 17.5 in (44.45 cm)
- Sold As:Set of 5
- Style:Mid-Century Modern (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:1990-1999
- Date of Manufacture:1990s
- Condition:Wear consistent with age and use.
- Seller Location:West Hartford, CT
- Reference Number:1stDibs: LU3072314742041
Marcel Breuer
The architect and designer Marcel Breuer was one the 20th century’s most influential and innovative adherents of modernism. A member of the Bauhaus faculty, Breuer — like such colleagues as the architects Walter Gropius and Ludwig Mies van der Rohe, and the artists and art theoreticians László Moholy-Nagy and Josef Albers — left Europe in the 1930s to champion the new design philosophy and its practice in the United States.
Born in Hungary, Breuer became a Bauhaus student in 1920 and quickly impressed Gropius, the German school’s founder, with his aptitude for furniture design. His early work was influenced by the minimalist Dutch design movement De Stijl — in particular the work of architect Gerrit Rietveld.
In 1925, while he was head of the Bauhaus furniture workshop, Breuer realized his signature innovation: the use of lightweight tubular-steel frames for chairs, tables and sofas — a technique soon adopted by Mies and others. Breuer’s attention gradually shifted from design to architecture, and, at the urging of Gropius, he joined his mentor in 1937 on the faculty of Harvard and in an architectural practice.
In the 1940s, Breuer opened his own architectural office, and there his style evolved from geometric, glass-walled structures toward a kind of hybrid architecture — seen in numerous Breuer houses in New England — that pairs bases of local fieldstone with sleek, wood-framed modernist upper floors. In his later, larger commissions, Breuer worked chiefly with reinforced concrete and stone, as seen in his best-known design, the brutalist inverted ziggurat built in New York in 1966 as the home of the Whitney Museum of American Art.
Breuer’s most famous furniture pieces are those made of tubular steel, which include the Wassily chair — named after Wassily Kandinsky and recognizable for its leather-strap seating supports — and the caned Cesca chair.
Breuer also made several notable designs in molded plywood, including a chaise and nesting table for the British firm Isokon and a student furniture suite commissioned in 1938 for a dormitory at Bryn Mawr College. Whether in metal or wood, Breuer’s design objects are elegant and adaptable examples of classic modernist design — useful and appropriate in any environment.
Find vintage Marcel Breuer seating, storage cabinets and lighting on 1stDibs.
Ligne Roset
With enduring designs like the immensely plush, Pop art–inspired Togo lounge chair and sofa, Ligne Roset has become synonymous with radical luxury furniture. However, when Antoine Roset (1841–93) started the company in 1860 in the small French town of Oussiat, its focus was on wooden umbrella handles.
In 1892, Ligne Roset’s founder expanded with a property in Montagnieu where he set up a wood-processing factory, eventually expanding into manufacturing chairs. After his death, his wife, Marie-Victorine, took over before his son, Emile Roset, began leading the company in the 1910s. It wasn’t until after World War II that Antoine’s grandson, Jean Roset, would recognize the need for furniture in settings like schools, hospitals and retirement homes and take inspiration from Scandinavian modern design for functional pieces made primarily from affordable beech.
Under Jean, Ligne Roset supplied quite a few European institutions with beautiful wood furnishings. In the 1970s, he shifted the company’s focus again, this time looking to domestic and residential markets. Around this time, Jean’s two sons, Pierre and Michel, joined the company. Ligne Roset opened its first store in 1973 with one of the most popular collections being designer Michel Ducaroy’s Togo modular sofa and chairs — classics of contemporary French design that look like oversize bent pillows.
After the success of this initial designer collaboration, Ligne Roset brought on more guest designers over the following decades, including Didier Gomez, Pascal Mourgue, Peter Maly, Pierre Paulin, Inga Sempé and Ronan and Erwan Bouroullec. Paulin’s Elysée sofa and Pumpkin chair — designed in 1971 for Elysée Palace — are among the brand’s most popular pieces.
The brand continues to be run by the Roset family who works on revolutionary furniture in partnership with a variety of collaborators. It has operated in Briord since 1973 where it produces its iconically sleek and innovative pieces.
Find new and vintage Ligne Roset sofas, lounge chairs, tables and other furniture on 1stDibs.
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