Miter Side Table in Yellow Acrylic by Mock Studio

The Sofia bookshelf derives its form via a process of balancing forms that appear to be subtracted from one another, the result being a precariously delicate-looking and sculptural s...

Constructed from heavy-duty 1/4-inch aluminum plates, the Domino bookshelf is both a display shelf for medium-format art books as well as a spatial di...

Constructed from charred ash boards, the minimal Domino armchair by Brooklyn-based Mock Studio rethinks the idea of an armrest as side table. Low and loungey, mounted on wheels and w...

The Tubes series was initiated during lockdown in the spring of 2020, when the Italian studio Zaven's married co-founders were stuck at home. "We decided to build a new piece of furn...

For the Impronta terracotta duo of tables, Peca designer Caterina Moretti was invited by her friend, the Australian designer Andrew Carvolth, to r...

Los Angeles–based artist Christopher Norman's work explores the traits of molded forms executed in exceptional woods. In any setting, they call out to be used and enjoyed. Each item ...

This is Carnevale Studio’s first acrylic collection of tables. Shown first on 1stdibs. This collection consist of a coffee table, side table & bedside table. Jessica had been w...

This is Carnevale Studio’s acrylic collection of tables. Shown first on 1stdibs. This collection consist of a coffee table, side table & bedside table. Jessica had been working...

The Miter Coffee Table is 42” in diameter and 16” tall. The default top is rift-sawn white oak and the bases are solid white oak. Materials, finishes, and sizes may be optioned out a...

The Bold tables & stools are the recognition of materiality renewed, meant to be touched and used. BOLD is seamingly an easy oriental symbols, though it’s fate is no stranger to tha...

The Bold tables & stools are the recognition of materiality renewed, meant to be touched and used. BOLD is seamingly an easy oriental symbols, though it’s fate is no stranger to tha...

Codex or Códice means in latin a chunk of wood, it’s also used to refer to hand written manuscripts. Mayan and Mexica Codices were written in wood bark, mostly in pictorial Glyphs, but also using a numerical system that consists of dots and dashes and a special symbol for zero. In this series we wanted to translate and abstract this idea of the knowledge and essence of a Códice; the importance of communication and its evolution through time, through the wood carvings both in its geometrical and systematic patterned repetition of its drawer in contrast with the organic and random carvings made by the artisanal technique of “conchitas, hand chiseled by master artisans in Antigua guatemala.