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Sumptuous Large Original William Foster Still Life Painting of a Banquet Table

Name: Sumptuous Large Original William Foster Still Life Painting of a Banquet Table
Brand: William Frederick Foster
Price: 3100 USD
Availability: InStock

About the Item

Sumptuous, very large, original oil on canvas board, still life painting depicting a banquet table. This painting is a virtuoso display of how artist William Frederick Foster (1883-1953) captures texture in paint. You can see this in the mouth watering fruit, crustacea and other samplings laid upon the table as well as the masterfully painted reflective surfaces of the copper tea pot, wine bottle and the gathered table cloth. Painting is framed in the original wood frame. Painting framed measures 34.5” high x 46” wide x 1.5” deep. Painting unframed measures 30.5” high x 42.5” wide. William Foster was born in Cincinnati, Ohio, in 1883. He became a noted figure painter and illustrator, living the last twenty-one years of his career in Los Angeles, California. At age 12, he moved with his family to Colorado, but in 1898, he returned to Cincinnati and enrolled at the Art Academy where he studied with Joseph Henry Sharp and Frank Duveneck. His early ambition was to be a violinist, but he was re-focused on fine art when he saw a painting by Albert Ceck Wenzell. In 1902, he went to New York City where he painted scenery for theaters, auditoriums, and large department stores. He also studied at the New York School with Robert Henri and William Merritt Chase, and from 1903 to 1931, he worked as an illustrator and with a brief teaching stint in 1919 at the Art Institute of Chicago. In 1903, he sold his first illustration, a depiction of high society, to Life magazine, and the style was very similar to Wenzell. From that time, he worked for most of the major magazines including Collier's, The Saturday Evening Post and Harper's Monthly. In 1926, he won the National Academy of Design's Thomas B. Clarke Prize for the best figure composition painted in the United States by a non-academician. The following year, he was voted an Associate Member based on his recognition for a figure work titled The Girl in Brown. During World War I, he operated his own ambulance in France as a member of the American Volunteer Motor Ambulance Corps and also received mention as a camoufleur artist. Returning to the U.S., he resumed his illustration work and moved to Chicago, where he taught at the Art Institute. Foster moved to Los Angeles in 1932 and devoted his energy to painting, exhibiting and teaching. He taught at the Chouinard School of Art in Los Angeles and gave private classes in his studio. He also worked on a mural project at the Hearst estate in Wyntoon, California and was an active member of the California Art Club.

Creator:

William Frederick Foster (Artist)

Dimensions:

Height: 30.5 in (77.47 cm)Width: 42.5 in (107.95 cm)Depth: 1.5 in (3.81 cm)

Style:

American Classical (Of the Period)

Materials and Techniques:

Masonite,Hand-Painted

Place of Origin:

United States

Period:

Early 20th Century

Date of Manufacture:

1930s

Condition:

Wear consistent with age and use. Original oil on canvas board.

Seller Location:

Tustin, CA

Reference Number:

1stDibs: LU4033316269311

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Shop All William Frederick Foster

William Frederick Foster

William Frederick Foster was an American artist, painter and sculptor, born in Cincinnati, Ohio, in 1883. He became a noted figure painter and illustrator, living the last 21 years of his career in Los Angeles, California. At the age of 12 years, he moved with his family to Colorado, but in 1898, he returned to Cincinnati and enrolled at the Art Academy, where he studied with Joseph Henry Sharp and Frank Duveneck. Foster's early ambition was to be a violinist, but he was re-focused on fine art, when he saw a painting by Albert Beck Wenzell. In 1902, he went to New York City, where he painted scenery for theaters, auditoriums and large department stores. He also studied at the New York School, with Robert Henri and William Merritt Chase.

From 1903–31, Foster worked as an illustrator and had a brief teaching stint, in 1919, at the Art Institute of Chicago. In 1903, he sold his first illustration, a depiction of high society, to Life magazine, with the style very similar to Wenzell. From that time onwards, he worked for most of the major magazines, including Collier's, The Saturday Evening Post and Harper's Monthly. In 1926, he won the National Academy of Design's Thomas B. Clarke Prize, for the best figure composition painted in the United States by a non-academician. The following year, Foster was voted an Associate Member, based on his recognition for a figure work titled, The Girl in Brown.

During World War I, Foster operated his own ambulance in France, as a member of the American Volunteer Motor Ambulance Corps and also received mention as a camoufleur artist. Returning to the U.S., he resumed his illustration work and moved to Chicago, where he taught at the Art Institute. He moved to Los Angeles, in 1932 and devoted his energy to painting, exhibiting and teaching. He taught at the Chouinard School of Art, in Los Angeles and gave private classes in his studio. Foster also worked on a mural project at the Hearst estate, in Wyntoon, California and was an active member of the California Art Club.