Charcoal and Pencil Rendering of a Chestnut Horse

Charcoal Drawing of contemplative man in burl wood walnut gold lined frame. Signed on the right hand corner "O'Connor".

Pair of beautiful 19th century French Porphyry lamps with gilt bronze accents in the form of Ram's heads and Classical beaded banding. The pair are mounted on a gold leafed stepped b...

Pair of early 19th century Louis XIV style variegated amethyst marble with hand-wrought bronze entwining snake handles, braided leaf base, and circular be...

Pair of shell and twisted root spoons from the early 19th C. Handcrafted in Japan in a style that was celebrating nature. Very unique and rare.

Featured in the 2015 San Francisco Decorators Showcase House, this pair of Portuguese style 'corona' benches/stools is custom designed by Candace Barnes Now. Upholstered in hand stam...

Turn of the century pair of French, five-light, three-tier, bronzed appliqués with hand-cut crystal pendulums and amber and amethyst glass grape clusters...

A very large, oil on canvas, rendering of a future building for Crest Corp drawn in 1966 of John F. Kennedy Blvd in Philadelphia, Pennsylvania. Signed "Richard Bobby 9.66 Crest Corp ...

Architectural rendering of a Southern California ranch-style home by the artist Perrin. A watercolor rendering featuring greens and browns, with lush ...

Two mixed-media portraits of women. Pencil and charcoal. The frames are 19th century but the art work is signed Peter Nickel 1987.

Two mixed-media portraits of women. Pencil and charcoal. The frames are 19th century but the art work is signed Peter Nickel 1987.

Francesco Ballesio (Italian, 1860-1923). A fine orientalist pencil and watercolor heightened with gum Arabic on paper figure of "A Middle-Eastern Beauty at Rest" depicting a young maiden resting on a Persian rug laid down as a bed while holding a tambourine and next to a Moroccan ivory-inlaid octagonal table with a tea pot on top. Signed and inscribed 'Ballesio Roma Tivoli' (upper right). All within an ornate rococo gilt wood and gesso carved frame with a protective glass, Rome, circa 1890-1900, Frame height: 23 inches (58.4 cm). Frame width: 30 1/2 inches (30.5 cm). Frame depth: 2 1/4 inches (5.7 cm). Paper height: 15 inches (38.1 cm). Paper width: 21 1/2 inches (54.7 cm). Literature: A similar subject matter watercolor is catalogued and illustrated in Caroline Juler, "Les Orientalistes...

Although Herbert Hoover did not support the presence of a pavilion for the United States at the famed Exposition Internationale des Arts Décoratifs et Industriels Modernes (Internati...