Head of a Tiger Attributed to William Huggins '1820-1875'

William Henry Chandler (1854-1928) Pastel, a cottage in an autumn landscape, signed "Chandler" on lower right. Pastel on paper in period mahogan...

A pair of Georgian English 19th century portraits of a gentleman and a woman, oil on canvas, original frame and stretcher, crackle paint (stable condition) typical of older paintings...

Manner Of Luigi Maria Galea (1847-1917) circa 1900 The Grand Harbour, Valetta, early morning; and The Grand Harbour, Valetta, at dusk signed illeg...

An English 19th century portrait of a gentleman, oil on canvas, original frame and stretcher, crackle paint typical of older pain...

Watercolor A view of St. Paul's Cathedral in London- Sergio Manfredi (1932-?) Italian painter, Signed and dated "S. Manfredi 1958" lower left and inscribed "London St. Paul's Cathedr...

Kellogg & Comstock SHEPHERDESS OF THE ALPS original Kellogg & Comstock hand-colored lithograph, Published by D. Needham (American, 1808 - 1888). Circa. 1848-1850. image: 12 in x 8 1/2 in; 30.48 cm x 21.59 cm. overall: 15 in x 11 in; 38 cm x 28 cm. Strong and clear impression, overall very good condition, paper has a light oxidation and restored small tear middle left side Framed, no glazing This hand colored print is of a young girl and two goats standing near a stream in a forested area. The girl is wearing a knee-length dress with short puffed sleeves and long stockings. She is feeding a goat with flowers and grass from her apron. The original "Shepherdess of the Alps" appears to have been a play by Marmontel, which enjoyed great popularity in France, England, and America in the late eighteenth and early nineteenth centuries. The play inspired numberous paintings and prints. See Paul Grigaut,"Marmontel's Shepherdess of the Alps in Eighteenth Century Art," Art Quarterly (1949). The subject appears quite frequently in schoolgirl art...

Fruit still life on board signed Timmons. Attributed to William Federick Timmons(1915-1985) . Rich colors of blue, red and pink make up this fruit still life composition. The composition consists of fruit in a pedestal bowl and the detailed drapes in the background. Custom framed. This item can parcel ship for $45. William Frederick Timmins was born May 23, 1915 in Chicago, Illinois. His father, Harry L. Timmins (1887-1963), was a celebrated magazine illustrator and co-owner with Frank H. Young (1888-1964) of a successful Chicago advertising agency called Young & Timmins Advertising Illustration Studios. In 1923 Timmins and Young co-founded the American Academy of Art in Chicago. His father's impressive career brought the family a prosperous and privileged lifestyle, which included pleasure trips to Paris and London. In 1934 he began to commute by Metro North train to New York City, where he studied at the Art Students League on West 57th Street. He also took classes at the National Academy of Design on Fifth Avenue near 89th Street. In 1935 he began to study at the Grand Central School of Art, located on the sky-lit top floor of Grand Central Station Terminal. This was the same station he used for his daily commute. In 1935 he began to sell pen and ink story illustrations as well as painted covers to NYC publishers of pulp magazines. During the second half of the 1930s his work appeared in Western Story, Dime Sports, Clues Detective Stories, Thrilling Western, and All Aces Magazine. He and his wife moved to a home on Spectacle Lane in Wilton, CT. This area of Connecticut had become a popular artist community. He socialized with several artist neighbors, such as Benjamin Kimberly Prins (1902-1980), Tom Lovell (1909-1997), Richard Lyon (1913-2002), Al Parker (1906-1985), Rolf Klep (1904-1981), R. G. Harris (1911-2007). During the 1940s his cover illustrations appeared on pulp magazines, such as The Shadow, Clues Detective Stories, Wild West Weekly, and Astounding Science Fiction. All these were published by Street & Smith. In 1944 the family moved to Darien, CT. At first the artist worked in a rented studio in nearby Norwalk, CT, but after a while he converted a vacant family room into an art studio and worked at home. After the war he drew story illustrations for Family Circle and Liberty Magazine. In 1948 his father, Harry L. Timmins, and his brother, Harry L. Timmins, Jr., moved to California to open a lithography business in Hollywood. During the 1950s he illustrated several books for children that were published by Rand McNally, such as Cowboys, Davy Crockett...

Impasto Impressionist Oil on Canvas of a Woman With a Rose Attributed to Dietz Edzard. Incredible piece of fine art history. A perfect gift for a serious collector. There is no sign...

Abstract oil painting on canvas of a Venetian cityscape. Unframed. No signature. It is attributed to Sadanand k. Bakre. In muted colors consistent with his early work in Eur...

A striking work of decorative attributed to Beatrix Syjuco similar to her Method of Madness II painting, circa 2017. Pencil on canvas. Professionally framed, measures: 50" W x 36" ...

Attributed to Bartolomeo Pedon (Italian 1665-1732) "Ruins", circa 1700 Oil on canvas 69.5" x 52" inches framed 61" x 43.5" inches unframed Pedon was born in October 1665. In 1716, he became part of the Fraglia, a guild of Venetian painters. He lived the lifestyle of a Bohemian and had a strong taste for poetry. Pedon spent most of his career as a painter in Padua, in the Monastery of San Benedetto, and died in February 1733. The present painting, attributed to Pedon, relies on the late Seicento landscape culture of Northern Italy. The artist was clearly influenced by painters like Johann...

Behold "Abundantia," an oil masterpiece on panel, often attributed to the accomplished artist Angelica (Maria Anna) Kauffman (Italian/English, 1741-1807). This remarkable work of art...