Marble Paintings

A Superb Pietra Dura Highly Decorative Hanging Photograph Frame within a reeded giltwood surround, of exceptional quality and Italian origin, early to mid-Nineteenth Century. Finel...

"Set of ten stunning early 20th century Indian ragamala paintings on marble. “Ragamala paintings are a form of Indian miniature painting, a set o...

An impressive fine quality 19th century Italian Pietra Dura plaque of an elderly man holding a jug of wine, signed in the top right corner Oreste Innocenti. Depicts a smiling man clutching...

Extraordinary natural work, one of a kind It is signed by the Chinese artist. This Chinese extraordinary natural stone "painting" of thick varied colored bands suggest a slice...

A superb pair pietra dura highly decorative framed wall plaques, of exceptional quality and Italian origin, complete with their original giltwood frames, early to mid-19th century. ...

A beautiful 19 century Pietra Dura mosaic plaque of "The Cock Fight". This beautiful plaque was made utilizing the Pietra Dura technique, which uses highly po...

Extraordinary natural work, one of a kind. Custom framed. This Chinese extraordinary round natural stone painting of blue waves and rocks could remin...

Painting on canvas elephant made of marble dust. Mixte technical by painter Carole Ivoy.

A very fine Italian 19th-20th century Pietra Dura Plaque depicting a Musketeer drinking from a bottle of wine in a wine cellar, within an ornate giltwood carved frame. The back inscr...

An amazing 19th century Italian micro mosaic painting of a farmer and his two sons. Micro mosaic portion is the center oval. It is centered on a ...

Rare commissioned mosaic panel: . Jeanne Reynal (1903- 1983) Science For Measuring Altitudes 1950 70.5” H. x 45.5” W. White, black, grey marble; sulphur, blue smalti; Direct method, sorel cement on board The mosaic panel is framed in bronze Jeanne Reynal was born in White Plains, New York, in 1903. Her early training in mosaics came from Boris Anrep, a Russian mosaicist working in Paris. Reynal was one of twelve apprentices in Anrep’s studio from 1930-38. Upon her return to the United States, Reynal made her way to California, working in the San Francisco Bay area. She relocated to New York City in 1946, and soon became an active member and collector of the Abstract Expressionists. In 1955, she married the painter Thomas Sills. Reynal died in 1989. One of her earliest exhibitions was with Julian Levy in 1945. Jeanne Reynal’s next gallery affiliation was with Betty Parsons. She then joined Eleanor Ward’s Stable Gallery where she had a one person exhibit in 1954. She purchased a house in Greenwich Village in 1948 and was a well-known and popular hostess for the Surrealist and Abstract Expressionist communities in New York and internationally. As an art collector herself, she helped Arshile Gorky, Willem de Kooning, Mark Rothko among others by purchasing their work very early in their careers and hanging it prominently around her residence. In 1964, George Wittenborn published a monograph titled The Mosaics of Jeanne Reynal with essays by Dore Ashton, Lawrence Campbell, Elaine de Kooning, Bernard Pfriem...

A unique marble sculpture from the Springer showroom in NY. Insets of black marble into white. Unsigned but once had a signed plaque.