Paintings, Sand, Color, Elio Garis 2012

A pupil of Maurice Denis, whose sacred art workshop he frequented, he received from his master, after having fulfilled a function in public works, the taste for large compositions. He is essentially a painter of genre, nudes, bouquets as well as landscapes of North Africa. He exhibited at the Salon d'Automne, after 1919, at the Salon des Indépendants from 1921, and at the Tuileries, from 1923, and took part in several exhibitions abroad (notably at the Palais des Beaux-Arts in Mexico in September 1941). In 1922, he exhibited at the Parisian gallery Marcel Bernheim...

Small oil painting, representing a port from the 19th century, France. Gilt wood frame. Vintage canvas.

Dutch painting 19th representing a cottage scene with moonlight figures.

Ludwig KLIMEK was born in Krakow (Poland) in 1912. Ludwig KLIMEK was born in Krakow (Poland) in 1912. Fleeing the invasion of his country by German troops in 1939, he came to Franc...

Serie 8 Mecano chairs, color, italy, 80 th. Chairs made like industrial furniture, that's why they are very original. There is only one cushion m...

Plaster lamp in the style of Giacometti Composed of four branches. The luminaire is electrified in working order. Base E 27

Exceptional Abstract painting with sand period 1960, large format approaching an spychedelic atmosphere. Painting on paper with sand mounted on frame in very good condition! About the artist, I find a signature but i couldn t find the name! in very good condition. Original frame with green velvet. Sand painting, also known as "sand art...

Hemingway, 2012 A very vivid and colorful painting of Greddy Assa inspired from the real house of the writer back in Havana. The expression of this work is remarkable. Europe, Bul...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #14M is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Pain...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #29 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...

An exquisite piece by a late first-generation Aboriginal artist hailing from the esteemed Warlukulangu Art Centre. This artwork comes accompanied by a numbered certificate of authent...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #28 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...