'Study of Dogs', German mid-19th c. Painting

Max Nonnenbruch (1857 Viersen - 1922 Munich), student at the academy in Dusseldorf and Munich, went on study trips to Paris and Italy. Nonnenbruch, a representative of the German Symbolism, painted with preference idealized female figures. His works received international attention at the end of the 19th century and many work were sold to England, Scandinavia and America. Works by Nonnenbruch were exhibited since 1888 in the annual exhibitions of Munich, the Dresden Art...

A very decorative neoclassical 18th century Danish portrait painting of a young boy feeding a parrot with cherries. Signed by Erik Pauelsen and dated 1788. Oil on canvas, lined and framed. Measurements of the frame: 78 cm x 93 cm. Erik Pauelsen (1749–1790) was a Danish painter. He is most notable for his landscapes and was also a popular portraitist. From an early age he had his mind set on becoming an artist. He travelled to Copenhagen and studied at the Royal Danish Academy of Fine Arts from 1770-1777 where he won the large silver medal and the small gold medal in 1775 and finally the large gold medal in 1777 together with the Academy's travel scholarship. He travelled to Rome by way of Hamburg, Düsseldorf and Paris and visited Dresden and Berlin on his way back. During his travels he became a member of several foreign art academies and was granted the title of professor in Düsseldorf. After his return to Denmark, he became a member of the art academy, but was passed over for the post of professor by Jens Juel...

A very rare and elegant Biedermeier cabinet of architectural form. Very simple in design with a fantastic and warm burr-ash veneer, accentuated with ebonized thread inlay, discs and ...

An idealized portrait of the young Friedrich von Schiller. The poet's likeness finely carved in relief of white marble and seen in profile from ...

A rare early 19th century German Empire giltwood trumeau mirror. The large rectangular plate surmounted by a scrolled pediment enriched with wines leaves and a central medallion encl...

A rare and decorative pair of early 19th century Empire gilt and patinated bronze vases of campana form on a stepped square marble base. The everted egg-and-dart rim above a finely chased frieze depicting putti playing music. This or a similar pair of vases belonged to the collection of the Queen Louise of Prussia...

Beautiful German painting, 19th century Measures: with frame: H. 83 W. 61 cm H. 32.6 W. 24 in without frame: H. 71 W. 48 cm H. 27.9 W. 18.8 in.

An oil painting of two rustic dogs fighting over a piece of food. It is painted on an oak panel. Signed top left. The signature is a bit faded, it's a monogram J.S. by Joseph Stevens. He often signed with a monogram. In a gilded frame frame with gesso moldings. Dimensions frame: 41 x 47 cm Dimensions painting: 17 x 23 cm. Joseph Stevens is the older brother of the very well-known artist Alfred Stevens. In the book 'The Belgian Art Book' by J. de Geest, it is written that Joseph Stevens has given a new dimension to painting animals. Joseph Stevens is an early representative of realism and social art. While Eugene Verboeckhoven has royal dogs pose on a beautifully embroidered cushion, Joseph Stevens already has an eye for the dark side of animal existence: exploitation by man, who in turn is a victim of society. His first successful painting, Brussels in the morning, shows how miserable dogs and poor people suffer the same fate. In the Sandman, Stevens shows a joint effort of man and dog, in which the viewer cannot ignore the social conditions: exhausting labor at dawn in some suburb. The gray sky and monochromy of the suburb add to the sinister atmosphere. Joseph Stevens was one of the first artists to take the urban proletariat as his subject. Stevens enjoys a very high reputation in his Parisian years. His brother Alfred writes: 'I am of this time, but you, Joseph, you are of the race, and thus you are of all times.' French critics agree. Stevens' works are a source of inspiration for the literature of the time. For example, Beaudelaire writes a poem about Stevens' dogs. Joseph Edouard STEVENS. Belgium, 1819-1892 Stevens was a painter, etcher and engraver. Brother of the gifted painter Afred Stevens. Education at the Academy in Brussels (1834-1835). Debuted at the Salon in Brussels in 1842. Continued his career in Paris in 1852. He was primarily the painter of canvases depicting domestic animals (dogs, monkeys, horses), sometimes in curious, even idiosyncratic situations, and far from romanticism. This realism, of which he was one of the pioneers, earned him the interest of critics and intellectuals. His approach was defined by this contemporary realism that eschewed idealized depictions of animals as heroic emblems of nobility. Rather, Stevens emphasized the ordinary animals of everyday life, with a particular focus on working dogs, stray dogs and all of the mutts that wandered the streets of Brussels. Museums and public collections, including' Royal Museum of Fine Arts Brussels, Ghent, Hamburg, Paris, Musée du Louvre, Rouen, Musee des Beaux-Arts. Stuttgart, State Gallery. King Leopold...

This is a portrait artwork of Two Hunting Dogs. Portraits of Dogs proposes an oil painting on wood with two Hounds and a Bird, from the 19th century.  This...

Anton Passinger was an Austrian artist born in 1825. He died in 1900. The name is anglicized on the brass plaque, and it’s signed with his German signature on the back. The painting ...

Beautiful antique painting, oil on panel, depicting two King Charles Cavalier Spaniels and a cat. It is a lovely painting, not too big, wit...

Antique late 19th century oil on canvas painting of two dogs spooked by thier shadows in a barn. Unsigned, as been removed from original stretchers and attched to thick cardboard. ...