Agra Paintings

19th century Chinese silk painting. Framed and matted. Features scene of Chinese characters in a ceremony. Beautiful muted colors of green, red, ...

Magnificent set of ten hand painted enameled porcelain plates made in the Qianlong period style after Lang Shining (July 1688-July 1766 Italian). Born in Milano, Italy Giuseppe Castiglione...

A rare striking 18th century Tibetan Thangka depicting the Green Tara seated on a lotus throne ready to step down to offer comfort and pro...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her stud...

A charming painting of Lord Krishna and his paramour Radha painted in mineral pigments (gouache) with gold and silver highlights circa mid 19th century in Jaipur style of painting. Krishna was a god (an incarnation of god Vishnu) who accomplished great feats and defeated insurmountable demons. However, he is also considered the most playful amongst gods and an epic lover of godly proportions. His love story with Radha (a married woman) has been the subject of much poetry and worship for centuries as it symbolized the divine love. Here, the lovers are depicted in a loving embrace offering one another a lotus flower. Radha is often depicted hopelessly resisting Krishna's advances as in this painting. The couple's heads are circled by a halo, signifying their divinity. The setting is typical of the interior modeling in the 19th century with use of heavy curtains...

Vintage Pichhavai painting on fabric of Krishna, Radha and female Gopis. Krishna walking with Radha and the Gopis by moonlight. The colors, details...

Birds & Flowers of the Seasons Pheasants & Plum in Snow Unframed painting. Ink, pigment and gofun on silk Kano Chikanobu 1819-1888 Signature...

Birds & Flowers of the seasons Pheasants & Plum in Snow Unframed painting. Ink, pigment and gofun on silk Kano Chikanobu 1819-1888 Signature...

Pair Antique 19th Century Indian Miniature Mica Paintings C.1830 Indian Company School A pair of 19th Century Indian mica gouache paintings on mica. Depicting the water carrier and of a Purdah bullock...

Poppies & Butterflies Ink, pigment and gofun on silk Igarashi Chikusa (1774-1844) Signature: Chikusa Ran Zen Upper Seal: Ran Shuzen Lower Seal: Kyoho Dimensions: Scroll: H. 68” x W. 18” (172cm x 45cm) Image: H. 38.5’’ x W. 12.5’’ (98cm x 32cm) This composition shows elegant images of poppies and the butterflies that are inevitably drawn to them. It captures a momentary glimpse into a world both visually dazzling and startlingly realistic. The painting is infused with sensitivity and attention to seasonal change and weather conditions. The thin and fragile poppies are beautifully depicted with brilliant colors and the butterflies are similarly infused with life. The painting is on silk which requires extremely precise painting skills as no element once painted can be removed. Poppies were a favorite subject of Rinpa school artists through the ages. Originally they were somewhat abstracted but by the age of Sakai Hoitsu...

A small oil-on-board maritime painting of a steam powered yacht with steadying sail, circa 1890, in painted frame. Signed indistinctly "J C Wilock".

Bamboo in moonlight Gamo Rakan (1784-1866) Hanging scroll, ink on silk. Dimensions: Scroll: 201 cm x 58 cm Image: 137 cm x 45 cm In this early 19th century work by Gamo Rakan a light ink wash applied to the silk background silhouettes the moon and suggests the atmosphere of early evening. Even though it is a literati subject, Rakan’s bamboo is quite realistic with a strong decorative style. The painting finds its inspiration from Chinese Ming dynasty painters who often used a single-tone, jet black stroke to emphasize the calligraphic nature of bamboo. In a different era, decorative would have been seen as somewhat unrefined. But increasingly in the Edo period, it was the hallmark of high style. The Japanese people, in particular the rising merchant class, had gradually become apathetic toward the traditional Sesshu and Kano schools of painting. Chinese professional and amateur painters living in the port of Nagasaki during the 18th century had a profound effect on Japanese painting and the freshness of their style and its decorative appeal contributed greatly to its popularity. Gamo Rakan’s teacher, Tani Buncho...