Neoclassical Revival Paintings

this large painting found in the back of a workshop has never been exhibited, it is still rolled up. This is certainly a request for decor for a theater or large restaurant as was do...

Architectural rendering in watercolor, gouache, and pencil on paper by Luiz Olivieri Italy/Brazil, circa 1900. Unsigned. Unframed, age toning, edge losses.

Architectural rendering in watercolor, gouache, and pencil on paper by Luiz Olivieri Italy/Brazil, circa 1900. Unsigned. Unframed, age toning, edge wear.

Very large oil on canvas (2.10 m x 1.45 m), of a young woman leaning on a sculptor's easel, probably resting between two posing sessions. Nude, adorned with gold and silver jewels, p...

Beautifully painted oil on board, Soviet genre study of a peasant woman in traditional dress with a rake resting on her shoulder. Framed 20" x 17".

This is a beautifully framed and matted oil on board painting of a young woman apparrently collecting objects on a beach. The woman is dresser in what I believe are Arab clothes...

France, circa 1900. An antique French school painting of a noble women on likely paper or animal bone. The painting is housed inside a bronze d'ore frame and accented by purple ena...

The style of this lovely watercolor painting on paper fits so well with the date of the signature; 1915 (see lower left corner). There is definitely a romantic strike of neoclassical...

The attack of the lion, Orientalist. Oil on canvas. XIX century. Signed in the lower left area. Painting located within the orientalist current, highly appreciated in Europe during...

Antico dipinto ad olio francese del secolo XVII,cornice originale dell'epoca.L'autore si ispira alle opere di Francois Boucher,dimostrando una buona capacita' esecutiva ,in questo ca...

Heraldic shield. Oil on canvas. TORRES, A. Spanish school, 1856. Signed and dated. This work shows a heraldic shield on a blue background with different tones, in an oval and fra...

Oil painting on canvas proudly signed C. G. Moody untraceable painter! It sits in a very nice and matching frame chosen by the artist. In this impressionist painting from the 196...

Our enamel plaque on copper after the French enamelier, Edouard Bernard Debat-Ponsan (1847-1913) depicts Truth Emerging from the Well, Vérité sortant du puits. Plaque measures approx...

PRESENTING a GORGEOUS 20th Century and ORIGINAL MONUMENTALLY LARGE oil on canvas by M. Picot. This is a BEAUTIFUL still life painting of fruit in classical style. Continental Schoo...

ANTONIO FRANCIONE (1907 -1987 - Italy) - 'Pompeii' - Fine quality frieze style painting - watercolor and gouache over graphite on paper - extraordinary quality and composition - sign...

A very fine and large 19th century Louis XV style Whimsical Neoclassical Revival style Oil on Canvas "The Triumph of Flora" attributed to Ferdinand Wagner II (German, 1847-1927), school of François Boucher (French, 1703-1770). The impressive artwork depicting a semi-nude Flora hovering through the clouds surrounded by playful cupids, cherubs, love doves and a seated maiden, within white and grey clouds, offering her Spring flower bouquets and floral wreaths, within a banded giltwood frame. Note: Previously used as a ceiling painting. Unsigned, Circa 1870. Measures: Canvas height: 91 3/4 inches (233 cm) Canvas width: 59 inches (150 cm) Frame height: 61 3/8 inches (155.9 cm) Frame width: 93 1/2 inches (237.5 cm) Depth: 2 3/8 inches (6 cm) Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr Von Carolsfeld...

Large framed mural fragment by Kevin Paulsen and David Wiggins, from the mid 1990s. Thinned oil on plaster layered over polystyrene, artist made black wo...

This Continental School, three-quarter length portait of a woman in classical Greek dress, dates to the later part of the 19th century. The piece was most likely commissioned by a tr...

Landscapes, Xalapa, Mexico. Pair of oils on canvas. Spanish school, around 1840. Provenance: Conde de la Cortina collection, Jalapa, Mexico. Couple of landscapes framed within the Spanish school of the first half of the 19th century, with a clear romantic affiliation. Both evidence the knowledge of the Dutch classicist landscape, one of the main influences on the Spanish romantic landscape. Thus, we see compositions in "V", closed on the sides and open in the center, very low horizons that allow a wide development of the sky, spaces built in depth based on successive planes subtly differentiated by light and color, and small figures perfectly integrated into the natural setting. In addition, the skies are scenographic and dramatic, with low clouds behind which the golden light characteristic of the classicist landscape filters. One of the most radical aspects of romantic painting was the attempt to replace large canvases with historical or religious themes with landscapes. They wanted the pure landscape, almost figureless or totally devoid of them, to achieve the heroic significance of history painting. They were based on the idea that human feeling and nature should be complementary, one reflected in the other. In other words, the landscape should arouse emotion and transmit ideas. Thus, landscapers like the author of these canvases tried to express their feelings through the landscape, instead of imitating it. The romantic landscape had two main aspects: the dramatic one, with turbulent and fantastic views, and the naturalistic one, which emphasized images of a peaceful and serene nature. This second conception is what we see embodied in these works; the painter tries to communicate a religious reverence for the landscape, nature in its fullness. In fact, the author's own use of light here conveys a foggy, cloudy, dreamlike atmosphere that invites the viewer to meditate and contemplate himself in the landscape. The romantic landscape is constituted, however, by manifestations of very different types and not comparable to each other; it does not affect all national schools equally, staying more faithful to tradition in schools such as the French or the Dutch. Thus, in this canvas we do not find the grandiose scenery of the British and Germans, the steep mountains or the monumental Gothic ruin...

Year: 1929 Author: Józef Naborowski Dimensions: Frame: Height 49.5 cm, width 76.5 cm Picture: Height 48.5 cm, width 65.5 cm.

This hand painted nautilus shell on a piece of parchment paper (that dates to the early 19th century) will make a definite stylish statement. Note: Dimensions of image paper are 1...

A Berlin KPM hand painted porcelain plaque, 'The Expulsion of Hager', signed l/r, in an Art Nouveau frame. The plaque bears a KPM scepter mark to the reverse, Late 19th century Measures: Plaque 10.5" L x 8.25" W Framed 13" L x 11" W This porcelain plaque is decorated after a painting, 'The Expulsion of Hagar', by 17th century artist Adrien van der Werff (Dutch, 1659-1722). It depicts a well-known scene from the Book of Genesis in the Old Testament, in which Abraham banishes his concubine Hagar and her son Ishmael after they become involved in a dispute with Abraham's wife, Sarah, and their son Isaac. The plaque shows Abraham casting Hagar and Ishmael...

Painting "Portrait of an Ancestor", 19th century Dimensions: Frame height 134 cm, width 112.5 cm The painting height 102 cm, width 80 cm.

Lovers by a fountain, painting oil on canvas, Signed left sight. Measures: cm 70 x 100 frame 118 x 145 Faustini Modesto. Brescia, 27 Maggio 1839 - Roma, 23 marzo 1891. Born i...

An oil painting on canvas showing a portrait of a classical maiden depicted as a vestal virgin dressed in classical attire, having chestnut hair concealed by a guarnello or thin veil and holding a Roman oil lamp. The painting signed “F. Hofelder" on the lower right of the canvas was executed circa 1873 almost 100 years after the original by the late 18 Century neoclassical Swiss artist Angelika Kauffman. The virtually unknown Polish artist is likely to have copied the original painting hanging at the Gemäldegalerie Alte Meister (Old Masters Picture Gallery) in the Staatliche Kunstsammlungen, Dresden, Germany. The Swiss-born artist Angelica Kauffman...

Vintage set of six paintings on boards, study for an Italian Classic garden. Probably a scenographic preparation. Pleasant Mediterranean architectural...

One of six fun vintage study for an Italian Classic Garden Fountain. Probably some scenographic preparation. Really pleasant scenery and nice vivid color on the blue and white scale,...

One of Six fun vintage study for an Italian Classic garden stairs with lions and fountain. Probably some scenography preparation. Really pleasant scenery and nice vivid color on the ...

One of six fun vintage study for an Italian classic garden courtyard. Probably some scenographic preparation. Really pleasant scenery and nice vivid color on the blue and white scale...

One of six fun vintage study for an Italian classic garden. Probably some scenographic preparation. Really pleasure scenery and nice vivid color on the blue and white scale, circa 1940.

One of Six fun vintage study for an Italian Classic garden courtyard. Probably some scenographic preparation. Really pleasant scenery and nice vivid color on the blue and white scale...

One of six fun vintage study for an Italian Classic garden stairs. Probably some scenographic preparation. Really pleasant scenery and nice vivid color on the blue and white scale, c...

A monumental Italian landscape oil painting. "Apuan Mountains" of Italy (The Italian Alps) Shepherds in the mountains with the village of Seravezza below. Painted by Andreas Marko ...

Architectural watercolor and pencil on paper by Luiz Olivieri, Italy/Brazil, circa 1900. Unsigned. Unframed, considerable age toning, edge wear.

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