Photograph by Michel Deverne

Deverne (1927-2012) was visual artist most interested in abstract geometric forms and textures. He was not known for photography and accordingly this surviving image is quite rare. T...

Introducing the "GT Custom TV Art Wall" by The Golden Triangle. This art installation presents a solution to a very modern design problem: “What do...

This unusual carving once graced the exterior of a Thai government building and bears the symbol of the King; a garuda. All national government buildings are in effect royal building...

Thailand was blessed with abundant supplies of Teak and other fine hardwoods, which are essential to fine woodcarving. Today some of the best woodcarving in the world is produced in Thailand, primarily in and around Chiang Mai. This elephant was hand-carved from Teak by the region’s master carvers. For the Thais, the elephant represents good fortune, power and nobility and is often found in art. Large wooden elephants...

This is a meticulous recreation of an antique Thai temple ceiling panel. Northern Thai temples often had intricately carved wooden ceilings made up of coffered panels with carved and...

This set of exquisitely-carved marble garden plaques features two fu dogs playing with ribbons. The female fu dog (or fu lion) guards her pup while the ...

Original photograph taken by Jeannette Montgomery Barron of Jean-Michel Basquiat in NYC in 1984. Vintage gelatin silver print. Framed. Edition 15/25. Image: 13 x 13 inches, Paper...

Original vintage photograph taken by Jeannette Montgomery Barron of Jean-Michel Basquiat & Andy Warhol in NYC in 1985. Gelatin silver print. Framed. Edition number 13/25, but only on...

This hanging piece "Board" consists of clear Lucite panels that encase a pinhole photo transparency with images taken from under an urban expressway. The panels are held together wit...

This hanging piece "I-95" consists of clear Lucite panels that encase a pinhole photo transparency with images taken from under an urban expressway. The panels are held together with...

MICHAEL ROBERTS (1947-2023) PLEASE NOTE: This photograph is a one of a kind original photograph. Every photograph in the show was available to purchase, and only one of each was printed. This large black and white hand printed silver gelatin photograph of "Michel Nude" by the legendary fashion icon, Michael Roberts, London. This image was part of a Michael Roberts show in 1989 at Hamilton's gallery, London. Signed on back. Black metal simple frame. Image: 15" x 19", framed: 22' x 26". This image is one of two that were in the gallery show in London. The images from the show were very rare and now highly sought after and collected after Mr. Robert's death but there are NONE available to purchase. These two images were purchased from that Exhibit from Hamiltons. The second one, "Nude of Michel" is available on separate listing. We hope they are purchased together as they were hung next to each other in the exhibit. MICHAEL ROBERTS: The preferred medium of the fashion journalist Michael Roberts was Canson art paper, which he scissored freehand into crisp-cut collages, or snipped into minute dots to reassemble into mosaics, for magazine covers or book illustrations. His art, bit by bit putting it together, reflected his life in fashion. He wrote about it, commissioned unexpected others to do so, photographed for media and ads, and charmed cranky legendary lensmen into snapping for him. He could source the clothes, choose the crazy locale, stage the shoot’s story, and write a witty critique of the enterprise. He was also always the most elegant person involved, effortlessly cool. Roberts, who has died aged 75, never bothered with a résumé, since every new role or venture seemed to just develop, but they totted up to a serious career. He was a writer on the Sunday Times in the 1970s, when new couture catwalk drama and heightened designer celebrity demanded a fashion voice that was both theatre critic and gossip columnist. Then from 1979 he was art and style director of Tatler magazine, when the editor, Tina Brown...

PLEASE NOTE: This original photo from the amazing Michael Roberts exhibition at Hamilton's Gallery in London, England of "Michel in a Toga" was used in promotional pieces for the exhibit. It is signed/ nuymbered 1/25, but this is the actual photograph from the exhibit, and no other image was made/printed. IT IS AN AMAZING IMAGE. * This image of Michel wearing a sheer greek key toga. He is nude underneath and although subtle, it is a nude. Michel was a high fashion male model thet Michael Roberts adored and used him for many fashion campains for Joeph's London. A rare large black and white hand printed silver gelatin photograph of Michel by the legendary fashion icon, Michael Roberts, London. This image was part of a Michael Roberts show in 1989 at Hamilton's gallery, London. Signed on back. Black metal simple frame. Image: 15" x 19", framed: 22' x 26". This image was in the gallery show in London.The images from the show are very rare and now highly sought after and collected after Mr. Robert's death. two images were purchased from that Exhibit. The second one, "Nude of Michel" is available on separate listing. We hope they are purchased together as they were hung next to each other in the exhibit. MICHAEL ROBERTS: The preferred medium of the fashion journalist Michael Roberts was Canson art paper, which he scissored freehand into crisp-cut collages, or snipped into minute dots to reassemble into mosaics, for magazine covers or book illustrations. His art, bit by bit putting it together, reflected his life in fashion. He wrote about it, commissioned unexpected others to do so, photographed for media and ads, and charmed cranky legendary lensmen into snapping for him. He could source the clothes, choose the crazy locale, stage the shoot’s story, and write a witty critique of the enterprise. He was also always the most elegant person involved, effortlessly cool. Roberts, who has died aged 75, never bothered with a résumé, since every new role or venture seemed to just develop, but they totted up to a serious career. He was a writer on the Sunday Times in the 1970s, when new couture catwalk drama and heightened designer celebrity demanded a fashion voice that was both theatre critic and gossip columnist. Then from 1979 he was art and style director of Tatler magazine, when the editor, Tina Brown...