1931 Stuart Davis 'Coffee Pot' Serigraph from the Downtown Gallery

1999 Earthman, Spector Gallery, show announcement silk screened artwork, Philadelphia, PA by Jim Houser. Measures: W 12 x H 18 in. Shipped unframed.

A very rare advertising campaign tin tacker sign. 'Reach for Stroehmann's Sunbeam Bread.' A single sided tin (SST) embossed sign. Marked Q.B.A. Coop I...

Vintage 1959 printed lithograph double sided, of an unused paint by numbers on layer paper card stock or cardboard. "Paint by numbers Jesus" a rare and hard subject to find and in un...

USA, circa 1960s. Lyn Howley Water Lilies Studio editions lithograph on framed board. Monumental size, in Earthtones, Metallics and Golds. Made in Culver Ci...

THIS WILL BE SHIPPED IN TUBE, NO FRAME IS INCLUDED. If you want the frame (35x41) Please inquire before purchase freighting would be required. Artwork 24" x 30" Stonecut (Lithograph-like) on Paper. Pencil signed and marked by artist along bottom. Edition 47/50. Stonecut is an elegant process and Cape Dorset printmakers have refined it to a fine art. The first step is tracing the original drawing and applying it to the smooth surface of the prepared stone. Using india ink, the stonecutter delineates the drawing on the stone and then cuts away the areas that are not to appear in print, leaving the uncut areas raised, or in relief. The raised area is inked using rollers...

Lyonel Feininger (American 1871-1956) Fishing Boats, 1921, woodcut on paper. This example is from the Print Club of Cleveland edition no. 49 for 1971, a posthumous edition of 252. ...

Mario Schifano "Acerbi" Year: 1990s Medium: Materic serigraph Edition: 99/199 Frame size: 110 x 80 x 5 cm Signed and numbered.

One of the most prolific and recognizable artists alive today, Ron English has bombed the global landscape with unforgettable images, on the street, in museums, in movies, books and ...

This is a colorfully and exuberant serigraph, printed on embossed paper. Gold decorative frame. Numbered at left 13/25 and signed in pencil at bottom right. Unframed art...

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...

John Luke Eastman artwork serigraph titled, "One Mind," fitted to matte board.    

A framed original Op Art serigraph from the 'Octagon V' series by German artist Jurgen Peters, in vibrant yellow, orange and green. Includes statement of authenticity.