Wood Prints

Swiss alp " glacier du Lauteraar " lithographs

Print from the Collection "Le Parroquet" representing Meunier parrot, with a beautiful wooden frame enriched with a jute passpartout, which brings out colors and sumatute of watercol...

Print from the Collection "Le Parroquet" representing Meunier parrot, with a beautiful wooden frame enriched with a jute passpartout, which brings out colors and sumatute of watercol...

This is a large vintage map of France. A Continental, framed example of historical cartography, dating to the late 20th century, circa 1970. Fas...

Vintage Print on Paper with Wooden Frame. Abstract Corn Bouquet will Warm Toned Colors throughout. Signed Pierre Mas. Frame has Gold Accents. Vintage Condit...

Gold Toned Frame. Titled and Signed on the Bottom. The Back of the Frame has Photograph Detailing the History of the Boat. Vintage Condition Consistent with Age as Pictured. Dimensi...

Antique Life Association Golf Print, Mr Horace Hutchinson. An original Life Association of Scotland 1909 calendar. The calendar has been framed and is with a wonderful central golfin...

Vintage Charles Johnson Payne Hunting Print, The Stonefaced 'Narrer-back'. A rare hand coloured Snaffles lithograph entitled The Stonefaced 'Narrer-back'. The image is of two huntsm...

Immerse yourself in the timeless charm of these two exquisite prints by the renowned Swedish artist, Olle Hjortzberg (1872-1959), dating back to 1918 and 1919. The first print captur...

Dimensions: H: 40in W: 49in D: 1 1/2in This vintage Art Deco Colleen Ross signed and numbered "Serenade" print is perfect for you and your home! Colleen...

Lithograph realized by Giorgio de Chirico in 1973 Title "Trovatore tra le nubi". Edition 42\110 numbered and hand signed. Published on the catalogue "Giorgio de Chirico. Catalogo ...

Embark on a journey through Swedish art history with this captivating collection of three prints by the esteemed artist Olle Hjortzberg (1872-1959), dating from 1919 and 1920. Each p...

Enoch Kelly Haney's framed signed print captures the essence of Native American artistry, blending traditional themes with contemporary expression. The piece showcases Haney's master...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to ensure the authenticity of our objects. The fra...

This is a lithographic print after the pastel drawing by French illustrator and artist Lucien-Victor Guirand de Scevola (1871 - 1950) ...

John Kacere nude prints, American, circa 1970s. The top print measures 18.25" H x 27.5" W. The bottom left measures 15" H x 23" W. The bottom right measures 14.75" H x 22" W. They ha...

A beautiful collection of four chromolithographs from the 19th c. by Francis George Heath. Archival quality framing with archival matte front and back, protecting the original, antiq...

Egypt Map - The Edinburgh and Geographical Institute, John Bartholomew & Son LTD, W & R Chambers, c1880. Housed inside a greek key gilt wood frame. Date: ...

This is a digitally remastered print of the American White Pelican referenced from an Audubon Birds of America hand coloured print, originally...

Vintage Print of Equestrian Riding through a Field on Canvas. Wooden Frame. Vintage Condition Consistent with Age as Pictured. Dimensions. 38 W ; 3/4 D ; 21 1/2 H

Henri Matisse "La Piscine Panel A" Orignal Lithograph printed in 1954 by the renowned Mourlot Freres, Paris. This original lithograph was published in a limited edition by Tériade. F...

Materic silkscreen print “Ondate di gelo” (Frost Waves) by Mario Schifano. Signature and numbering in pencil on front side. Dry stamp of the artist on front. Edition F.C. (Not for sale) 23/30. Framed work. The artwork for sale is part of the collection 'Best Seller: 31 graphic works by Mario Schifano' edited by Edizioni Torcular Edition on handmade paper with Torcular watermark by Cartiera Magnani of Pescia Printer: Egiziano Piersantini This artwork, never before on the market, comes from a private collection and is beautified by an impressive original frame in natural wood, in almost perfect condition. The painting is also protected by glass Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Mario Schifano (Homs 1934 - 1998) was an Italian painter and filmmaker. Together with Franco Angeli and Tano Festa he represented a fundamental point of Italian and European Pop Art. Perfectly integrated in the international cultural scene of the 1960s, he was reputed to be a prolific, exuberant and drug-addicted artist. A keen student of new painting techniques, he was among the first to use computers to create works and was able to process images from the computer and transfer them onto emulsified canvases. Mario Schifano was born in Italian Libya and after the end of the war returned to Rome where, due to his restless personality, he left school early to follow in his father's footsteps who worked at the Etruscan museum of Villa Giulia as an archaeologist and restorer. Thanks to this experience, he approached art, initially producing works that were influenced by Informal Art. His first solo exhibition was at the Galleria Appia Antica in Rome in 1959. In the late 1950s, he participated in the artistic movement Scuola di Piazza del Popolo together with artists such as Francesco Lo Savio, Mimmo Rotella, Giuseppe Uncini, Giosetta Fioroni, Tano Festa and Franco Angeli. The group met at Caffè Rosati, a Roman café then frequented by Pier Paolo Pasolini, Alberto Moravia and Federico Fellini, among others, and located in Piazza del Popolo, from which they took their name. In 1960, the group's works were exhibited in a group show at Galleria La Salita. In 1961 he exhibited in a solo show at Galleria La Tartarugadi Plinio De Martiis in Rome. In the meantime, he had met, among others, his future lover Anita Pallenberg at the Caffè Rosati, with whom he made his first trip to New York in 1962, where he came into contact with Andy Warhol and Gerard Malanga at the Factory. During this period he participated in the New Realists exhibition at the Sidney Janis Gallery, a group show that included most of the young artists of Pop art and Nouveau Réalisme, including Andy Warhol and Roy Lichtenstein. He then had the opportunity to participate in the New York social scene, which led to his first experiments with LSD.[6] On his return from New York, after participating in exhibitions in Rome, Paris and Milan, he took part in the XXXII International Art Exhibition in Venice in 1964. During this period, his paintings defined as 'Anemic Landscapes', in which it is memory that evokes the representation of nature with small details or allusive inscriptions, and the reinterpretations of art history that later led to his famous pictorial works on futurism appear in embryo. In Rome, he met and frequented Marco Ferreri and Giuseppe Ungaretti to whom, already in his 80s, he offered an evening at Peyote. But one of the acquaintances of this period that most influenced him was that with Ettore Rosboch, with whom he formed a deep friendship, based on a shared passion for music. In those years, also thanks to their constant trips to London, the two became friends with the Rolling Stones, to whom they introduced Anita Pallenberg, who in 1965 began a relationship with Brian Jones, and years later became Keith Richards' partner. In 1969, the flat in Piazza in Piscinula in Rome that then belonged to Schifano was used by Ferreri as the set for the film Dillinger is Dead, on the walls of which some of the artist's paintings can be seen. In 1969, the Rolling Stones dedicated the song Monkey Man to Mario Schifano. In 1971 some of his paintings were included by Achille Bonito Oliva in the exhibition Vitalità nel negativo nell'arte italiana 1960/70. Many of his works, the so-called 'monochromes', present only one or two colours, applied on wrapping paper glued on canvas. The influence of Jasper Johns was manifested in the use of numbers or isolated letters of the alphabet, but in Schifano's way of painting analogies can be traced to the work of Robert Rauschenberg. In a painting from 1960, one can read the word 'no' painted with drips of colour in large capital letters, as in a wall graffiti. The influence of Pop art can be seen in all the artistic production of Mario Schifano, who was fascinated by new technologies, advertising, music, photography and experimentation. In particular, the artist's closest works to Pop Art are those of the 1980s. Among the most important works of this period are the Propagande, a series dedicated to advertising brands (Coca-Cola and Esso) in which we have a clear example of the conveyance of commonly used and easily recognisable images quoted in multiple ways or details of them, bicycles, flowers and nature in general (among the most famous series are the Paesaggi anemici, Vedute interrotte, L'albero della vita...

Beautiful work by Franco Angeli leading exponent of the Piazza del Popolo School “Roman eagle” Dry stamp Signed lower right in pencil by the Artist. “Prova d’Artista” Artist's proo...

Vintage Linen Artwork of a Country Landscape. Frame Has Makers Mark on the Back. Vintage Condition Consistent with Age as Pictured. Dimensions. 16 W ; 3/4 D ; 16 H

Artwork by j.Casas Drawing In original condition with minor wear consistent of age and use. 

Engraving byJackson Beardywtih it's in Gilt wood. Blue, Black and orange Color. Name Communication, Dated 1975.

Manufactured Spain, circa 1990. Materials: Wood, glass, paper. Dimensions: D 3 x W 61,7 cm x H 76 cm The artwork is in its original condition, showing minor signs of wear consist...

Vintage Print on Paper Numbered 2/15 Signed Alvin in Lower Corner. Frame has Makers Mark on the Back. Vintage Condition Consistent with Age as Pictured. Dimensions. 25 W ; 1/4 D ; 18 H

Selection of Joan Miro color lithographs, France, circa 1960s. We purchased a group of these color lithographs from the estate of a couple t...

Olaf Hajek Pigment Print with Antique Frame & Glass

Mimmo Rotella silkscreen printing Title “Marilyn The magnificent prey” Mimmo Rotella silkscreen print taken from the poster of the film "The magnificent prey" with Marilyn Monroe. The silkscreen is made in 125 copies. This is 45 out of 125. Dry stamp of the Mimmo Rotella Foundation and numbering at lower left. Signature at lower right. This artwork, never before on the market, comes from a private collection and is beautified by an impressive original frame in silvered wood, in almost perfect condition. This work is also protected by glass Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Born in 1918 in Catanzaro into a middle-class family, in 1945 he moved to Rome where he frequented the young avant-garde made up of the exponents of Gruppo Forma 1 (Carla Accardi, Ugo Attardi, Pietro Consagra, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato). After his figurative beginnings and early experiments, he began to paint abstract-geometric pictures inspired by the works of Vasilij Kandinskij and Piet Mondrian. In 1950, he exhibited in Paris at the Salon des Réalités Nouvelles. In February 1951, he participated in the exhibition 'Abstract and Concrete Art in Italy - 1951' organised by Palma Bucarelli and Giulio Carlo Argan at the National Gallery of Modern and Contemporary Art in Rome. In 1951 he was awarded a scholarship by the Fulbright Foundation, which allowed him to go to the United States as an 'Artist in Residence' at the University of Kansas City. In 1952, he held his second solo exhibition at the William Rockhill Nelson Gallery of Art in Kansas City. For Harvard University, he completed a performance of epistaltic poetry. In the autumn he returned to Rome, devoting himself to phonetic production. In 1953, he realised that the pictorial medium was no longer a suitable medium for the expression of his poetics and suddenly had what he called a 'Zen enlightenment': the discovery of the advertising poster as an artistic expression. This is how décollage was born: Rotella took pieces of posters torn off the street from the walls of Rome and glued them to the canvas, then reworked them in the studio, adopting the collage of the Cubists and contaminating them with elements borrowed from an informal matrix close to Hans Arp and Jean Fautrier and with the Dadaist ready-made. Still in 1955, Carlo Cardazzo organised an exhibition entirely dedicated to décollage and retro d'affiches in his Galleria del Naviglio in Milan. His works are exhibited in London, at the Institute of Contemporary Arts (ICA). In 1958 he took part in the exhibition 'New Trends in Italian Art' organised by Lionello Venturi at the Rome branch of the Rome-New York Art Foundation. The following year he met the French critic Pierre Restany, with whom he began a long association. In 1960 he joined the Nouveau Réalisme of which Pierre Restany was the theoretician and which brought together, among others, Yves Klein, Spoerri, Tinguely, César, Arman, Christo and Niki de Saint Phalle. Along with décollages, Rotella also executed assemblages and ready-mades with objects purchased from junk dealers such as bottle caps, ropes, wicker baskets and pieces of fabric. In May 1961 he exhibited in the historic exhibition À 40° au-dessus de Dada, curated by Restany at Galerie J in Paris. In 1962, the same French gallery hosted the series of works inspired by the world of cinema on the occasion of the 'Cinecittà' exhibition. His décollages from the early 1960s are characterised by the presence of stars of the silver screen and music such as Marilyn Monroe, Liz Taylor, Marlon Brando and Elvis Presley. During this last exhibition, his work was compared with artists from France (Arman, Christo, Raymond Hains, Yves Klein, Martial Raysse, Daniel Spoerri, Jean Tinguely), Italy (Enrico Baj, Gianfranco Baruchello, Tano Festa, Mario Schifano), and the USA (Peter Agostini...

A set of four framed early 20th Century Louis Wain prints of comical cats playing golf and housed in the original oak frames, each print signed and titled, prints are of The Drive; T...

Vintage framed print of “The Yacht ‘Haze’ 87 Tons,” originally by C. Parsons, reprinted from the lithograph by Currier and Ives. Built By George Steers New York, 1861. Professional...

This limited edition serigraph captures the spirit of a dynamic equestrian in abstract form. The artwork features a dynamic interplay of colors, with a predominantly blue sky backgro...

Vintage printed poster with custom made frame in golden wood.

This Print has Titled Written in French , Signature in Lower Corner. Vintage Condition Consistent with Age as Pictured. Dimensions. 16 1/2 W ; 1/2 D ; 20 1/2 H

Signed and dated lithography by Edival Ramosa. Oakwood frame. Brazil, 1969.

1993 Vintage XL Pop Art Print "Deco Guy with Bowtie" by Romero Britto. Bright and cheerful piece and framed.

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. The ...

Extra large Roman marble vase on a porphyry pedestal printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, umber highlights, and matte bla...

After Alberto Giacometti - Dessin 1 - large format lithograph on rag paper in period giltwood frame under glass ( original old framers label on back - Empire Artist's Materials / 831...

Series of Six Prints with Popular Roman Costumes by Pinelli Bartolomeo dated 1831 Acquaforti reproducing costumes and scenes of popular life in the city of Rome. In good condition, t...

NICOLE OUELLET - #83/200 - Vintage fine art hand colored copperplate engraving - signed/dated/numbered at the bottom of the print - double bevel edged matte - vintage wood and gilt f...

NICOLE OUELLET - #106/200 - Vintage fine art hand colored copperplate engraving - signed/dated/numbered at the bottom of the print - double bevel edged matte - vintage wood and gilt ...

Josef Albers abstract lithograph from Interaction of color, circa 1960s.

Vintage framed print of “American Whaler,” reprinted from an 1850s lithograph by Nathaniel Currier, showing an American sailing ship / galleon hunting a whale. Professionally framed...

Very original reproductions of decorative vases from important English mansions, printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, umb...

Very original reproductions of decorative vases from important English mansions, printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, umb...

Very original reproductions of decorative vases from important English mansions, printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, umb...

Very original reproductions of decorative vases from important English mansions, printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, umb...

Very original reproductions of decorative vases from important English mansions, printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, umb...

Concerto II Signed Abstract Print by Trans Designs, USA, 20th Century.

Entitled Les Pecheurs de L’Adriatique (“The Fishermen of the Adriatic”), this 19th-century engraving is after the original 1834/1835 painting by Léopold Robert. The print is encased ...

Two Prints in Dark Frame Depicting Late-19th Century Fashion We present you these two German prints depicting the 19th-century women’s fashion.

This important set includes a collection of seven lithographs by Erté, each portraying a deadly sin with exquisite detail-lust, anger, sloth, gluttony, envy, pride, and avarice. Thes...

Engraving by Berdal , wtih it's black painted wood. "Epreuve d'artiste" 20th Century

Concerto I Signed Abstract Print by Trans Designs, USA, 20th Century.

Leendert Kamelgarn " Number Five " Artist Proof Signed Horse Etching Print, 1969.