English Prints

Titled " A Sketch of the Row in Parliment Street," this hand colored print was published in London by Thomas McLean, circa approximately 1830. Drawn by William Heath (1795 to 1840)...

Great map of India Copper-plate engraving Published C.1780 Three small worm holes to right side of map and one bottom left corner Unframed.

Unlike her abstracts in bold colors, this neural palette "Earthbeat" triptych by British artist Jan Erika still reveals her passion for shape, form, and pattern. Available in a limi...

Great images of reptiles Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithographs with original color. Published by Tallis c...

Henry Thomas Alken (1785-1854) artist, a fox hunting lithograph: "In Full Cry Yoi Forward". Engraved by F. C. Lewis. Published by Tregear & Co. 90 C...

Great image of gerbils Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. Brown and Marechal with original hand col...

Great image of quail. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original hand color. Published...

Fabulous print of marine flags. American Lithographic Company, New York Published C.1900 Unframed. Repair to a minor edge tear top left margin

Wonderful print of a Chinese and Japanese plate Lithograph Published by A.Morel, Paris, France, circa 1860 Unframed.

An antique engraving of a monkey called CAGVI minor, dated 1752 signed Edward Delin Anno. In a newer eglomise and guided wood frame with fruits, leaves and insects.

Wonderful print of the Horse Guards Steel engraving Published C.1860 Unframed.     

An antique engraving of a monkey called Sloth dated 1758 signed Edward Delin Anno. In a newer eglomise and guided wood frame with fruits, leaves and insects.

A wonderful George III, hand coloured reverse mezzotint on glass, produced by P. Stampa, in London in 1799. The piece is titled 'An Emblem of England', and is one of a series of fo...

Great image of beetles. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original color. Published, 1...

Wonderful image of the Temple of Karnak Fine steel engraving Published by Mackenzie circa 1850 Unframed.  

Wonderful print of the Royal Golden Barge Copper-plate engraving Published C.1800 Unframed.     

Great image of a Rufous Warbler Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Original ha...

Great image of pigs or hogs. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph with original hand color. Published circa 183...

Sensational image by John Martin. Drawn and engraved by John Martin. Published by Sangster Unframed.

Great image of a Reed Warbler Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Original hand...

Sensational image by John Martin. Drawn and engraved by John Martin. Published by Sangster Unframed.

Great image of a Dunnock Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Original hand colo...

After Montague Dawson (British, 1895-1973), colour lithograph, matted and framed under non-glare glass. "Horn Abeam", Sir Francis Chichester's yacht Gypsy Moth IV published in 1967 b...

A mid 19th century English full length portrait tinsel print hand colored and hand embellished, framed and retailed by Saxon and Clemens of New York City circa mid 20th century. This print depicts, "Mr. Freer as Alonzo the Patriot". This is one of three tinsel prints that I have available on my HKFA storefront here on 1stdibs. From the Robertson Davies Collection website, I would like to share with you this fascinating history of tinsel prints, "As the popularity of these prints became wide spread, bags of prepared tinsel decorations were sold along with the prints making them customizable by the purchaser. Thus after the tinseling process, no two prints would be identical. Tinsel prints emerged from the tradition of toy theatres. Once an appropriate model theatre was purchased, the public could buy prints depicting actors, actresses and scenery from plays that were being performed at the time and recreate those plays in their home. As the "juvenile drama" became popular, play books were published along side prints so the words of the plays could be recreated as well. While the genre flourished the desire to purchase a larger print of a specific actor or actress remained. Thus two types of theatrical prints became to be printed: those for juvenile dramas that were small and excluded specific actors names, and actors portraits that were larger and more individualized. In the larger theatrical portraits, characters were "always displayed full length" and "striking [a] habitual and dramatic pose". The 1830's marked the emergence of tinseling prints as a past time. Before this time, if an individual wished to embellish a portrait, individual sheets of metal foil would have to be purchased, measured and cut to fit an individual print. Once tinseling became common, different packages of precut tinsel (specific to the print)would be sold with each print as aforementioned. The term tinsel specifically refers to the metal sheets used to represent armor and weapons, but more broadly includes pieces of satin, silk, velvet, leather, and feathers among other embellishments. Although tinsel prints are now viewed as works of art, in the nineteenth century they were no more than a child's pastime. Most sources cite tinseling, as well as toy theatre, as being most popular among boys from the working class. Their popularity among boys could explain why male portraits were produced more frequently than female, however, it is more likely that male costumes, with their multiple pieces of armor and arms...

Beautiful image by Greuze Photogravure On good quality wove paper Published by Hutchinson & Co. , London. 1912 The measurement is the paper size Unframed

At the bottom left of this etching by Frank Brangwyn (1867-1956) is the title, written in pencil, " The Storm No 2".  It is also known as the "Hay Harvesters". On the bottom right is...

A mid 19th century English full length portrait tinsel print hand colored and hand embellished, framed and retailed by Saxon and Clemens of New York City circa mid 20th century. This print depicts, "Mr. Freer as Marmion". This is one of three tinsel prints that I have available on my HKFA storefront here on 1stdibs. From the Robertson Davies Collection website, I would like to share with you this fascinating history of tinsel prints, "As the popularity of these prints became wide spread, bags of prepared tinsel decorations were sold along with the prints making them customizable by the purchaser. Thus after the tinseling process, no two prints would be identical. Tinsel prints emerged from the tradition of toy theatres. Once an appropriate model theatre was purchased, the public could buy prints depicting actors, actresses and scenery from plays that were being performed at the time and recreate those plays in their home. As the "juvenile drama" became popular, play books were published along side prints so the words of the plays could be recreated as well. While the genre flourished the desire to purchase a larger print of a specific actor or actress remained. Thus two types of theatrical prints became to be printed: those for juvenile dramas that were small and excluded specific actors names, and actors portraits that were larger and more individualized. In the larger theatrical portraits, characters were "always displayed full length" and "striking [a] habitual and dramatic pose". The 1830's marked the emergence of tinseling prints as a past time. Before this time, if an individual wished to embellish a portrait, individual sheets of metal foil would have to be purchased, measured and cut to fit an individual print. Once tinseling became common, different packages of precut tinsel (specific to the print)would be sold with each print as aforementioned. The term tinsel specifically refers to the metal sheets used to represent armor and weapons, but more broadly includes pieces of satin, silk, velvet, leather, and feathers among other embellishments. Although tinsel prints are now viewed as works of art, in the nineteenth century they were no more than a child's pastime. Most sources cite tinseling, as well as toy theatre, as being most popular among boys from the working class. Their popularity among boys could explain why male portraits were produced more frequently than female, however, it is more likely that male costumes, with their multiple pieces of armor and arms...

Great image of sun birds Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. Brown Original hand colour Published ...

Great map of Asia Copper-plate engraving Published C.1780 Two small worm holes to right side of map Unframed.

A mid 19th century English full length portrait tinsel print hand colored and hand embellished, framed and retailed by Saxon and Clemens of New York City (original paper backing has been lost to time, however this print is similar to two others both from Saxon and Clemens) circa mid 20th century. This print depicts, "Mr. Collins as Sir Reginold the Bold in the Giant of Palestine". This is one of three tinsel prints that I have available on my HKFA storefront here on 1stdibs. From the Robertson Davies Collection website, I would like to share with you this fascinating history of tinsel prints, "As the popularity of these prints became wide spread, bags of prepared tinsel decorations were sold along with the prints making them customizable by the purchaser. Thus after the tinseling process, no two prints would be identical. Tinsel prints emerged from the tradition of toy theatres. Once an appropriate model theatre was purchased, the public could buy prints depicting actors, actresses and scenery from plays that were being performed at the time and recreate those plays in their home. As the "juvenile drama" became popular, play books were published along side prints so the words of the plays could be recreated as well. While the genre flourished the desire to purchase a larger print of a specific actor or actress remained. Thus two types of theatrical prints became to be printed: those for juvenile dramas that were small and excluded specific actors names, and actors portraits that were larger and more individualized. In the larger theatrical portraits, characters were "always displayed full length" and "striking [a] habitual and dramatic pose". The 1830's marked the emergence of tinseling prints as a past time. Before this time, if an individual wished to embellish a portrait, individual sheets of metal foil would have to be purchased, measured and cut to fit an individual print. Once tinseling became common, different packages of precut tinsel (specific to the print)would be sold with each print as aforementioned. The term tinsel specifically refers to the metal sheets used to represent armor and weapons, but more broadly includes pieces of satin, silk, velvet, leather, and feathers among other embellishments. Although tinsel prints are now viewed as works of art, in the nineteenth century they were no more than a child's pastime. Most sources cite tinseling, as well as toy theatre, as being most popular among boys from the working class. Their popularity among boys could explain why male portraits were produced more frequently than female, however, it is more likely that male costumes, with their multiple pieces of armor and arms...

Great image of a Nutcracker Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Original hand c...

Wonderful image of cupid Fine steel engraving after E.Sirani Published C.1870 Unframed. The measurement given is the paper size

Beautiful image by Greuze Photogravure On good quality wove paper Published by Hutchinson & Co. , London. 1912 The measurement is the paper size Unframed

Beautiful image by Greuze Photogravure On good quality wove paper Published by Hutchinson & Co. , London. 1912 The measurement is the paper size Unframed

Great image of seagulls Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. Brown and Marechal with original hand co...

Exquisite hand coloured copper engraving after M. Pergolesi. Issued for his scarce series ‘Designs for Various Ornaments’ Design for interior panel comprising of grotesque ornament. Published 1777-1784. Mounted under pars-partout with decorative gilt strip. Overall size 69.7 x 44.5 cm Artist and publisher: Michelangelo Pergolesi (Italian, active from 1760–died 1801) Engraver: Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon) Artist: After Giovanni Battista Cipriani (Italian, Florence 1727–1785 Hammersmith (active London)) Reference Thieme/Becker XXVI, 412. A fine original hand coloured copperplate from this attractive series of neo-classical designs by Pergolesi, a prolific Italian designer, painter and engraver of antique ornaments who came to England in 1760 at the invitation of Robert and James Adam. In 1777 he began issuing suites of engravings of designs for ceilings, panels, friezes, furniture and other ornaments. Some fifty of these plates had appeared by March 1785 when publication was suspended for six years, probably due to the death in 1786 of his patron, Hugh Percy, 2nd Duke of...

Wonderful print Chromolithograph Published by Connoisseur circa 1900 Unframed.

"Love Saves The Day" Harland Miller, 2014 15 color silkscreen print on 410gsm Somerset paper 146 cm x 105 cm page size Edition 100 signed and numbered in pencil. One of the top three most desirable Harland Miller prints, this is a stunning large format print, mounted and framed in a white box frame. Frame size 162 cm x 121 cm Provenance: The Ingleby Gallery, Edinburgh, Scotland. purchased on 7th May 2016 In late 2012, Miller had his first solo show at Ingleby Gallery entitled "Overcoming Optimism" Harland Miller Harland Miller is both a writer and artist (his debut novel Slow Down Arthur Stick to Thirty was published in 2000) and his paintings of books simultaneously provide a subject for the painter and an outlet for the writer. They combine the emotive possibilities of abstract expressionism with the quick punch of words to deliver their message, and for all the macho grist of their making, and often overwhelming scale, they somehow express a frailty that hints at the human condition. As Miller has said: “Painting is the worst medium to express narrative, but perhaps the best to hit a nerve”. Harland Miller was born in Yorkshire in 1964. He has lived in New York and Berlin and currently lives and works in London. Biography 1964 Born Yorkshire, England 1984 – 1987 BA Chelsea College of Art, London 1987 – 1988 MA Chelsea College of Art, London Lives and works in London Solo Exhibitions 2020 York , So Good They Named It Once, York Gallery, York, UK - Millers largest Solo exhibition to date. 2019 Harland Miller, White Cube Hong Kong, China 2017 One Bar Electric Memoir, White Cube Mason’s Yard, London, UK 2016 Tonight We Make History (P.S. I Can’t Be There), Blain Southern, Berlin, Germany 2015 In Dreams Begin Monsters, Palacio Quintanar, Segovia, Spain 2013 Wherever You Are Whatever You’re Doing This One’s For You, Reflex Amsterdam, Amsterdam, The Netherlands A DECISIVE BLOW AGAINST IF., Other Criteria, London, UK 2012 The Next Life’s On Me, White Cube Gallery, London, UK On Overcoming Optimism, Ingleby Gallery, Edinburgh, UK Harland Miller, Galleria Marabini, Bologna, Italy 2011 Rocky VI, Galerie Alex Daniels - Reflex Amsterdam, The Netherlands Have You Ever Stopped To Wonder Why You’re Not Here, LAB Art, Beirut, Lebanon 2010 I'll Never Forget What I Can't Remember, Galerie Alex Daniels - Reflex Amsterdam, The Netherlands Butterside Down, Galleria Marabini, Bologna, Italy 2009 Harland Miller: Don’t Let the Bastards Cheer You Up, BALTIC Centre for Contemporary Art, Gateshead 2007 Siesta Forever – Come on and Sing My Song, The Fireplace Project, East Hamptons, USA 2005 Dear Son, This is one of the last of my few remaining pre marital possessions – look after it won’t you, Love Dad, Marianne Boesky Gallery, New York, USA 2002 To Jean, A Small Memento for a Great Effort, Love Alan, White Cube, London, UK 2000 First I was Afraid; I was Petrified, Fig.-1, London, UK 1995 Harland Miller, Enrico Navarra Gallery, Paris, France You Dig the Tunnel, I’ll Hide the Soil, Fakhoury Steinitz Gallery, Paris, France First I was Afraid I was Petrified, The Scotch House, Tel Aviv, Israel Group Exhibitions 2019 Summer Contemporary, Maddox Gallery, London, UK Art in the Culloden Estate and Spa, Gormley’s Fine Art, Holywood, UK Between the Lines, Maddox Gallery, London, UK Contemporary British Editions, Galerie Maximillian, London, UK 2018 TWENTY, Ingleby, Edinburgh, UK 2016 Daydreaming with Stanley Kubrick, Somerset House, London, UK 2014 What Marcel Duchamp taught me, Fine Arts Society, London, UK 2013 Once upon a time and a very good time it was…, Ingleby Gallery, Edinburgh, UK Sculpture in the Close, Jesus College, Cambridge, UK 2012 AKA Peace, ICA, London, UK Cool Britannia, Gallery Hyundai, New Space, Seoul, Korea 2010 Kupferstichkabinett: Between Thought and Action, White Cube, London, UK Exhibitionism, The Art of Display, Courtauld Institute of Art, London, UK 2009 Different Places, Different Stories, König-Heinrich-Platz, Duisburg, Germany Inspired, Mitchell Library (City Museum), Glasgow, UK TURPS BANANA 1, Galleria Marabini, Milan, Italy TURPS BANANA 2, Galleria Marabini, Bologna, Italy 2008 You Dig The Tunnel, I’ll Hide The Soil, White Cube, Hoxton Square and Shoreditch Town Hall, London, UK Voewood Projects, High Kelling, Norfolk, UK 2007 Summer Exhibition, Royal Academy of Arts, London, UK 2006 The Portrait, V22 Ashwin Street, London, UK Summer Exhibition, Royal Academy of Arts, London, UK 2005 Summer Exhibition, Royal Academy of Arts, London, UK 2004 Direct Painting, Kunsthalle Mannheim, Mannheim, Germany The Charged Image, Collection of Douglas Cramer, Joseloff Gallery, West Hartford, CT, USA 1996 Bad August, Richard Salmon...

Wonderful print Chromolithograph Published by Connoisseur circa 1900 Unframed.

Beautiful image by Greuze Photogravure On good quality wove paper Published by Hutchinson & Co. , London. 1912 The measurement is the paper size Unframed

Beautiful image by Greuze Photogravure On good quality wove paper Published by Hutchinson & Co. , London. 1912 The measurement is the paper size Unframed

Wonderful set of sporting prints Chromolithographs Published by Connoisseur, circa 1900 Unframed.

Wonderful image of The Holy Family Chromolithograph Published, circa 1900 Unframed.

Wonderful image after Carracci Fine Steel engraving. Published by Jones & Co. C.1850 Unframed.

Wonderful image after Poussin Fine Steel engraving. Published by Jones & Co. C.1850 Unframed.

Beautiful image by Greuze Photogravure On good quality wove paper Published by Hutchinson & Co. , London. 1912 The measurement is the paper size Unframed

Beautiful image by Greuze Photogravure On good quality wove paper Published by Hutchinson & Co. , London. 1912 The measurement is the paper size Unframed

Wonderful image after Van Dyck Fine Steel engraving. Published by Virtue C.1850 Unframed.

Beautiful image by Greuze Photogravure On good quality wove paper Published by Hutchinson & Co. , London. 1912 The measurement is the paper size Unframed

Great image of an Orphean Warbler Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Original ...

Wonderful image after Ruthart Fine Steel engraving. Published by Payne C.1850 Unframed.

Great map of South America Copper-plate engraving Published C.1780 Two small worm holes to left side of map Unframed.

Petite Henry Moore Color Prints in Vintage Gilt Frames, circa 1960s. They have been recently professionally framed in vintage gilt wood frames under UV resistant glass. Clockwise fro...

Great image of a White's Thrush Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Original ha...

Great image of a fern presented in a distressed antique lime-washed pine frame. Lithograph with original color. Published, C.1850 Free shipping.  

Beautiful image by Greuze Photogravure On good quality wove paper Published by Hutchinson & Co. , London. 1912 The measurement is the paper size Unframed

Wonderful image after Rembrandt Fine Steel engraving. Published by Jones & Co., London. C.1850 Unframed.

Wonderful image of The Interior of Burgos Cathedral Fine steel engraving after David Roberts Published circa 1850 Unframed.