19th Century Prints

1880s Noah’s Ark print in gilt wood frame. Great images, great color.

Great images of cats Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithographs after Cpt. Brown, Gilpin and Edwards with original ha...

A collage of two original antique prints from the "Dictionnaire Universel d'Histoire Naturelle," published in 1849. Description: This exquisite collage presents a selection of marine invertebrates, or zoophytes, from the celebrated "Dictionnaire Universel d'Histoire Naturelle". These detailed illustrations depict the intricate beauty and diversity of coral-like organisms, showcasing the scientific and artistic achievements of the 19th century. The delicate hand-coloring highlights the natural elegance of these sea creatures, making the prints both a scientific document and a piece of art. The species depicted in the prints from the "Dictionnaire Universel d'Histoire Naturelle," published in 1849, are as follows: **First Print:** 1. **Veretillum cynomorium** - Commonly known as the "sea pen," this species resembles a quill pen, hence the name. It's a type of soft coral in the order Pennatulacea. 2. **Actinia equina** - This is the common sea anemone, often found on rocky shores. 2.2 **Actinia equina (contracted)** - The same species, shown in a contracted state, which sea anemones can do when disturbed or when they are conserving moisture during low tide. **Second Print:** 1. **Flustra foliacea** - Also known as the "hornwrack," a type of bryozoan, which is a colonial organism...

The collage of the three prints from the "Dictionnaire Universel d'Histoire Naturelle," published in 1849 showcases a variety of mollusc species. Description: This collage unites a ...

Title: "The Varied Panther of Nature's Palette" Description: This 19th-century coloured engraving, crafted with the meticulous hand of German illustrator Johann Eberhard Ihle and en...

Title: "Lion-tailed Macaque - A Portrait of Wild Majesty" Description: This 19th-century coloured engraving, a creation of the German School, portrays the distinctive Lion-tailed Ma...

Superb set of 8 prints of European Art Treasures Chromolithographs Published by Louis Gruner, 1862. The prints are in good condition. The white mounts have condition issues. This ...

These four exquisite botanical illustrations, featured in Thomas Meehan's 1879 publication "The Native Flowers and Ferns of the United States" (Volume 2), showcases the mesmerizing v...

A beautifully detailed print from Prideaux John Selby's "Illustrations of British Ornithology," depicting the Little Gull in various stages of plumage. The artwork features an adul...

Swiss alp print of a women from Luzern region in a nice frame with his original calendar

A beautiful lithographe, John Knox administerine the first protestant sacrament, during the siege of the castle of st Andrew 1547, printed by William Bonner esq. Royal Scottish A...

The collage features a curated selection of marine gastropods and bivalves from the "Dictionnaire Universel d'Histoire Naturelle." Each image is a detailed, hand-colored engraving th...

This collage presents a curated anthology of mollusk illustrations, emphasizing the elegance of their spiral forms—a hallmark of marine gastropods. Each image, a hand-colored engravi...

This antique engraving in frame depicts various mythical creatures and heraldic symbols in old original hand-coloring. Itresembles the style of Friedrich Justin Bertuch. Friedrich Justin Bertuch (1747–1822) was a German publisher and patron of the arts who is well-known for his "Bilderbuch für Kinder" (Picture Book for Children), which was published in multiple volumes from 1790 to 1830. This extensive work included thousands of hand-colored illustrations covering a wide array of subjects, from animals and plants to costumes, mythological figures, and more. The images depicted in the engraving include: 1. A large bird with spread wings at the bottom of the image, possibly an eagle, which is a common symbol of power and is widely used in heraldry. 2. A rooster with dragon-like wings and a tail, standing on a pedestal, which might be a chimera or a cockatrice, creatures often found in mythology and heraldic emblems. 3. A phoenix or a peacock, burning with flames around it, symbolizing rebirth and immortality, next to a tent and a figure in medieval clothing...

Plate 46: 'Zweden en Noorwegen'. Seraphijnen Orde. This print originates from ‘Geschiedkundige beschrijving der oudere en nieuwere, thans bestaande Ridderorden. - Afbeeldingen der Ri...

Mappe-Monde. En deux Hemispheres Pour le Dictionnaire Géographique. Author: Vosgien and Caillot Source / Publication: Le Dictionnaire Géographique, ou Description de toutes les Parti...

Title: "Aquatic Elegance: Molluscan Diversity Illustrated" Description: This horizontal collage exhibits a selection of marine mollusks from the "Dictionnaire Universel d'Histoire N...

This print from "Illustrations of British Ornithology" by Prideaux John Selby features the Little Auk in both its summer and winter plumages. The illustration captures the distinctiv...

The fishes in the images are part of a genus that includes groupers. They are likely from "Strack: Naturgeschichte in Bildern", that refers to a work on natural history by Strack, a...

The following descriptions are based on the visual characteristics observed from the illustrations: 1. **Ruellia Ciliosa** - This plant features an upright growth habit with slender...

This engraving is from Prideaux John Selby's "Illustrations of British Ornithology," depicting two species of plovers. It shows the Ring Plover in two different stages of life—adult ...

Great image of a Herefordshire bull. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph with original hand color. Published 1...

Title: "Marine Mollusk Masterpieces: Artistry from the Depths" This collection of hand-colored engravings, meticulously crafted, offers a window into the diverse world of marine mol...

This original antique artwork for sale reflects the meticulous work of Thomas Meehan, and the images were published by L.Prang and Company in Boston, known for their exquisite chromo...

Large original hand-colored antique ornithological print made by Selby and published around 1826. This particular print from Prideaux John...

This print depicts three turtles, each with distinct patterns and colors on their shells and skin: 1. **Top Turtle**: This turtle has a relatively dark shell with light markings tha...

Large original antique print with two illustrations of birds, which are finely detailed and colored, from a series of ornithological studies. The print is engraved with the signature...

This original antique engraving features a pair of Dippers, also known as water ouzels, which are small, stout, aquatic songbirds. This print from Prideaux John Selby's "Illustration...

Large original hand-colored antique ornithological print made by Selby and published around 1826. The text identifies the species depicted i...

Large original hand-colored antique ornithological print made by Selby and published around 1826. The image is a colored etching from "Ill...

This original handcolored lithograph depicts a Templar knight in full war attire, mounted on a galloping horse. The knight is armored, carrying a sword raised high, likely in a charg...

Large original hand-colored antique ornithological print made by Selby and published around 1826. The print from Prideaux John Selby's "Il...

Large original hand-colored antique ornithological print made by Selby and published around 1826. This engraving is an exquisite print fro...

The illustrations are from "Dictionnaire Universel d'Histoire Naturelle" directed by Charles d'Orbigny, which was an ambitious encyclopedia of natural history published in Paris in t...

This beautiful original hand-colored antique print, made by Ulrik Thersner in 1824, is a fine example of his work. Thersner, known for his detailed and atmospheric landscapes, would have drawn this view of Djursholm Castle with great care, capturing not only the architectural features of the castle but also the surrounding natural landscape and pastoral life, as seen in the foreground with figures and livestock. The aquatint technique allowed Thersner to produce gradations of tone that give the print a remarkable depth and a lifelike quality, a characteristic that was particularly prized in the early 19th century for the way it mimicked the subtleties of watercolor paintings. The composition of the print, with the castle situated amidst the verdant trees and the inclusion of human and animal figures, creates a harmonious balance between the built environment and the natural world, reflecting the romantic sensibilities of the time. The view "from the S.E. angle" provides a unique perspective of the castle, emphasizing its prominence and setting within the landscape. As a historical document, the print serves as a valuable visual record of Djursholm Castle and its environs in the early 1800s. As an artwork, it stands as a testament to Thersner's skill as an artist and his contribution to the tradition of Swedish topographical art. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

Lot of 5 col. aquatints, by Mathew DUBOURG after various artists. These original antique prints were drawn (designated by "Del.", short for delineavit, Latin for "he/she drew it") by J.H. Clark and were published and sold on May 1st, 1813. Edw. Orme Bend Street London" refers to Edward Orme, a publisher based on Bond Street in London, known for producing and selling high-quality prints during the early 19th century. The term "Sculp", short for "sculpsit," indicates the engraver, in this case, M. Dubourg, who would have been responsible for engraving the images onto a surface for printing. These details highlight that the prints are of English origin and were produced by notable figures in the London art scene at the time. Edward Orme's establishment was a significant purveyor of prints, and such detailed works would have been collected by those with an interest in art, culture, and the wider world. This date places the prints in the early 19th century, a period rich in exploration and documentation of various cultures around the world through art. These prints would have served as a way for people to see and learn about activities and practices from different parts of the world that they might never have the chance to witness in person. The detailed and colored nature of the prints suggests that they were likely intended for an audience with an interest in the exotic and the educational. Description: This collection of five prints offers a vivid tableau of hunting and gathering practices from various corners of the globe during the 18th and 19th centuries. Each print captures a moment of interaction between humans and nature, showcasing the diverse methods and environments in which these activities took place. 1. "Finland Bear Hunting...

Rare, original 19th century woodblock print. Beautiful Edo period print from the original publisher. Quality framed with conservation glass in an black painted frame. Red Blue Gree...

Great image of swans. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original hand color. Published...

Great image of The Battle of Waterloo Fine steel engraving with a highly decorative border. Published by Tallis C.1850 Unframed. The size given is the paper size

Superb set of 5 prints of European Art Treasures Chromolithographs Published by Louis Gruner, 1862. The prints are in good condition. The white mounts have condition issues. This ...

Pair of 19th century German botanical color lithographs in gilt wood frames with beautiful marbleized mats. Each with various plants and trees, includin...

Title: "Medieval Valor: Sir Richard Vernon in Full Armor from 'Costume du Moyen Âge'" Description: This exquisite 1847 lithograph from the collection "Costume du Moyen Âge" presents...

The engraving is captioned as "Mode of Fighting in the Navigator's Islands" and depicts a scene of conflict among the indigenous people of the Navigator's Islands, now known as the ...

This hand-colored aquatint is a topographical view of Djursholm Castle in Danderyd, Sweden, and it is a part of Ulrik Thersner's ambitious project, "Fordna och närvarande Sverige" (Antiquity and Present Sweden). This work aimed to be a modern counterpart to Erik Dahlbergh's "Suecia antiqua et hodierna," a significant 17th-century work that showcased Sweden's historical and contemporary landscapes, buildings, and monuments through engravings. Ulrik Thersner's endeavor in creating "Fordna och närvarande Sverige" involved drawing several mansions, among other subjects, and began publishing these works in 1817. The technique used, aquatint, is a form of etching that allows for the creation of images with tonal variations, resembling watercolor paintings, which makes it particularly suited for detailed and atmospheric topographical representations like the one of Djursholm Castle. Carl Fredrik Akrell, a notable engraver, worked on engraving Thersner's images, which were then executed in aquatint, a process that allows for a rich gradation of tones and a painterly quality. Wilhelm Maximilian Carpelan later joined the publication effort, indicating a collaborative process in bringing Thersner's vision to fruition. The parts of the series were published over a period, with Skåne completed in 1823, and the regions of Östergötland, Uppland, and Södermanland addressed in the years 1820 and 1824-25. Thersner's personal involvement in writing the text for the pictures underlines the detailed and scholarly approach taken in producing this series. Thersner's "Fordna och närvarande Sverige" would have been an invaluable contribution to the documentation of Swedish cultural heritage and landscape during the early 19th century, providing a vivid pictorial record that would have appealed to both the scholarly community and the general public interested in the country's history and geography. The print of Djursholm Castle that you are referring to would be a part of this important series. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

This original antique aquatint is a picturesque depiction of Söderfors, a place likely to be in Sweden, given the naming convention and style of the artwork. Crafted by Ulrik Thersner in 1825, the image portrays a vibrant, pastoral scene set by a rushing waterway, suggesting the presence of a river or stream. The landscape is dotted with buildings that have the architectural hallmarks of early 19th-century Swedish design. A group of figures is depicted in the foreground, which adds a human element and scale to the scene. Söderfors, if it is the same location known today, has a historical industrial background and is located in Uppsala County, Sweden. The area has been known for its ironworks and manufacturing history dating back to the 17th century. It is a locality situated in Tierp Municipality, Uppsala County, Sweden with 1,572 inhabitants in 2010 If the aquatint represents this area, it may have captured Söderfors at a time when it was transitioning from a more agricultural society to one influenced by industrialization. Today, the region may still have remnants of its historical past, although it would have undoubtedly undergone significant changes since Thersner's time. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

Dated between 1738-1806 Mitsusada Tosa Printed 1806-1808 Engraver Jihei Inoue Printer Kisaburo Hori

Great image of swans. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. Brown with original hand color. Published...

Title: War Canoes of Otaheite equipp'd for Engagement as represented by Captn. Cooke This detailed engraving depicts the "War Canoes of Otaheite (Tahiti), as represented by Capt'n C...

Gentle Repose at Österby: An 1824 Aquatint by Ulrik Thersner. This aquatint by Ulrik Thersner, created in 1824, depicts the serene landscape of Österby in Sweden. The image is suffused with a gentle light that bathes the scene in a warm, inviting glow. It features two individuals on horseback in the foreground, suggesting a tranquil pace of life and leisurely exploration. Their presence adds a narrative element to the scene, inviting viewers to contemplate the journey the riders are undertaking. The central focus of the aquatint is the stately building situated by the water, likely a manor house or a significant estate of the time, reflecting the architectural style of the early 19th century. The estate is flanked by expansive, lush greenery and tall trees, with a prominent pine tree in the foreground that anchors the composition. The detailed rendering of the foliage and the atmospheric perspective in the background create a sense of depth and spaciousness. In Skåne, Thersner had drawn several mansions in 1816, and he decided to publish a counterpart to Erik Dahlbergh's Suecia antiqua et hodierna. He called his work Fordna och present Sverige, and in 1817 began its publication. Carl Fredrik Akrell engraved the images, which were executed in aquatint. Eventually, Wilhelm Maximilian Carpelan joined the publication. The Scania part was completed in 1823, Östergötland was started in 1820 and Uppland and Södermanland in 1824-25. Thersner himself wrote the text for the pictures. After Thersner's death, his widow, with the help of friends, continued the publication, which had never received public support. Michael Gustaf Anckarsvärd took over the publication, in lithographic form, until 1843. The work could be continued, partly with the drawings left by Thersner as templates, partly by Anckarsvärd and others contributing new drawings. In general, Anckarsvärd's work is considered superior to Thersner's. In 1843, the work was taken over by Thersner's daughter, Thora Thersner (1818-1867). She continued publishing until her death. Thora Thersner lithographed her drawings herself, which are usually considered conscientious, if somewhat dry and weak. During her time, among other things, the part about Närke (1838-55) was continued and completed. At the time of Thora Thersner's death, the entire work comprised 91 booklets, containing 364 plates with text. The publication had cost each subscriber 682 kroner and 50 öre. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

This is an engraving, with blue, Red colors. Representing Soldiers in place Vendôme, and Place du Chatelet in Paris.. It has been made in France in the 19th Century. With the collect...

Title: "Heraldic Harmony: Shields and Effigies of Medieval Nobility" Description: This print is a compelling illustration of medieval heraldry and armament. It features three distin...

A framed architectural engraving of a wall in Pompeii titled "In Casa Pseudourbana Di Pompei piano superiore Parete corta dell'antistuf...

Title: "Regal Contemplation: Queen Margaret of Scotland in 'Costume du Moyen Âge'" Description: This 1847 lithograph from "Costume du Moyen Âge" exquisitely depicts Queen Margaret of Scotland, a historical figure known for her piety and influence. The queen is portrayed in a moment of quiet reflection, her hands delicately poised as if in gentle conversation or mid-prayer. Her royal attire is intricately detailed, with a blue robe that falls in soft, luxurious folds, indicative of her regal status. The robe is cinched at the waist with a richly embroidered golden girdle, accentuating the queen's stature. Her sleeves are adorned with patterns that echo the girdle's design, and they tighten at the wrists, a common fashion of the era. Queen Margaret's head is crowned with a simple yet elegant circlet, from which her veil flows behind her in a graceful arc, adding a sense of ethereal beauty to her presence. The stark white of the veil provides a contrast to the deep, vibrant colors of her gown, and her calm expression embodies the revered tranquility she was known for. Next to her is a prie-dieu, a type of prayer desk...

Title: "Maid of Orléans: A Symbol of Valor" Description: This original handcolored antique print portrays an iconic historical figure, the Maid of Orléans, known for her pivotal rol...

Title: "Devout Reflection: A Medieval Bourgeoise in Prayer" Description: This print presents a serene image of a woman, labeled as a bourgeoise, engaged in an act of devotion. Her a...

Description: This print, a page from the work "Costume du Moyen Age" from 1847, depicts a regal figure representing Edward III, one of the most notable kings of England during the me...

These two antique handcolored lithographs are colored prints from the book "Costume du Moyen Âge" published in 1847. The prints depict detailed ecclesiastical items from the Middle A...

The image portrays a figure labeled "Chanoine," which is French for "Canon," referring to a clergy member who is part of a cathedral or a collegiate chapter. The individual is depicted in ecclesiastical robes that reflect his status within the church hierarchy. The canon is shown wearing a long, pink robe with a decorative stole over it, which is adorned with Christian symbols and patterns indicating his religious office. Over the robe, he wears a black mozzetta, a short cape that is typically worn by higher clergy in the Roman Catholic Church. He also has a white almuce, a fur-trimmed hood or shoulder cape worn by canons, draped over his left arm, and he is holding what appears to be a book of scripture or liturgy. His head is adorned with a biretta, a square cap with three or four peaks...