Three 18th Century Engravings of Versailles Garden by Antoine Aveline

Three small 18th century engravings of fountains at the gardens of Versailles by renowned Parisian engraver Antoine Aveline. All three are pr...

A rare 18 century perspective view engraving of the Salon de la Menagerie at Versailles, attributed to Antoine Aveline retailed in Paris by Nicolas Langlois and executed with the per...

A 19th century steel plate engraving depicting the Banishment of Cleombrotus after the original by Benjamin West oil on canvas painting executed in 1768 and held at the Tate Gallery. The engraving is presented with beige matting and a gilded wooden frame. Benjamin West showed this painting at the second exhibition of the newly formed Royal Academy. After several years in Italy, West had established himself in London as the leading painter of subjects from classical history...

A 19th century engraving of a young Mozart playing the harpsichord in the court of Hapsburg Emperor Francis I featuring the Emperor and a number of courtesans and members of the Haps...

A late 18th century Louis XV three drawer chest veneered in various types of wood; the top section sits on four scrolled legs;.

A large oil on canvas depicting a youthful father with his three children, two of which are behind him playing musical instruments, the daughter with her harp and son playing the flute. A third child with his back to the painter faces his father. The painting is presented in a carved and gilded wood frame. Like the great majority of Opie's work, this painting is not signed or stamped. Opie lived at No 8 Berners Street where he moved in 1791, the street famous for artists, composers and instrument makers. Jacob Erat the famous harp maker lived in the neighbourhood and moved to 23 Berners Street before his death in 1821. This painting could be the painting referenced in John Jope Rogers, "Opie and his Work" Truro 1878, Page 220, entitled 'Musical Party'. Provenance: Charles St. George Quechee, Vermont; New England Private Institution; Sotheby's New York April 7, 1989, Lot 1, as John Opie, Portrait of a Gentleman and his three children; Private collection Connecticut. John Opie RA, (May 1761 – 1807), was a Cornish historical and portrait painter. He painted many great men and women of his day, including members of the British Royal Family, and others who were most notable in the artistic and literary professions. Opie's artistic abilities eventually came to the attention of a local physician and satirist, Dr John Wolcot (Peter Pindar). Recognising a great talent, Wolcot became Opie's mentor, buying him out of his apprenticeship and insisting that he come to live at his home in Truro. Wolcot provided invaluable encouragement, advice, tuition and practical help in the advancement of his early career, including obtaining many commissions for work. In 1781, Opie moved to London with Wolcot, having entered into a formal profit-sharing agreement with him. Although Opie had received a considerable artistic education from Wolcot, the doctor chose to present him as a self-taught prodigy. A portrait of a boy shown at the Society of Artists the previous year had been described in the catalogue as "an instance of Genius, not having ever seen a picture." Wolcot introduced the "Cornish wonder" to leading artists, including Sir Joshua Reynolds, who was to compare him to Caravaggio and Velazquez, and to prospective patrons. The business arrangement with Wolcot lasted for a year after which Opie informed the doctor that he now wished to go it alone, leading to the estrangement of the two former partners. Through the influence of a Mrs Boscawen, Wolcot managed to have Opie introduced at the court of King George III. The king purchased one of his pictures and commissioned him to produce a portrait of Mary Delany...

This beautiful engraving of "Cupido and Psyche" by Jean Audran after a work by Antoine Coypel. Inspired directly by Greek mythology. Psyche is a young ...

Set ancient Roman frescos from the series "Antiquities of Herculaneum", an original etching on paper by Nicola Fiorillo in the 18th Century. Three hand colored copper engravings of classical roman. Each print is matted in a custom made silk mat that matches the clothing. Engraving with two figures measures 21.25" x 18.25". The other two prints measure 20.5" x 16.5". Size includes mat. # greek Pompeii Grand tour

Superb pair of 18th century English engravings.

18th Century Engravings of Fish by Marcus Bloch, A pair, circa 1780. A fine pair of prints of fish by Marcus Bloch with decoupage frame. Dimensions: 13 3/4 inches x 20 inches wide....

Each print is mounted in a cherrywood parcel-gilt frame, with a glazed reverse depicting the corresponding text sheet. L'Andaloux, Le Cheval d'Espagne, Plate I; Le Barbe, Le Che...

A set of (4) four very fine hand-colored copper plate engravings on handmade rag of monkeys by Naturalist George Leclerc Compte de Buffon (1749-1761): M...