Pair of Reliefs in Marble Représenting the Virgin Mary and Christ after GIRARDON

This sculpture is of rare beauty, a mixture of finely carved white marble and part in cast and chiseled bronze with a brown patina. The theme is presented as the love of parents towa...

Grand et beau tableau, huile sur toile, représentant " L'adoration des Bergers " Ce tableau est une œuvre réalisée au début du XIXème siècle par un peintre non identifié mais très talentueux puisqu'il fallait une certaine maitrise pour s'attaquer à la réalisation d'un tel tableau de si grande taille, encadré par un beau cadre en bois sculpté et doré, italien également. Pour comprendre l'origine de ce tableau il faut remonter au début du XVIIème siècle; en effet, une poignée d’artistes, d’Utrecht aux Pays Bas, arrivèrent à Rome appelés par des commanditaires, très impressionnés par le Caravagisme. Parmi eux se trouvait Gerrit van Honthorst...

Pierre-Jules Mène Paris (1810 - 1879) Jument et son poulain à la corbeille d'avoine Très beau petit groupe en bronze à double patine brun clair et brun foncé. On peut admirer certains détails mis en relief par une ciselure très fine et très habile. Pierre Jules Mène est né à Paris le 25 mars 1810 et il y est mort le 20 mai 1879. Célèbre à travers le monde entier pour ses sculptures animalières, Il était le beau-père du sculpteur Auguste Cain (1821-1894), qui fut son collaborateur. Cette très belle épreuve est ancienne, elle est d'époque fin du XIXème siècle. Elle est signée 'P J MENE' sur la terrasse à droite. La patine est authentique et présente de légères nuances. Hauteur : 8 Largeur : 15 Profondeur : 7,50 cm Bibliographie en rapport : Michel Poletti et Alain Richarme, 'Pierre-Jules Mêne, catalogue raisonné', Paris, 2007, p. 83 , modèle référencé sous le n...

Important bronze sculpture with brown patina representing a young woman harvester returning from work in the fields. Note the beautiful expression of the face underlining the satisfa...

Superb statue of a young woman in motion, dressed in antique style, and holding a tambourine in her right hand. Joe Descomps was renowned for his female nudes. In our sculpture, the ...

Spectacular trim consisting of a clock and its candelabras decorated with Cupid sits on a tree stump. In Roman mythology, Cupid, son of Venus and Mars, is the god of love. The origi...

Stunning antique, hand carved church sculpture of the pieta from the 1800s. If you are a collector of antique and top-quality works of art in general and of rare religious artefacts...

These exquisitely carved marble relief plaques, are notable for their large size and fine detailing, and were made after two famous plaques of the...

A Monumental and Rare 19th Century French Ormolu Mounted Multi-Marble Bust of Alexander The Great, After The Model by Francois Girardon. Drawing inspiration from the renowned "Bust of Alexander the Great (356-323 BC)" housed in the esteemed Palace of Versailles, this monumental work of art showcases exceptional craftsmanship and meticulous attention to detail, serving as a testament to the creator's artistic prowess. Central to this magnificent sculpture is the resplendent red marble face, neck, and hair of Alexander the Great. Capturing the youthful essence of the conqueror, the sculptor depicts him as a young man with a clean-shaven countenance, his moderately long curls delicately cascading from beneath a remarkably unadorned helmet, save for a magnificent plume. The red marble harmoniously accentuates the life-like features of Alexander, imparting an air of regal elegance to the composition. Adding to the allure of this remarkable sculpture is an ormolu robe cascading over Alexander's shoulders, exuding an aura of nobility and power. Of particular note, the breastplate bears an embossed ormolu mask of a deity in profile, surrounded by elegantly sweeping acanthus leaves, paying homage to the influential forces that shaped the life of this great conqueror. Once again, the sublime combination of precious metal and marble amplifies the robe's magnificence, further accentuated by the presence of an ormolu body chain swaying gracefully from Alexander's left shoulder to his right hip. The selection of marbles for the cuirass and plinth serves as an additional testament to the artist's commitment to crafting a visually striking and harmonious composition. The grey marble cuirass complements the overall color scheme of the bust while providing a subtle contrast to the red marble features. At the neck, a pleated ormolu linen undergarment discreetly peeks out, showcasing the artist's meticulous attention to intricate details and enhancing the sculpture's depth. The original Alexander The Great Bust...

18th century Italian marble relief portrait of the Roman Stoic philosopher Seneca, carved in deep relief and mounted on a red and white variegat...

Early 16th Century Spanish carved-wood and polychromed panel of The Betrothal and Love of Joseph and Mary mounted on a Lucite panel and framed with a walnut wood hand-finished frame.

Late 16th century Italian school oil on a wood panel painting of The Madonna with Christ Child and the infant St. John the Baptist. Mount Vesuvius is erupting in the background. This painting was part of the collection of Fred B...