Renaissance Portrait Cameo of Emperor Vespasian in a Gold Brooch

RENAISSANCE MARRIAGE PORTRAIT CAMEO IN MODERN GOLD SETTING Italy (?), 16th-17th century White agate, modern gold setting Weight: 10.8 g.; circumference: 54.4 mm.; size: US 7, UK N ½ Substantial rounded D-section hoop, narrowing at the base supports an oblong collet set with a white agate cameo. The cameo features a female bust behind a male bust in profile facing to the viewer’s left. The man has a curly beard, wears a fillet in his closely cropped hair, and wears a draped toga; the woman is less well defined and wears a palla. Both portraits have flat features. The carving has a metallic quality to its lines which enhances the sheen of the stone. The cameo is in excellent condition; the mount is modern. The Renaissance welcomed a revival in the ancient art of gem carving and cameos achieved renewed popularity. Important patrons, like the Medici, employed artists and goldsmiths to make dozens of beautiful examples that harkened back to antiquity and displayed current fashions. Double portraits of a man and woman, as with this ring, are called marriage portraits. They take their form from cameos of Roman rulers, mythological lovers, and citizen couples. Literature This couple could be a sixteenth-century copy of an ancient gem or it could represent a Renaissnce couple in the guise of a Roman couple. The features do not point to any well-known couples. A double portrait cameo in the Royal Collection (RCIN 65861) provides a nice comparison to this ring and is from the same period. For an ancient example of the double portrait cameo see the Metropolitan Museum’s Germanicus and Agrippina (39.22.18) cameo. Another comparison, see the Bibliothèque Nationale, Paris (a 17th-century cameo with the double portrait of a couple in a three-layered agate, published in Babelon, 1897, n. 1019). For general information on Renaissance cameos...

Renaissance Cameo Of Galba (?) in Modern Gold Setting Europe, 17th (?) century Onyx and gold Weight: 10.2 g.; circumference: 51.8 mm.; size: US 6, UK...

Ring with Renaissance cameo Probably Northern Italy, cameo late 16th-early 17th century; ring: second half 18th century Gold, sardonyx cameo (layered...

RENAISSANCE CAMEO RING Italy, cameo: second half of 16th century in a late 18th century ring Gold, agate , black enamel Weight 6.3 gr.; bezel 18.8 x 16.9 x 6.5 mm.; circumference 58.4 mm.; US size 8¾; UK size R Cameo of a nude female bust...

RENSAISSANCE CAMEO RING Italy? 16th century in a 20th century setting Gold and sardonyx Weight 6.5 gr.; bezel 16.1 x 16.9 x 7.4 mm.; circumference 50.3 mm.; US size 5½; UK size L In this oblong cameo, the bust of a woman wearing a necklace but otherwise nude stands above a blue ground. While her breast faces forward, her head is rendered in a strict profile and her hands gesture to her right. The minimalist gold setting is modern and dates to the twentieth century. Cameos depicting nude female figures became popular in the court circles of sixteenth-century Italy, where newly-formed princely collections of ancient gems served as models for contemporary hardstone artists. Following ancient practice, the artist responsible for the current cameo has cut into two layers of the multicolor agate, creating a background of milky blue that contrasts with the white flesh of the woman above. The sharp profile of the woman’s face likewise recalls the art of the ancient Romans, who often used the profile view for portraits on coins, medals, and engraved gems...

Cameo with Double Portrait of Cosimo I de Medici and Camella Martelli Cameo, Northern Italy, late 16th century; mount with pin 18th century and later Gold, onyx Weight 3.7 gr.; 14.88 mm. Two-layered onyx cameo (white on translucent pale brown) with jugate heads facing to the right looking upwards. The male head with short curly hair, beard and moustache wears a tunic draped around his neck and shoulders. The female head in the background has her hair tied back. They are cut in the white layer of the stone with translucent pale brown background. The cameo is convex on the reverse and open-set in a pendant with plain gold collet and rounded edges. A long gold pin is attached to the pendant loop and the opposite end has a section of coiled wire Literature: Portraits of Roman Emperors were popular and highly fashionable during the Renaissance period, rulers would often be portrayed like their ancient counterparts, also as a double portrait with spouse, or known as jugate heads. The individual features of the couple portrayed here suggest it could be a double portrait of Cosimo I de Medici (1519-1574) at a slightly older age and his second wife Camilla Martelli, Duchess Consort of Florence (1545-1590) whom he married in 1570. Bust sculptures of Cosimo de Medici in the Galleria Uffizi by Baccio Bandinelli...

Cameos are works of miniature sculptural art. Their original purpose is lost in history but of the countless ancient examples of the sculptor’s and carver’s craft, none offers such a...

We are delighted to offer this superb antique Victorian 14ct gold shell cameo brooch made c.1890. The cameo depicts a bearded gentleman 'in profile' (side on) in exceptional detail...

9k yellow gold cameo brooch – size 5.3 cm x 4.0 cm Detailed description the size of the brooch is 5.3 cm by 4.0 cm wide weight 15.2 grams set with - 1 x 4.8 cm x 3.7 cm oval cut...

19th century oval brooch-pendant decorated with a cameo depicting a young woman in Renaissance taste. Gold openwork mounts, heightened with pearls. 1...

Victorian high relief sardonyx cameo of maiden with hair wreath decoration. The wreath and dress closure are carnelian toned against her alabaster profile....

14 k yellow gold shell cameo 19. century Germany 13 gram size 50 x 42 mm