MiriamHaskell Late1920s Hess SignatureGrapeClusterPendant GlassPearl Necklace

This antique rare hand-pressed-glass necklace features semi-translucent grape-green large beads that are capped with gilt-brass filigree. Based on the combination of bead seams, spring-ring clasp, and metal findings on the unmarked faux Chinese-jade necklace, it dates to the late Victorian period most likely from Western Europe. Around WWI, hand presses, which stamped molten glass into a mold to create a bead with a hole and a seam, were often used to produce costume jewelry as a cottage industry in Germany and the Czech region. This was while there was a lack of factory machine presses and finishing tumblers that used sand to polish out the seam lines. Another reason that the cloudy green beads can be identified as atypically hand-pressed is that they are more opaque and therefore harder and less prone to breaking during formation than fully-translucent glass, which was better suited for automated-machine pressing. Also the green beads are an unusual swirled color including white, which suggests that their production was more limited than machine-pressing would enable. Without the bead-seams, this necklace could be mistaken for one by Coco Chanel. Her 1920s couture...

With a silver clasp that could be as old as the Victorian period and in an Art-Nouveau style with pale intricate flora motifs, this antique long glass necklace features lampwork-like...

In the late 1920s during the Art-Deco period, this Miriam Haskell white mostly glass-beaded sautoir was created in New York City by her first designer Frank Hess. This uniquely hand-...

During the Art Deco period, Miriam Haskell's first designer Frank Hess designed this blue-and-white glass-beaded hand-sewn torsade set of dangle earrings and a choker necklace, whose knotted string is capped with their characteristic Russian-gilt brass flora filigree. Coinciding with the American Great Depression, to offer some less expensive costume jewelry than her initial ready-to-wear styles featuring Parisian hand-crafted materials found in French couture, Haskell reduced the cost of some of her findings by locally sourcing stamped metal and incorporating hand-pressed glass beads from Germany and Czechoslovakia. With a loop, the line from hand pressing the glass can only be found on the blue beads, while the white ones are coated in an organic material like authentic French faux pearls. The ends of the textured cords that string the beaded set were frayed to form a fuzzy opaque dome that hides the knots attached to the filigree caps. No Haskell jewelry was signed before 1947. The unsigned necklace...

Indicating that French-born Alfred Philippe designed this bicolor glass-beaded necklace between 1936 and 1955, the crown-topped Trifari signature appears without a U.S.-copyright sym...

Featuring yellow-gold sinuous-pattern rondelles and carnelian rock-crystal round 8mm beads, this ancient-revival heavy necklace is knotted in stations a...

Tahitian South Sea Pearl Necklace ranging in size from 11 mm to 16 mm Total pearls: 35 Total weight: ct 477 Total weight with tufts: ...

Tahitian South Sea Pearl Necklace ranging in size from 11 mm to 16 mm Total pearls: 35 Total weight: ct 477 Total weight with tufts: 100 grams Necklace w...

22 Karat gold necklace of Amethyst, emerald crystals and fresh water pearls in the manner of Roman 3rd century pieces. The neclace measures 32 inch...

From the American Southwest and beyond, This elegant yet edgy 14 karat yellow gold Marlo Laz Squash Blossom bead collar allows you to carry the serenity and the mystic of the desert ...

From the American Southwest and beyond, this elegant yet edgy 14 Karat yellow gold Marlo Laz Squash Blossom bead collar with dancing and dangling Pink Pearls, allows you to carry the...

From the American Southwest and beyond, this elegant yet edgy 14 Karat yellow gold Marlo Laz Squash Blossom bead collar with dancing and dangling Pink Pearls, allows you to carry the...