Georgian Gold and Garnet Snowflake Pendant

In natural light, there is a flash of orange in the red of this Georgian Flat Cut garnet snowflake pendant. The color of Georgian garnets are unique to the era as there was no light ...

Some like it hot and dramatic which is an accurate description of this large 60ct Victorian Rock Crystal, Garnet and Natural Pearl Pendant. If that is not enough magic, add an original bale, six natural pearls and 11n cts of wine colored garnets. A statement piece indeed that beautifully made and has been cared for for 180 years. A jewel that more than hints and your daring personality and pride in your individuality. The healing properties of crystal are enlightenment and healing of the spirit and promotion of spiritual and physical well being. The word crystal comes from the Greek word krustallos which means ice. It is the sister gem to amethyst and citrine, Perfect condition. 3 1/4 inches high, 1 3/4 inches wide Weight 34 Grams For a Grand Dame...

Black dot paste are set in a silver snowflake pattern that sway from your ears in these Georgian earrings. The ear wires are gold. Paste was an art form that dated back to the ancient veneration of glass. It was not an imitation jewel. The paste stones were well faceted and placed in closed back settings that had a thin bit of foil under the stone to capture the light of candles or available daylight. In the Georgian and Victorian periods, royalty had their own paste makers who were so prized that they kept their formulas secret. Napoleon gifted Josephine with a paste parure...

Proving that all beautiful jewelry can be other than gold or silver, this Georgian pendant of lacy openwork in a floral vine motif mimics the real thing made c. 1800, yet this is gil...

From the Age of Elegance and Poetry in the early 19th century come these flat cut garnet earrings suspending forget-me-not flowers. Garnets were in high demand for their glowing red ...

A beautifully granulated pale amethyst and 18 kt gold pendant or brooch that is set with four natural pearls around the center stone. The gems are closed in the back and foiled. The ...

Here we have a charming pendant dating back to the mid-Georgian era. This classically styled pendant has been crafted from 9ct gold into the shape of a witches heart...

Original Georgian era Garnet Rivière Pendant Necklace composed of 10k yellow gold. With oval-shaped flat cut natural red garnets, foil-backed in collet ...

Antique Garnet Pendant 9ct Rose Gold Stamped Circa 1820’s A pretty, floral shaped, Georgian pendant. Set with gorgeous, foil backed, flat ...

Snowflake charm necklace in 14k solid gold. Gold Snowflake Pendant. Christmas Gift for her. Snow queen pendant necklace. Winter jewelry gift. Total weight: 2.27 g. Yellow 14k solid ...

This beautiful antique cross is Georgian era 1740 ca – Possibly French from the hallmarks Superb 18 KT past artwork of the era with rare design and rich back details Adorned with a s...

This antique Victorian 15K gold demi-parure comprising pendant earrings and pendant brooch with chain is set with over 10.00 carats of cabochon almandine garnets. The elongated pendant earrings are designed as scrolling leaf motif tops, each with an oval cabochon garnet, flexibly suspending a reverse-tapering drop of floral and foliate form set with pear-shape and oval cabochon garnets, en suite with a conforming pendant brooch and delicate rectangular trace link chain. Still stylish today, the lightly voluminous, repoussé forms have an easy, gentle sway, while their soft bloomed gold and saturated red garnets enliven the eyes and face. Product Details: Item #: STE-20655 Artist: James W. Lyon, Edinburgh Country: Scotland Circa: 1860's Dimensions: Earpendants: 3" length; Pendant Brooch: 2.5" length; Chain: 13.5" length Materials: Cabochon almandine garnet (with approximate total weight 6.10 carats); Cabochon almandine garnet (with approximate total weight 4.05 carats); 15K Gold; fitted original box from James W. Lyon, Edinburgh. Literature: A substantially similar demi-parure in the collection of the Victoria and Albert Museum, London, is pictured in Jewellery in the Age of Queen Victoria, by Charlotte Gere and Judy Rudoe, p.17. The image of the demi-parure is accompanied by an image of a lithograph of a young Queen Victoria wearing a substantially similar demi-parure. Macklowe Gallery Curator's Notes: Queen Victoria, whom the artistic record shows owned a substantially similar demi-paure, was deeply interested in couture and jewelry. Often, she chose to wear jewelry by British makers, in many cases work that was historically inspired and/or sentimental, knowing that her choices were closely observed by the public. These jewels were often relatively modest in value, and accessible to aspiring women of the British middle class. Blood-red cabochon-cut gems have been known throughout history as "carbuncles", and their use in gold jewelry was highly popular in the sentimental, symbolism-loving Victorian period in England. In the 19th century, the new study of of archaeology had revealed that the garnet was a favorite precious stone of the Hellenistic Greeks, who centered carbuncles in wedding jewelry such as gold bracelets and garment appliqués fashioned...