Silver Figurines and Sculptures

Mario Buccellati Silver Squirrel, silver texted fur with glass eyes, enamel nose and gilt acorns. Signed on one leaf Mario Buccellati, 925, and 15-MI M...

Solid silver bear in very good vintage condition. Dimensions: Height 64 mm / 2.519 inches - Length 24 mm / 0.944 inches - Weight 62 grams. It is stamped with the Silver Italian Mark...

Five German 812 silver figures, ca 1880. This set comprises two musicians, a tankard-bearing tavern keeper, a fowl-serving wench, and a dagger-wielding pierrot let loose among these ...

Solid silver Cocker Spanieln very good vintage condition. Dimensions: Height 36 mm / 1..417 inches - Length 45 mm / 1.771 inches - Weight 34 grams. It is stamped with the Silver Ita...

This dog is one of 12 sterling silver "stirrup" glasses, vermeil inside, whose models date back to around the mid-1900s, and represent 12 animals that can be placed at the table to serve wine. Most popular in the late 18th and 19th century, antique silver stirrup cups...

Charming silver Biedermeier needle case in the shape of a man wearing a hat, frockcoat and gaiters. He is hiding his right hand, holding a playing card showing a diamond ace, behind...

Silver Gilt Victorian butterfly brooch. Crafted with beautiful gem-set wings and body. Colorful and delightful, the butterfly brooch is set...

Austrian silver-gilt, Wood & Enamel Clock Cabinet Table classical figures painted on a gilt diaper bottom. An enamel clock face, matching the corners. Columns made of Corinthian wi...

A large buckle in neo-renaissance style depicting the birth of Venus in silver with a damescened iron and gold mounting, signed: Antonio Cortelazzo, Italian, Vicenza, circa 1850. we...

An 18k yellow, rose, white gold, and sterling silver, "Venus" Angel brooch and sculpture with earring jackets, set with 6.73 total carat weight rose cut yellow, orange and pink sapphires, 1.15 total carat weight round yellow, orange, and white sapphires, and 4.50 total carat weight faceted yellow and champagne diamonds, along with carved peach...

Solid silver Cocker Spaniel very good vintage condition. Dimensions: Height 36 mm / 1.417 inches - Length 48 mm / 1.889 inches - Weight 52 grams. It is stamped with the Silver Itali...

This obelisk in "Lapis lacedaemonius", called in ancient Rome "Serpentino", was made by our talented artisans: the one who cut the precious ancient marble and the one who made the st...

Solid silver Bracco Italiano (Italian Pointer) in very good vintage condition. Dimensions: Height 55 mm / 2.16 inches - Length 80 mm / 3.14 inches - Weight 85 grams. It is stamped w...

Solid silver fallow deer, in very good vintage condition. Dimensions: Height 68 mm / 2.67 inches - Length 66 mm / 2.59 inches - Weight 45 grams. It is stamped with the Silver Italia...

Turn-of-the-century European silver bell. Tulip-bowl with twisted gadrooning. Figural handle depicting an old-fashioned countryman holding two live fowl. Here’s dinner—eventually. Su...

Silver and malachite folding, with chiseled Mayan details on the handle. 1958

Pineapple handicraft in silver

Piece of goldsmith in silver, made in 1958 by Antonio Pineda. the technique hammered in one piece, sterling silver .950

Silver Partridge handicraft

Silver Gazelle handicraft

piece designed by the master Taxqueño Ezequiel Tapia in the year of 1972, represents a chained Indian. With a technique of embossing and carving in stone, sterling silver .925 and ob...

The offering, representation of an Indian woman seller in silver and the container in agate. Winner of the National Silver Award in 1967. Embossed technique and obsidian

Silver hound bracco handicraft

Pipe Quetzalcoatl with Olmec mask in jade. Embossed technique, carved in stone and inlaid. Awarded with the first goldsmith prize in 1962

Three illustrious men from Taxco, Custodia with faces of notable characters from Taxco, created to celebrate the first Alarcón Festival in 1988. Don Juan Ruiz de Alarcón, Don Jose De...

Modeling the face of Don Juan Ruiz De Alarcón was finished in two pieces, with a rosewood base. Technique: chiseling and embossing. Made for the inauguration of the first Alarconian ...

Piece designed by the master Taxqueño Ezequiel Tapia in the year of 1967, with the technique of embossing and carving in stone, sterling silver .925 represents the marine deity with ...

" La noche de los mayas" Box with silver, brass, malachite and precious and semiprecious stones. Base in rosewood wood. Technique: stamping and fusion of married metals, technique in...

Work of silver in spatial inspiration, on an ebony base. made in the year of 1963, winner of the prize of the School of Design and Crafts. Technique, embossing and pumped.

3 heads of horses separately, on a wooden base rosewood, with eyes of onyx. Embossed technique. 2 of the horses have matte finish and the other maintains its original brightness.

Dog sculpture poodle in silver

Elephant handicraft in silver

Silver Wild bison Sculpture

Elephant Puppy sculpture in silver

Male Doberman dog sculpture in Silver

Sculpture of dog Cocker in silver

Silver fish grayling handicraft

This is a very RARE pair of antique shakers hand-wrought in sterling silver by the craftsmen of Edward Charles Brown of London England in 1867. These lifelike little monkeys are remi...

Spinone dog handicraft in silver

A Hand Chiseled 925 Silver "Mallard" made in Portugal. Dimensions: CM - 13 x 10 x 6 Inches - 5.1 x 3.93 x 2.35 We have other models in collection. Handmade in Portugal. Stamped by ...

A Hand Chiseled 925 Silver "Woodcock" made in Portugal. Dimensions: CM - 13 x 7 x 5.5 Inches - 5.1 x 2.75 x 2.16 We have other models in collection. Handmade in Portugal. Stamped b...

A fine teddy bear spinner rattle. By Tiffany & Co. In sterling silver. Together with its original Tiffany pouch & box. Marked to the reverse of the handle for Tiffany & Co. / 92...

Gold floral compositions with precious or semi-precious stones or enamel became popular at the turn of the 20th century in Europe and Russia. Especially Imperial families and nobilities collected or gifted to important people. This floral miniature consisted of various rich flower stone carvings adorned with gold filigrees and over 9ct white and black diamonds is fascinating. Poppy flowers made of chalcedony and black diamonds adjoin a quartz lily and lively golden chrysanthemum decorated with diamonds. The gold stamens are adorned with diamonds and sapphires. Fresh-looking leaves are also hand-carved from Siberian nephrite to balance this rich floral composition. One of the poppies is detachable to be transformed into an outstanding brooch. A deep nephrite vase harmoniously continues the floral theme: inspired by the image of an ancient wine cup, it is shaped to be reminiscent of a flower bud. The artistic floral pattern on the base is silver and embedded with diamonds. This intricate artistic floral object symbolising tenderness, love, and wealth, shall bring joy to the home and be a precious family treasure for future generations. "Floral Fancy" Gold 18 K / SV925, Weight 613.18 g, Size: 105*103*246mm 1 184 Diamond 7,323 ct 72 Black Diamond 2,16 ct 1 Garnet 0,065 ct 1 Smoky Quartz 1,5 ct 1 Pearl 0,24 g 3 Carving quartz 20,8 g 1 Nephrite 342,6 g 11 Carving nephrite 48,51 g 4 Sapphire 1,08 ct 4 Chalcedony 38,52 g *This objet d'art was made in 2008 but not owned by anyone before. This object has been exhibited at a number of exhibitions such as Russian, Eastern & Oriental Fine Art...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock Crystal, Enamel, Emerald, Lapis Lazuli, Agate, Emerald, and Obsidian Polo Player, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French Carved Horse Sculpture, Jeweled Mounted Object sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1999. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved obdisian hardstone horse and polo player, mounted in 18k gold, brilliant -cut diamonds, emaralds, enamel, lapis lazuli, and agate, .The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / MELLERIO DITS MELLER PARIS / 5003 DIV The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 12" high x 8" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

The Lilies of the valley Easter egg miniature by MOISEIKIN is a new level of jewellery architecture created to commemorate the house's 30th anniversary. It allows you to see the beau...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Mellerio Paris, A French Gold, Diamond, Silver-Gilt, Rock-Crystal, Obsidian & Lapis Horse An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt rock-crystal, obsidian and lapis lazuli jeweled sculpture "Bucéphale, Chevaux de légende", "Bucephalus, A Legendary Horse" by Mellerio, Paris, circa 1998. Sitting on black obsidian base, the solid rock crystal slab is finely applied with a lapis lazuli half-horse with harness mounted in 18k gold and brilliant cut diamonds, between two crystal and lapis lazuli columns adorned with gold and diamonds, insert with 7 ruby cabochons and 1 emerald cabochon, the obsidian base with a plaque engraved: CHEVAUX DE LEGENDE / MELLERIO DITS MELLER / PARIS / 5029 DIV Bucephalus (c355-326 BC) is among the most famous horses in history, and it was said that this he could not be tamed. The young Alexander the Great, of course, tamed him – and went on to ride his beloved equine companion for many years and into many battles. The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10" high x 9" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Adorable golden fleece is the wish of good luck and prosperity! Inspired by the Greek legend that the gold miners used fleece of the sheep to filter the gold from mountain streams, MOISEIKIN® created an adorable series of Golden Fleece miniatures with pure silver, gold and natural jasper from the Ural mountains. At a glance, it is just an adorable sheep miniature for interior. Ball-like fatty body is skillfully engraved and coated with gold. His facial feature is gentle and wise. The mountain connected to the golden sheep has a secret. If you hold the sheep and turn up, the mountain transform to a luxurious shot cup...

A pair of "laughing boy and girl" manufactured in Sterling Silver, each figure depicted seated and each holding a different silver "basket". Hands manufac...

MOISEIKIN's stone mosaic panel "Exotic Duo" combines two types of mosaic techniques — the flat Florentine and Japanese relief mosaics. The work presents a...

Adorable golden fleece is the wish of good luck and prosperity! Inspired by the Greek legend that the gold miners used fleece of the sheep to filter the gold from mountain streams, MOISEIKIN® created an adorable series of Golden Fleece miniatures with pure silver, gold and natural jasper from the Ural mountains. At a glance, it is just an adorable sheep miniature for interior. Ball-like fatty body is skillfully engraved and coated with gold. His facial feature is gentle and wise. The mountain connected to the golden sheep has a secret. If you hold the sheep and turn up, the mountain transform to a luxurious shot cup...