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Grace Slick, The Family Dog, San Francisco, 1969 Robert Altman

$2,400List Price

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Aerial Photographs of San Francisco, George R. Lawrence, 1906 Earthquake

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ABOUT Comparison aerial photographs of San Francisco printed on glossy fine art paper. The first image is an aerial shot of the city taken in 1981 by an unknown photographer. It depicts the harbor and downtown all the way out to Ocean Beach and the Golden Gate Bridge. The second image is taken from the same vantage point. It is stamped, ‘Photograph of San Francisco is ruins from Lawrence Captive Airship 2000 feet above San Francisco Bay. Overlooking waterfront, sunset over Golden Gate.’ There is also a copyright stamp for George R Lawrence. Lawrence used an aerial kite to photograph San Francisco after the devastating 1906 earthquake. His photographs appeared in newspapers around the world and generated more than $15,000 for the photographer. CREATOR Unknown and George R. Lawrence and Co. DATE OF MANUFACTURE 1906 and 1981. MATERIALS AND TECHNIQUES Photograph on glossy fine art paper. CONDITION Good. Wear consistent with age and use. DIMENSIONS Sheet: H 21.5 in. x W 23.5 in., Image: H 16 in. W 18.5 in. HISTORY George R. Lawrence (1868-1938) After working briefly at a Chicago wagon factory in 1889, George Lawrence opened a studio for the production of crayon enlargements — large photographs, usually portraits, that have been enhanced by pastels or charcoal. Crayon enlargements were popular wall decorations in the late 1800s. In 1893, Lawrence's studio partner left Chicago permanently. Lawrence inherited the equipment and learned to develop negatives from a local photographer's apprentice. He formed the Geo. R. Lawrence Company and quickly became an innovator in the field, using the slogan "The Hitherto Impossible in Photography is Our Specialty." Lawrence designed his own large-format cameras and specialized in aerial views. He began by using ladders...

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Grace Kelly

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Pope Francis and the New Vatican Draper, Robert Hardcover Book

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Robert Frank Untitled from the Americans, 1958, Beats Culture, Black & White. Photogravure print, mid-century, France,wax tissue mounted on conservation matboard. Influenced by the work of Jakob Tuggener and Bill Brandt, as well as Walker Evans, Frank, a native of Switzerland, Frank was fascinated by documentary photography and the notion and image of "America." Frank secured a Guggenheim fellowship in 1955 to do something new and unconstrained by commercial diktats. "The Americans" was first published in 1958 in France, before its first run in the US in 1959. The photographs were shocking and notable for their distanced view of both high and low strata of American society, creating a complicated portrait of a period that was, then and now, considered to be a skeptical portrait of post-WWII American values but also deeply empathetic and profoundly evocative of ubiquitous loneliness. Frank found a tension in the gloss of American culture and wealth over race and class differences, which gave his photographs a clear contrast to those of most contemporary American photojournalists, as did his use of unusual focus, low lighting and cropping that deviated from accepted photographic techniques. Shortly before the book was published in France, Frank returned to the US (1957) and met Jack Kerouac on the sidewalk outside a party. They started chatting. Frank showed him some of his photographs. Kerouac immediately told Frank "Sure, I can write something about these pictures." Kerouac would write the introduction to the American edition of the book, published two years later. Sociologist Howard S...

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