Metal Photography

Underwater photograph of a gorgeous girl with dark hair in red dress. Original digital print on aluminum plate signed by the artist. Limited edition of 12 The artwork is furnished w...

The Labyrinth Series Dimensions 16 x 20in (Limited Edition of 6), 11 x 14in (Limited Edition of 6) This piece is signed on verso and includes a certificate of authenticity. Indira ...

The Labyrinth Series, Photography, Archival Ink on Aluminum Dimensions 18 x 24in Archival Ink on Aluminum (Limited Edition of 6) 20 x 30in Archival Ink on Aluminum (Limited Edition o...

ONLY YOU Series Photography, archival ink on glossy coated sheer aluminum, with mounts and French cleat on back for hanging. Dimensions 12 x 18 x 1in (Limited Edition of 6), 30 x 20 ...

The Labyrinth Series Dimensions: 18 x 24in Archival Aluminum Print (Limited Edition 1/3 + 1AP), 16 x 20in Archival Aluminum Print (Limited Edition 2/6 + 1AP) This photograph is signe...

The Labyrinth Series Limited Edition of 6 This piece is signed on verso and includes a certificate of authenticity. Indira Cesarine is a multidisciplinary artist who works with photography, video, painting, printmaking, and sculpture. A graduate of Columbia University with a triple major in Art History, French, and Women’s Studies, she additionally studied at Parson’s School of Design, ICP, SVA, The New York Film Academy, and The New York Academy of Art. Cesarine had her first solo show at the age of sixteen at Paul Mellon Arts Center. She began working as a photographer from the age of seventeen, shooting for top modeling agencies Elite, Ford, and IMG while she completed her degree. Upon graduation from university, she continued her career in London where she received photography commissions by Vogue, GQ, Harper’s Bazaar, and many other international titles while still in her early twenties. Her work as an artist has been featured internationally at many art galleries, museums, and art fairs, including The Metropolitan Museum of Art, Hudson Valley MOCA, The Watermill Center, Mattatuck Museum, Albany Institute, The National Museum of Women In The Arts, CICA Museum, Smack Mellon, San Luis Obispo Museum of Art, French Embassy Cultural Center, Art Basel Miami, SCOPE Art Fair, Cannes Film Festival, and SPRING/BREAK Art Show to name a few. In 2014, her public art sculpture, "The Egg of Light," was exhibited at Rockefeller Center as part of the Fabergé Big Egg Hunt. Cesarine’s work has been auctioned in a number of celebrated art benefits including at Sotheby’s New York, ARTWALK NY supporting the Coalition for the Homeless, Gabrielle's Angel Foundation for Cancer Research, and UPRISE supporting the ERA Coalition, among many others. Her artwork and exhibitions have been featured internationally in numerous publications including The New York Times, American Vogue, Vogue Italia, Forbes, Newsweek, W Magazine, Harper’s Bazaar, i-D, Dazed, New York Magazine, and The Huffington Post. Empowering feminist themes are often a point of departure for her artwork, which is influenced by autobiographical content, her Latinx heritage, and women’s history...

Limited Edition of 5 This piece is signed on verso, includes gallery label, and certificate of authenticity. Leah Schrager is an artist who works between the web and New York City. She graduated in 2015 with an MFA in Fine Art from Parsons, The New School. In her work, she photographs, appears in, augments and markets her own image. She is interested in the line, movement and, biography of the female body. In 2010, she founded a new form of therapy as Sarah White, The Naked Therapist, followed by online performance @OnaArtist (Instagram 3 million+). Her project, “Ona,” an artist and musician, evolved out of the question of celebrity as art practice. With her performances, Schrager explores themes of sexuality, representation, and distribution. Her practice is situated in a contemporary hotbed of female (in)appropriateness, arousal, celebrity, fandom, and commercialism that seeks to explore female biography and labor in today’s global society. Schrager has been compared by journalists to such seminal figures as Marina Abramovic, Marcel Duchamp, Laurel Nakadate, Diane Fossey, and Sigmund Freud. She and/or her work has been profiled in 1000′s of media outlets, including Art Forum, Monopol, The Huffington Post, Vice, Viceland, The Tonight Show...

ONLY YOU Series Photography, Archival Ink on Aluminum Dimensions: 6.75 x 12in (Limited Edition 1/6), 10 x 20in (Limited Edition 2/6) Signed on verso, includes certificate of authenticity. Indira Cesarine is a multidisciplinary artist who works with photography, video, painting, printmaking, and sculpture. A graduate of Columbia University with a triple major in Art History, French, and Women’s Studies, she additionally studied at Parson’s School of Design, ICP, SVA, The New York Film Academy, and The New York Academy of Art. Cesarine had her first solo show at the age of sixteen at Paul Mellon Arts Center. She began working as a photographer from the age of seventeen, shooting for top modeling agencies Elite, Ford, and IMG while she completed her degree. Upon graduation from university, she continued her career in London where she received photography commissions by Vogue, GQ, Harper’s Bazaar, and many other international titles while still in her early twenties. Her work as an artist has been featured internationally at many art galleries, museums, and art fairs, including The Metropolitan Museum of Art, Hudson Valley MOCA, The Watermill Center, Mattatuck Museum, Albany Institute, The National Museum of Women In The Arts, CICA Museum, Smack Mellon, San Luis Obispo Museum of Art, French Embassy Cultural Center, Art Basel Miami, SCOPE Art Fair, Cannes Film Festival, and SPRING/BREAK Art Show to name a few. In 2014, her public art sculpture...

ONLY YOU Series Photography, Archival Ink on Aluminum Dimensions 20 x 10in (Limited Edition of 6) Signed on verso, includes a certificate of authenticity. Indira Cesarine is a mult...

The Labyrinth Series Dimensions 11 x 14in (Limited Edition of 6), 16 x 20 in (Limited Edition of 6). Signed on verso and includes a certificate of authenticity. Indira Cesarine is ...

The Labyrinth Series Dimensions 11 x 14in (Limited Edition of 6), 16 x 20in (Limited Edition of 6). Signed on verso, includes a certificate of authenticity. Indira Cesarine is a multidisciplinary artist who works with photography, video, painting, printmaking, and sculpture. A graduate of Columbia University with a triple major in Art History, French, and Women’s Studies, she additionally studied at Parson’s School of Design, ICP, SVA, The New York Film Academy, and The New York Academy of Art. Cesarine had her first solo show at the age of sixteen at Paul Mellon Arts Center. She began working as a photographer from the age of seventeen, shooting for top modeling agencies Elite, Ford, and IMG while she completed her degree. Upon graduation from university, she continued her career in London where she received photography commissions by Vogue, GQ, Harper’s Bazaar, and many other international titles while still in her early twenties. Her work as an artist has been featured internationally at many art galleries, museums, and art fairs, including The Metropolitan Museum of Art, Hudson Valley MOCA, The Watermill Center, Mattatuck Museum, Albany Institute, The National Museum of Women In The Arts, CICA Museum, Smack Mellon, San Luis Obispo Museum of Art, French Embassy Cultural Center, Art Basel Miami, SCOPE Art Fair, Cannes Film Festival, and SPRING/BREAK Art Show to name a few. In 2014, her public art...

The Labyrinth Series, Limited Edition of 6. This artwork is signed on verso and includes a certificate of authenticity. Indira Cesarine is a multidisciplinary artist who works with photography, video, painting, printmaking, and sculpture. A graduate of Columbia University with a triple major in Art History, French, and Women’s Studies, she additionally studied at Parson’s School of Design, ICP, SVA, The New York Film Academy, and The New York Academy of Art. Cesarine had her first solo show at the age of sixteen at Paul Mellon Arts Center. She began working as a photographer from the age of seventeen, shooting for top modeling agencies Elite, Ford, and IMG while she completed her degree. Upon graduation from university, she continued her career in London where she received photography commissions by Vogue, GQ, Harper’s Bazaar, and many other international titles while still in her early twenties. Her work as an artist has been featured internationally at many art galleries, museums, and art fairs, including The Metropolitan Museum of Art, Hudson Valley MOCA, The Watermill Center, Mattatuck Museum, Albany Institute, The National Museum of Women In The Arts, CICA Museum, Smack Mellon, San Luis Obispo Museum of Art, French Embassy Cultural Center, Art Basel Miami, SCOPE Art Fair, Cannes Film Festival, and SPRING/BREAK Art Show to name a few. In 2014, her public art sculpture...

Goddess Series featuring dancer Katherine Crockett Dimensions: 8 x 12in (Limited Edition 1/15), 12 x 18in (Limited Edition 2/10) This piece is signed on verso and includes a certifi...

The Labyrinth Series Dimensions 12 x 18 in (Limited Edition of 6), 16 x 24 in (Limited Edition of 6). Signed on verso, includes a certificate of authenticity. Indira Cesarine is a...

The Labyrinth Series Artwork printed with Archival Ink on Glossy Coated Aluminum, with Float Mount on back for hanging. Dimensions 12 x 18 in (Limited Edition of 6), 16 x 24 in (Lim...

The Labyrinth Series Dimensions 18 x 24in (Limited Edition of 6) This piece is signed on verso and includes a certificate of authenticity. Indira Cesarine is a multidisciplinary artist who works with photography, video, painting, printmaking, and sculpture. A graduate of Columbia University with a triple major in Art History, French, and Women’s Studies, she additionally studied at Parson’s School of Design, ICP, SVA, The New York Film Academy, and The New York Academy of Art. Cesarine had her first solo show at the age of sixteen at Paul Mellon Arts Center. She began working as a photographer from the age of seventeen, shooting for top modeling agencies Elite, Ford, and IMG while she completed her degree. Upon graduation from university, she continued her career in London where she received photography commissions by Vogue, GQ, Harper’s Bazaar, and many other international titles while still in her early twenties. Her work as an artist has been featured internationally at many art galleries, museums, and art fairs, including The Metropolitan Museum of Art, Hudson Valley MOCA, The Watermill Center, Mattatuck Museum, Albany Institute, The National Museum of Women In The Arts, CICA Museum, Smack Mellon, San Luis Obispo Museum of Art, French Embassy Cultural Center, Art Basel Miami, SCOPE Art Fair, Cannes Film Festival, and SPRING/BREAK Art Show to name a few. In 2014, her public art...

Handmade Silvertone (layering of silver foils on the photograph), mounted on Sintra, liquid gloss on the top, wooden braces on the back, ready to hang. 3D natural effect with incredi...

The Labyrinth Series 30 x 24in (Archival Fine Art Print, Framed or Unframed, Limited Edition of 3) Also available: 16 x 20in (Archival Fine Art Print, Framed, Limited Edition of 6) ...

Rebecca Skinner’s “To Dust” was photographed in an interior of an abandoned building in New York. The 30 x 20 inch color photo is of decaying architecture with colors of brown and gr...

Hand in the Sky (Malibu) - 2004 Edition 4/5, 39x37cm. Analog C-Print, hand-printed by the artist, based on a Polaroid. Artist inventory Number 664.04. Mounted on Aluminum with...

Toy Boat (Malibu) - 2004 Edition 1/5, 39x37cm. Analog C-Print, hand-printed by the artist, based on the Polaroid. Artist inventory Number 662.01. Mounted...

Rebecca Skinner’s “Sculpted” is a 18 x 12 inch black and white interior photograph of decaying architecture and a lone chair in an abandoned building...

Photograph of dramatic sunrise. The Hampton, NY SUNRISE ll 12" x 24" on metal - are $550 - edition of 5 10 day turnaround About the artist: A computer programmer and Webmaster by trade, Paul describes himself as a fine art photographer and a “digital manipulator.” His keen vision captures ordinary details from daily life and transforms them into images of beauty and wit, filled with contrasting shapes and effects. Paul’s current series of abstract work focuses on macro images of nature combined with additional exposures of ice, snow, sand, and sky. These futuristic scenes, inspired by the writings of Kurt...

A magical evening on Isla Holbox, Mexico. Printed on archival fine art paper, mounted on dibond aluminum with a float mount backing. Available in a wide variety of custom sizes, pri...

"Scintillating Scotoma" Photography 47" x 40" inch Edition 2/3 by Alina Karo "Scintillating Scotoma" Original fine art photography by Alina Karo Aluminum 47” x 40” Edition 2:3 C...

Limited Edition of 5 This piece is signed on verso, includes gallery label, and certificate of authenticity. Leah Schrager is an artist who works between the web and New York City....

"Secret 1" Photography 47” x 40” inch Edition 1/3 by Alina Karo Secret 1 Aluminum 47” x 40” Edition 1/3 Comes with COA VOLLIPSIS series by Alina Karo The title of the show, ...

Rimma Gerlovina and Valeriy Gerlovin Compass, 1988 Aluminum sculpture, mixed media and c-print photograph construction, c-print, felt tip marker 12.5 h × 12.5w × 4 d in (30 × 30 × 6 cm) Rimma Gerlovina and Valeriy Gerlovin were founding members of the underground conceptual movement Samizdat in the Soviet Union, described in their book Russian Samizdat Art. Based on a play of paradoxes, their work is rich with philosophic and mythological implications, reflected in their writing as well. Their book Concepts was published in Russia in 2012. The work by Rimma Gerlovina and Valeriy Gerlovin is emphatically contemporary. The artist couple were part of the Moscow Conceptualists, their performance Costumes, from 1977, deepened their ongoing work with linguistic semiotic systems and their own bodies. Considering the context in which Gerlovina and Gerlovin made their work—that of political restrictions on public life, of unfreedom, and censorship—their collaborative togetherness must also be read as a space of possibility for political community and resistance. Rimma Gerlovina’s hair is featured prominently in the art of the Gerlovins as a constructing element of the body. Used for the linear drawings her braids transmit transpersonal waves reminiscent of an aura of live filaments. Long loose hairs function as threads of life; streaming in abundance, they allude to Aphrodisiac vitality and Samsonian strength. On the other hand, they are the haircloth worn during mourning and penitence. In New York they continued to make sculptural objects, and their photographic projects grew into an extended series called Photoglyphs. In their photographs, they use their own faces to explore the nature of thought and what lies beyond it. Since coming to the United States in 1980, they had many exhibitions in galleries and museums including the Art Institute of Chicago. The New Orleans Museum of Art launched a retrospective of their photography, which traveled to fifteen cities. Group exhibitions include the Venice Biennale, the Guggenheim Museum, New York, Smithsonian National Museum of American Art, Washington D.C., Bonn Kunsthalle, Germany, Tokyo Metropolitan Museum of Photography, State Tretyakov Gallery, Moscow, and others. Samizdat or “self-published” began in the Soviet Union, and Samizdat art consists mainly of books and magazines published and distributed by the artists who made them. Samizdat art has sources in the innovative books and magazines turned out by the early 20th century Russian avant-garde—artists and writers like Olga Rozanova, Vladimir Mayakovsky, El Lissitzky, and Alexander Rodchenko. Artists as varied as Alexander Archipenko, Leon Bakst, Marc Chagall, Naum Gabo, Alexandra Exter...

Guilford, CT. Is a piece from Black and White Paintings, signed on the verso. Pencil, ink, Indian ink, and enamel on Archival inkjet print. Is a unique piece. After meticulously p...

Underwater black and white photograph of a naked young woman in a pool. Original digital print on aluminum plate with black backboard - signed by the artist. The artwork needs no a...

A sensual pop art mixed media paint and photography on canvas by Luciana Pampalone ( American, 1963). The large mixed media depicts a photography of a woman 's legs dressed in sexy fishnet stocking and wearing black high heel shoes. The photography background...

A sensual pop art surrealist mixed media paint and photography on canvas by Luciana Pampalone ( American, 1963). The large mixed media depicts a photography of a woman 's hips in sexy fishnet stocking The photography background...

An underwater photograph of a naked young woman wrapped in cyan tulle dancing with the bougainvillea flowers on deep black background. Original digital print on aluminum plate signed by the artist. Limited edition of 12. Print #2 The artwork is furnished with certificate of authenticity, signed by artist with artist's name, edition number, edition limit, and other details. The artwork needs no framing; it is being hung by a hidden frame on the back. The most recent magazine publications: 2022 Moevir Magazine (France) 2022 Art Market Magazine (US) 2022 UnTold Magazine - Fine Art Issue (Greece) 2022 Atillery Magazine (US) 2022 Redwood Art...

Wonder Valley (29 Palms, CA) Installation by Stefanie Schneider. Dimensions: 250x400cm Video by Camille Waldorf. Song written & performed by Camille Waldorf. Text, song and video i...

Suburbia (Suburbia) - 2004 Edition of 5, 60x80cm each, 200x170cm installed. 6 analog C-Prints, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on 6 o...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #03 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Eric Rhein “Cave Branch (self portrait)” 2010 Signed, verso Silver gelatin print, sterling silver, bronze, and found objects 25 x 24 x 4 inches (63.5 x 61 x 10.2 cm), framed Thi...

Eric Rhein “Bayou” 2010 Signed, verso Gelatin silver print, sterling silver, bronze, and found objects 25 x 21 x 4 inches (63.5 x 53.3 x 10.2 cm), framed This work is offered by...

Skyscape 5727, Blue and Purple Gradient Digital Photography Print 36" x 24" x 0.75" (HxWxD) Print on Aluminum Hand-signed in verso. Artist Amanda Lomax h...

Rimma Gerlovina and Valeriy Gerlovin Clock, 1987-94 Aluminum sculpture, mixed media and c-print photograph construction, c-print, felt tip marker 13 h × 13 w × 4 d in (30 × 30 × 6 cm) Rimma Gerlovina and Valeriy Gerlovin were founding members of the underground conceptual movement Samizdat in the Soviet Union, described in their book Russian Samizdat Art. Based on a play of paradoxes, their work is rich with philosophic and mythological implications, reflected in their writing as well. Their book Concepts was published in Russia in 2012. The work by Rimma Gerlovina and Valeriy Gerlovin is emphatically contemporary. The artist couple were part of the Moscow Conceptualists, their performance Costumes, from 1977, deepened their ongoing work with linguistic semiotic systems and their own bodies. Considering the context in which Gerlovina and Gerlovin made their work—that of political restrictions on public life, of unfreedom, and censorship—their collaborative togetherness must also be read as a space of possibility for political community and resistance. Rimma Gerlovina’s hair is featured prominently in the art of the Gerlovins as a constructing element of the body. Used for the linear drawings her braids transmit transpersonal waves reminiscent of an aura of live filaments. Long loose hairs function as threads of life; streaming in abundance, they allude to Aphrodisiac vitality and Samsonian strength. On the other hand, they are the haircloth worn during mourning and penitence. In New York they continued to make sculptural objects, and their photographic projects grew into an extended series called Photoglyphs. In their photographs, they use their own faces to explore the nature of thought and what lies beyond it. Since coming to the United States in 1980, they had many exhibitions in galleries and museums including the Art Institute of Chicago. The New Orleans Museum of Art launched a retrospective of their photography, which traveled to fifteen cities. Group exhibitions include the Venice Biennale, the Guggenheim Museum, New York, Smithsonian National Museum of American Art, Washington D.C., Bonn Kunsthalle, Germany, Tokyo Metropolitan Museum of Photography, State Tretyakov Gallery, Moscow, and others. Samizdat or “self-published” began in the Soviet Union, and Samizdat art consists mainly of books and magazines published and distributed by the artists who made them. Samizdat art has sources in the innovative books and magazines turned out by the early 20th century Russian avant-garde—artists and writers like Olga Rozanova, Vladimir Mayakovsky, El Lissitzky, and Alexander Rodchenko. Artists as varied as Alexander Archipenko, Leon Bakst, Marc Chagall, Naum Gabo, Alexandra Exter...

Blurry and Hot (Sidewinder) - 2005 128x125cm, Edition of 5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive paper, based on the Polaroid, Certificate and Signat...

This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. 12 by 9 inches framed. Cecilia Montalvo & Charlie McCullers are a collaborative team. Characterized by the dynamic nature of the land-sea interaction, barrier islands are places with many shape narratives, and inversions. A barrier island is ephemeral, an instance of simultaneity, above and below what we call the surface. Mangroves straddle these mirror worlds, walking on water, making something out of nothing. Light rushes through every keyhole and seam in palm forest...

Leah Schrager is an artist who works between the web and New York City. She graduated in 2015 with an MFA in Fine Art from Parsons, The New School. In he...

Giulia Grillo, aka Petite Doll, is an Italian photo artist based in London. Petite Doll seeks to take photography out of its conventional, comfortable, and objective role, manifestin...

This extra large montage of photographs is mounted onto aluminum from Ken Gonzales-Day's dysmorphologies series. Photo paper mounted to aluminum. Ken Gonzales-Day's interdisciplinary and conceptually grounded projects consider the history of photography, the construction of race, and the limits of representational systems ranging from the lynching photograph to museum display. The Searching for California Hang Trees series offered a critical look at the legacies of landscape photography in the West while his most recent project considers the sculptural depiction of race. Profiled began as an exploration of the influence of eighteenth century "scientific" thought on twenty-first century institutions ranging from the museum to the prison and extended to the sculpture and portrait bust collections of several major museums including: The J. Paul Getty Museum; The Field Museum, Chicago; The Museum of Man, San Diego; L'École des beaux-arts,Paris. The Bode Museum, Berlin, Park Sanssouci, Potsdam; The National Museum of Natural History, Paris; The Yale Center for British Art, New Haven; among others. Gonzales-Day lives in Los Angeles and is Chair of the Art Department at Scripps College. Much of Gonzales-Day's work considers the larger political and social representational histories of the Mexican-American experience. His early work draws on the constructed photo methods of artists like Jeff Wall, Cindy Sherman, or Gregory Crewdson. For example, in Bone Grass Boy (1996), Gonzales-Day casts himself as all the central characters in a staged photonovella set during the Mexican American War. In a later series entitled Erased Lynchings (2004-2006), Gonzales-Day explores the history of lynching in the American West by appropriating and digitally altering an archive of 19th and 20th century postcards that depict Mexican and Mexican-American lynchings. In 2012, Gonzales-Day received the Creative Capital Award in the discipline of Visual Arts. In 2014, he created his project titled Run Up which pairs together recreated images of lynchings from the 1920s and images of police brutality from Ferguson and Los Angeles. The title, Run Up, stems from the term for an illegal lynching. Court-ordered executions were called hangings while hate crimes were referred to as "run-ups". Along with his artwork, Gonzales-Day has authored two monographs. His first, Profiled, deals with the works of Malvina Hoffman...

Kat Toronto, AKA “Miss Meatface” is a multidisciplinary artist hailing from the San Francisco Bay Area who works in performance-based photography. She uses her often unsettling and surreal images to explore cultural ideals of feminine beauty and the objectification of women...

Giulia Grillo, aka Petite Doll, is an Italian photo artist based in London. Petite Doll seeks to take photography out of its conventional, comfortable, and objective role, manifestin...

Kat Toronto, AKA “Miss Meatface” is a multidisciplinary artist hailing from the San Francisco Bay Area who works in performance-based photography. She uses her often unsettling and surreal images to explore cultural ideals of feminine beauty and the objectification of women...

Indira Cesarine is a multidisciplinary artist who works with photography, video, painting, printmaking, and sculpture. A graduate of Columbia University with a triple major in Art Hi...

Indira Cesarine is a multidisciplinary artist who works with photography, video, painting, printmaking, and sculpture. A graduate of Columbia University with a triple major in Art Hi...

This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches. Cecilia Montalvo & Charlie McCullers are a collaborative team. Characterized by the dynamic nature of the land-sea interaction, barrier islands are places with many shape narratives, and inversions. A barrier island is ephemeral, an instance of simultaneity, above and below what we call the surface. Mangroves straddle these mirror worlds, walking on water, making something out of nothing. Light rushes through every keyhole and seam in palm forest...

This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches. Cecilia Montalvo & Charlie McCullers are a collaborative team. Characterized by the dynamic nature of the land-sea interaction, barrier islands are places with many shape narratives, and inversions. A barrier island is ephemeral, an instance of simultaneity, above and below what we call the surface. Mangroves straddle these mirror worlds, walking on water, making something out of nothing. Light rushes through every keyhole and seam in palm forest...

This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches. Cecilia Montalvo & Charlie McCullers are a collaborative team. Characterized by the dynamic nature of the land-sea interaction, barrier islands are places with many shape narratives, and inversions. A barrier island is ephemeral, an instance of simultaneity, above and below what we call the surface. Mangroves straddle these mirror worlds, walking on water, making something out of nothing. Light rushes through every keyhole and seam in palm forest...

This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches. Cecilia Montalvo & Charlie McCullers a...

This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches. Cecilia Montalvo & Charlie McCullers are a collaborative team. Characterized by the dynamic nature of the land-sea interaction, barrier islands are places with many shape narratives, and inversions. A barrier island is ephemeral, an instance of simultaneity, above and below what we call the surface. Mangroves straddle these mirror worlds, walking on water, making something out of nothing. Light rushes through every keyhole and seam in palm forest...

This original modern landscape painting of Denver, Colorado is a bold vivid work of contemporary art. The original large-scale digital painting, dye-sublimated onto aluminum by Coloradan artist Topher Straus...

Girl down the Road (The Last Picture Show) - 2006 Edition of 10, 58x57cm. Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on the Polaroid. Artist...

My Maine Girl, Signed Contemporary Blue Green Gradient Photographic Print, 2021 24" x 36" x 0.75" (HxWxD) Dye Sublimation Print on Aluminum Hand-signed by the artist in verso. A warm and cozy abstracted landscape by artist Amanda Lomax, this photographic print on metal brings the viewer a nostalgic snapshot of watching the sun pass over the horizon, illuminating the sky with a golden haze. The blurry aspect of the composition allows for this work to come off similarly to a color field painting by Mark Rothko, with the viewer filling in the context with their imagination, as the colors coexist next to each other. Perhaps the golden band of sky is shining over mountains, or maybe it is an oceanic waterscape. There is a mystery and ethereality to the lack of definition and softness of the gradient. Open edition digital...