Metal Black and White Photography

The Pirelli Calendar, known and trade-marked as "The Cal", is an annual trade calendar which has been published by the UK subsidiary of the Italian tyre manufacturing company Pirelli...

Rebecca Skinner’s “Wheel” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 12 x 18 inch black and white photo with ...

Rebecca Skinner’s “Over” was photographed in an abandoned mansion in the Catskill Mountains of New York. Two pillows remain on the bed as if someone has just left this vacant home. T...

Rebecca Skinner’s “Workspace” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. A desk and chair sit in a vast space....

Estevan was born in 1966 in United States. At present he is situated in Los Angeles, California the city of the stars. His work has been highlighted in a large number of the top magazines and has additionally captured a portion of the top famous people too. He has likewise coordinated many music recordings also. He is the child of Eriberto Oriol who was additionally a well known picture taker. The universally eminent picture taker, music executive and urban way of life business visionary started his vocation as a hip-jump club bouncer and later turned a visit director for Cypress Hill and House of Pain which are the notable rap bunches in Los Angeles. He was talented an old camera...

Rebecca Skinner’s “Shine On” was photographed in an abandoned church in rural Pennsylvania. The 16 x 24 inch black and white photo with satin finish is infused directly into metal ma...

Rebecca Skinner’s “Unorganized” was photographed in the interior of an abandoned hospital. The 18 x 12 inch black and white metal print is of a piano with many papers spread about as...

Rebecca Skinner’s “Stairway” was photographed at an abandoned asylum and is part of her “Forgotten” series raising mental health awareness. A fisheye lens gives the ornate, iron staircase...

Rebecca Skinner’s “Peace” is a 18 x 12 inch black and white photograph of a piano left behind in an abandoned mansion filled with stunning architecture. With satin finish, the image ...

Rebecca Skinner’s “Escape” is a 24 x 16 inch black and white print of protective fencing around a stairwell at an abandoned hospital. With satin finish, the image is infused directly...

Rebecca Skinner’s “Endurance” is a 24 x 16 inch black and white photograph of an abandoned church in Gary, Indiana. With satin finish, the image is infused directly into metal making...

Rebecca Skinner’s “Stair Detail” was photographed at an abandoned asylum and is part of her “Forgotten” series raising mental health awareness. The 20 x 30 inch photo with satin fini...

Rebecca Skinner’s “Erosion #5” was photographed on the shoreline of Lake Champlain in Burlington, Vermont. The textural beauty is natures own art form. The 24 x 16 inch black and whi...

Rebecca Skinner’s “Ruined” is a 24 x 16 inch metal print and is part of her “Transient” series. The black and white photograph is of the remnants in an abandoned building. The framel...

Rebecca Skinner’s “Tattered” is a 24 x 16 inch photograph and is part of her “Transient” series. The black and white frameless metal print has a satin finish and is infused directly ...

Rebecca Skinner’s “Sanctum” was photographed in an abandoned monastery. The 24 x 16 inch black and white photo is of a staircase and stained glass window in a state of decay. The ima...

Rebecca Skinner’s “Dancing Chair” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The 1...

Rebecca Skinner’s “Erosion #4” was photographed on the shoreline of Lake Champlain in Burlington, Vermont. The textural beauty is natures own art form. The 16 x 24 inch black and whi...

Rebecca Skinner’s “Erosion #2” was photographed on the shoreline of Lake Champlain in Burlington, Vermont. The textural beauty is natures own art form. The 24 x 16 inch black and whi...

Rebecca Skinner’s “Showtime” was photographed in an abandoned mansion in the Catskill Mountains of New York. A vintage television sits on top of a table in the middle of a hallway. T...

Rebecca Skinner’s “Rest” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 18 x 12 inch black and white photo is of ...

Rebecca Skinner’s “Scale” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 18 x 12 inch black and white photo with ...

Rebecca Skinner’s “Wheels” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 12 x 18 black and white photo with sati...

Rebecca Skinner’s “Krispy” was photographed in a classroom at a deserted school in Gary, Indiana. The black and white photograph has a satin finish and is infused directly into metal...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #02 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Rebecca Skinner’s “Contradiction” is a 18 x 12 inch black and white photograph of a salon style, vintage hair dryer in an abandoned factory. With sa...

Jordan (Wastelands) Edition 2/5, 57x56cm, 2003 Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid. Artist inventory Number 1176.02. Signed...

Rebecca Skinner’s “Cold Keys” was photographed in an abandoned train repair yard. The 12 x 18 inch black and white metal print is of piano keys with bits of ice keeping it cool. The ...

Rebecca Skinner’s “Burned Out” is a 20 x 30 inch black and white photograph of a theater in an abandoned school. With satin finish, the image is infused directly into metal making it...

Rebecca Skinner’s “Time Stands Still” was photographed at an abandoned paper mill and is part of a series documenting the loss of industry in America. The 20 x 30 inch black and whit...

Rebecca Skinner’s “The Factory” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. The 10 x 30 inch black and white l...

Rebecca Skinner’s “Spool #2” is a black and white photo taken at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 12 x 18 inch photo wi...

Rebecca Skinner’s “Collection #3” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 12 x 18 inch photo with satin fi...

Rebecca Skinner’s “Thread” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 18 x 12 inch black and white photo with...

In the novel "The Man with the Golden Arm" by Nelson Algren, the main character is a card shark. Here Art has taken a twist on that title by showing Algren as the dealer in one of Art's most famous shots. This work is not framed. Contact the gallery for framing options. Art Shay The Man with the Golden Arm, 1949 silver gelatin print 16h x 20w in 40.64h x 50.80w cm ASY15107 “Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20th century.” Ellen & Richard Sandor, Renowned photo collectors “I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.” William Friedkin, Director of French Connection “Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.” Studs Terkel “Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.” Hugh Hefner “Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.” Tony Fitzpatrick, Chicago Artist “Art Shay is America’s Cartier-Bresson.” Thomas Dyja, author of The Third Coast “Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart. What is it about Chicago that keeps giving us men like this?” Russell Banks, Novelist “The best images of Simone de Beauvoir and her times have been passed down to us by Henri Cartier-Bresson, Gisele Freund, Robert Doisneau, Georges Brassai, and in America, the Chicago-based Art Shay, all world-class photographers.” Christophe Loviny, Art Editor, Paris “Art Shay is the best photo-journalist Chicago ever produced.” Arthur Siegel...

London Taxi [2017] Limited Edition Transport Brushed aluminium Edition number 25 Image size: H:56 cm x W:76 cm Complete Size of Unframed Work: H:56 cm x W:...

Hampton Dunes Dye Sublimation print on Metal Dye-sublimation printing is a computer printing technique which uses heat to transfer dye onto materials such as a metal, plastic, card,...

Rebecca Skinner’s “Erosion #1” was photographed on the shoreline of Lake Champlain in Burlington, Vermont. The textural beauty is natures own art form. The 18 x 12 inch abstract blac...

© Michael Putland Led Zeppelin Led Zeppelin performing at Madison Square Garden, New York, USA 1977Jimmy Page, Robert Plant, John Paul Jones, and John Bonham hidden behind the drum...

Available sizes: 18” x 29.52”, Edition of 8, Pigment Print 28” x 45.92”, Edition 2 of 8, Pigment Print 38” x 62.32”, Edition of 6 Silver Gelatin 48" x 78.73", Edition of 6 Silver Gel...

Available sizes: 18” x 33.85”, Edition of 8, Pigment Print 28” x 52.66”, Edition of 8, Pigment Print 38” x 71.47”, Edition of 6 Silver Gelatin 48” x 90.28”, Edition of 6 Silver Gelat...

Snow Fence on Dunes in the Hamptons Black & White Photography Printed to order edition of 10 Dye Sublimation Print on Metal 16x24 on metal - 20x30 on metal - Title: Great Dune Year:...

Rebecca Skinner’s “Timeworn” was photographed in a library at an abandoned home in New England. The 36 x 24 inch black and white of deteriorated pages in a set of American Medical As...

Dye Sublimation Print Water Dock Reflection 16x24 on metal - 20x30 on metal - About the artist: A computer programmer and Webmaster by trade, Paul describes himself as a fine art ...

Available sizes: 18” x 27.52”, Edition of 8, Pigment Print 28” x 42.81”, Edition of 8, Pigment Print 38” x 58.10”, Edition of 6 Silver Gelatin Wildlife fine art photographer and con...

Hand Printed Platinum Photograph Australian Artist Beautiful Blacks and Creamy Whites

Available sizes: 18” x 24.5” - Edition of 8 28” x 38.11” - Edition of 8 38” x 51.73” - Edition of 6 48” x 65.34” - Edition of 6 It has been a dream to pair one of the world's most c...

Enamel screen print on Somerset paper. Hand signed, dated and numbered on front by Russell Young. Image size 19.5 x 16 inches. Sheet size 27 x 22 inches. Edition of 27/30. Art...

A hand printed photograph by the artist.

Hand printed platinum palladium photograph. Edition #2 Perfect photograph for the memory of Vietnam.

Available sizes: 18” x 22.65”, Edition of 8, Pigment Print 28” x 35.23”, Edition of 8, Pigment Print 38” x 47.81”, Edition of 6 Silver Gelatin 48” x 60.40”, Edition of 6 Silver Gelat...

Abstract view of the female body, shot amongst the cattails in Long Island, NY. Fine art photo mounted on di-bond aluminum. Custom printing/mounting/framing options available upon r...

A lady of pure joy… dancing in the Plaza de la Revolucion on May 1st. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as...

Available sizes: 18” x 29.52” - Edition of 8 28” x 45.92” - Edition of 8 38” x 62.32” - Edition of 6 48” x 78.73” - Edition of 6 Photography is usually about freezing a moment in ti...

Available sizes: 18” x 33.25” - Edition of 8 28” x 51.72” - Edition of 8 38” x 70.19” - Edition of 8 "Drawn Swords is an image I have been dreaming of making for several years. Even...

Available sizes: 18” x 25.85” - Edition of 8 28” x 40.21” - Edition of 8 38” x 54.57” - Edition of 6 48” x 68.93” - Edition of 6 The Serengeti is believed to hold the largest popula...

Las Memorias… sitting on a rocking chair in Viñales watching the sunset and thinking of life. The wife of a tobacco farmer, a strong woman of generosity and humour lost in thought while enjoying a hand-rolled Puro and a glass of rum. Cuba 2019 James Sparshatt‘s black and white portraits are a search for a connection with a world of emotions. His photographs from the streets of Havana, the milongas of Buenos Aires, the jazz clubs of New Orleans and bars of Andalucia capture the spirit of music in populations wher it is the very lifeblood and expression of life. Matt print direct on to aluminium Edition of 12 Dark wood tray...

Snow Fence on Dunes in the Hamptons Black & White Photography Printed to order edition of 10 Title: Great Dune Year: 2018 Medium: Photography (printed on metal) Size: 20" x 30" (lar...