Lithograph Abstract Prints

Composition is a lithograph, realized by Afro Basaldella in 1955, hand-signed, edition of 7/150. In excellent conditions. Sheet dimension: 67x 48.

Surrounded by a charcoal background, the male figure at the center of this Pablo Picasso print appears illuminated by the light emanating from the upper right corner. Infused with a ...

This fragmented portrait of a painter by Pablo Picasso features bright, bold colors and relies on visible brushstrokes to show the figure of the man instead of the geometric shapes and rigid angles commonly found in his Cubist work. A lithograph from the Marina Picasso...

Untitled is an original artwork realized by Sam Francis in 1982. Lithograph and monotype in colors on BFK Rives. Hand signed and annotated CTP (Color trial proof). The Litho Shop p...

Carrying baskets filled with vines, the figures in this Pablo Picasso print lean forward to balance the weight on their shoulders and in their hands. On the left, a nude woman walks ...

Hand signed and numbered. Edition of 100 prints. Lithograph with 6 colors. Catalogue Bartolini n. LXXIX. Very good conditions.

Memoria Personal is a colored lithograph realized by Antoni Tapies in 1988. Color lithograph on BFK Rives. Hand-signed and dated by the artist. Artist's proof. Original lithograph ...

Hand signed. Edition of 70 pieces. Very good conditions.Original Prints. Carla Accardi is an Italian artist who, from 1947, contributed to developing abstract art in Italy. In this ...

Lithograph, 1966 Handsigned by the artist in pencil and annotated "Con un abrazo de". Artist proof Edition : 100 ex. Publisher : Salon de Mai Printer : Mo...

Lithograph, 1962 Handsigned by the artist in pencil and nunmbered 30/75 Publisher : Maeght (Paris) Printer : Maeght (Paris) Catalog : [Vallier 177] 54.00 cm. x 80.00 cm. 21.26 in. x...

Salvador Dali’s Lys ( Anamorphoses ) is one of five lithographs from the suite “Anamorphoses ” published by Jean Schneider, Basil 1972. According to Albert Field when one of these prints is placed flat on a table with a cylindrical mirror...

American Trotting Horses No. 2 by Salvador Dali has dynamic movement in the two trotting horses with an added giant Dalian insect head in coll...

To see our other Modern British Art (including many other John Piper prints), scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a m...

Les Squales is an artwork realized by Jean Dubuffet in 1959. Sheet 9 for the portfolio "Eaux, Pierres, Sable". Lithograph. Artist Proof. Signed, dated and titled. On buff BFK Riv...

Untitled is an original contemporary artwork realized by Sam Francis in 1986 Lithograph on BFK Rives. Hand signed on the lower right margin. Numbered on the lower left margin. Edition of 23/55. Dryp stamp of the Editor The Litho Shops Inc Santa Monica. George Page...

Hand signed. One of 100 copies. In this lithograph, dated 1970 ca. and characterized by a horror vacui decoration, Campigli reproduces a multiform crowd of female figures. Image Dim...

Untitled is an original artwork realized by Sam Francis in 1992. Mixed colored lithograph on velin paper. Hand signed and numbered oon the lower margin. Edition of 12/50 The Litho...

First book illustrated by Michaux. Edition of 296 copies including 12 lithographs by Michaux. One of the 250 copies on Pur Fil Johannot. Original slipcase on beige cardboard and insi...

Hand signed and numbered by the artist with pencil. Edition of 41/90 prints (aside from 50 numbered in Roman numerals and 10 artist's proofs) Printed by Jobin, Paris Published by Ed...

"Scene Peniscola" is a Limited Edition Lithograph (79/150) by Marcel Mouly. It is pencil-signed by the artist. The print measures 19 x 27 inches. The date of creation is unknown, but...

This artwork titled "Fly" 1981 is an original color lithograph on Arches paper by renown American artist James Rosenquist, 1933-2017. It is hand signed, dated, titled and numbered P....

Homage to Picasso is an original artwork realized by Antoni Tapies in 1973. Mixed Colored lithograph on Arches wove paper. Signed "tàpies" on the lower margin. Edition of 90 num. ...

Limited Edition Lithograph, 7/75. 30 x 22 in, Signed by Artist. Good/Fair Condition-shows signs of wear/imperfections from age and handling.

This original artwork by Antoni Tàpies is one of the 10 colored lithographs of the “Berlin Suite”. Tàpies realized this portfolio in 1974, each lithograph is on Arches wove paper. ...

Hand signed. Artist's Proof. “Le Belle di sera” is the title that Massimo Campigli gave to this intense lithograph (1967). The protagonists of this composition are four women that ar...

Untitled is an original contemporary artwork realized by Sam Francis in 1994. Lithograph on vélin paper. Hand signed in pencil by the artist. Numbered on the lower margin. Editio...

The Black Birds is a lithograph published by Maeght after an original composition by Georges Braque in 1958. Braque authorized and selected certain works to be reproduced by his tru...

This original artwork by Antoni Tàpies is one of the 10 colored lithographs of the “Berlin Suite”. Tàpies realized this portfolio in 1974, each lithograph is on Arches wove paper. ...

Roig I Negre punto 79 is an original contemporary artwork realized in 1979 by Antoni Tapiès. Mixed colored lithograph on Arches paper. Hand signed on the lower right margin. Numbe...

Hand signed. Edition of 90 prints. Publisher: Torino, Edizioni U. Allemandi.

This original artwork by Antoni Tàpies is one of the 10 colored lithographs of the “Berlin Suite”. Tàpies realized this portfolio in 1974, each lithograph is on Arches wove paper. ...

White Horse is an original lithograph realized by Marino Marini in 1966. Hand signed in pencil on the lower right margin. Edition of 55 prints. Good condition except for some small r...

Hand signed. Dated on plate. Artist's proof.

Lithograph, 1976. DImensions: 57x78 cm. Printed at the Curwen Studio and published by Rome’s Galleria Marino in 1976 in just 50 copies, Three Reclining Figures...

This original print is hand-signed and dated on the lower right by the artist Ettore Colla. On the back, you can read a poem written by the artist entitled Bill. The lithograph is in...

Image dimensions: 48.5 x 39.5 cm. The Imagination is an original contemporary artwork realized by Marino Marini in 1966 and printed in 1977. Color lithograph on Arches paper. Orig...

Hand signed. Artist's proof. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died requires a li...

L'Etoile is an original artwork realized after Sam Francis in 1995. Mixed colored lithograph, realized in nine colors a few months after his death. Blindstamp of the artist's signa...

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Untitled (page 8, 9)" Portfolio: Derrière Le Miroir (No. 149) *Issued unsigned Year: 1964 Medium: Origina...

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Galerie Maeght" Year: 1958 Medium: Original Lithograph, Exhibition Poster on light wove paper Limited edition: Unknown Printer: ...

Artist: Walasse Ting (Chinese-American, 1929-2010) Title: "Untitled (Fresh Air School)" Portfolio: Fresh Air School *Unsigned edition Year: 1972 Mediu...

Victor Vasarely "Vega" from Portfolio de 8 sérigraphies en couleurs. Ed. Griffon Year: 1971 11 x 11 in with frame: 21 x 21 in The other pieces from this edition are available as wel...

Purple is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed on the lower margin. Edition of III/XXX.

Alexander Calder Lithograph c. 1967 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preseved. Unsigned from an edition of u...

Kenneth Noland Untitled Target, 2004 Lithograph on hand made paper with deckled edges Signed and numbered in pencil from the limited edition of 75 on the lower front; bears the artis...

Frank Stella Line Up, from Jasper's Dilemma (Axsom 85), 1973 Lithograph in colors on J. Green mould-made paper Signed, dated and numbered 56/100 in pencil lower right front 16 × 22 i...

Richard Serra Historic Tilted Arc Defense Fund (Hand signed by Richard Serra), 1985 Offset lithograph poster from the artist's private collection Boldly signed in black marker on the...

Joan Miró Litografia Original VIII Color Lithograph Year: 1975 Size: 25 × 9.6 inches Catalogue Raisonné: Queneau, Miro Lithographe II, 1952-1963, p.38 Publisher: Maeght Editeur, Pari...

Francis Bacon Triptych, March 1974 (center panel), 1974 offset lithograph, edition of 150 31 1/2 x 23 3/4 in. (80 x 60.3 cm)

Artist: (after) Helen Frankenthaler (American, 1928-2011) Title: "Helen Frankenthaler: Tales of Genji (Catalog of 6 Prints)" Series: (after) Tales of Genji *Issued unsigned Year: 1998 Medium: The Complete Set of 6 Offset-Lithograph reproductions on light smooth wove paper Limited edition: Unknown Printer: Swan Engraving...

Alexander Calder Nid d'oiseau (Bird's Nest), 1968 Hand-signed Lithograph in colors 29.5 x 43 inches

Alexander Calder Lithograph c. 1971 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preseved. Unsigned from an edition of un...

Lithograph, 1973 Handsigned by the artist in pencil and numbered 33/75 Printer : Pierre Badey (Paris) Catalog : Mason Putman 120 LCD5023

1960s Antoni Tàpies Lithographic cover to Derrière le miroir: Lithographic publication cover; circa 1968. 11 x 15 inches. Good overall vintage condition as pictured. Unsigned from a...

Original Lithograph V is a really beautiful color lithograph on paper, realized in 1974 by Joan Miro for his catalog "Mirò Lithographe". This artwork is from a series composed by an...

Hand signed and numbered. Edition of 150 prints. Very good conditions.

Brice Marden Celadon Muse 2003 Two color etching / one color lithograph 22 x 30 inches; 56 x 76 cm Edition of 45 Signed, dated, and numbered in graphite (lower recto) Frame available...

SALE ONE WEEK ONLY Title: Figures Portfolio: 1978 Surrealist Medium: Lithograph on Arches 88 paper Edition: 38 Sheet Size: 31 7/16" x 23 1/2" Image Size: 23 1/2" x 15 1/4" Signature: Hand signed in pencil Reference: Corlett 156 Printed by Gemini G.E.L. printers out of Los Angeles. Roy Fox Lichtenstein was an American pop artist. During the 1960s through the 90’s, along with Andy Warhol, Jasper Johns, and James Rosenquist, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Most of Lichtenstein's best-known works are relatively close, but not exact, copies of comic book panels, a subject he largely abandoned in 1965. Lichtenstein's Still Life paintings, sculptures and drawings, which span from 1972 through the early 1980s, cover a variety of motifs and themes, including the most traditional such as fruit, flowers, and vases. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City. Wham!, and Drowning Girl Look Mickey proved to be his most influential works. His most expensive piece is Masterpiece which was sold for $165 million in January 2017. Lichtenstein received both his Bachelors and Masters at Ohio State University, Columbus, Ohio where he taught for ten years. In 1967, he moved back to upstate New York and began teaching again. It was at this time that he adopted the Abstract Expressionist style, being a late convert to this style of painting. Lichtenstein began teaching in upstate New York at the State University of New York at Oswego in 1958. About this time, he began to incorporate hidden images of cartoon characters such as Mickey Mouse and Bugs Bunny into is abstract works. In 1960, he started teaching at Rutgers University where he was heavily influenced by Allan Kaprow, who was also a teacher at the university. This environment helped reignite his interest in Proto-pop imagery. In 1961, Lichtenstein began his first pop paintings using cartoon images and techniques derived from the appearance of commercial printing. This phase would continue to 1965, and included the use of advertising imagery suggesting consumerism and homemaking. His first work to feature the large-scale use of hard-edged figures and Ben-Day dots was Look Mickey (1961), National Gallery of Art, Washington, D. C.) This piece came from a challenge from one of his sons, who pointed to a Mickey Mouse comic book and said; "I bet you can't paint as good as that, eh, Dad?" In the same year he produced six other works with recognizable characters from gum wrappers and cartoons. It was at this time that Lichtenstein began to find fame not just in America but worldwide. He moved back to New York to be at the center of the art scene in 1964 to concentrate on his painting. Lichtenstein used oil and Magna (early acrylic) paint in his best known works, such as Drowning Girl (1963), which was appropriated from the lead story in DC Comics’ Secret Hearts No. 83, drawn by Tony Abruzzo. (Drowning Girl now hangs in the Museum of Modern Art, New York.) Drowning Girl also features thick outlines, bold colors and Ben-Day dots, as if created by photographic reproduction. Of his own work Lichtenstein would say that the Abstract Expressionists "put things down on the canvas and responded to what they had done, to the color positions and sizes. My style looks completely different, but the nature of putting down lines pretty much is the same; mine just don't come out looking calligraphic, like Pollock’s or Kline’s. Rather than attempt to reproduce his subjects, Lichtenstein's work tackled the way in which the mass media portrays them. He would never take himself too seriously, however, saying: "I think my work is different from comic strips – but I wouldn't call it transformation; I don't think that whatever is meant by it is important to art.” When Lichtenstein's work was first exhibited, many art critics of the time challenged its originality. His work was harshly criticized as vulgar and empty. The title of a Life magazine article in 1964 asked, "Is He the Worst Artist in the U.S.?" Lichtenstein responded to such claims by offering responses such as the following: "The closer my work is to the original, the more threatening and critical the content. However, my work is entirely transformed in that my purpose and perception are entirely different. I think my paintings are critically transformed, but it would be difficult to prove it by any rational line of argument.” In 1969, Lichtenstein was commissioned by Gunter Sachs to create Composition and Leda and the Swan, for the collector's Pop Art bedroom suite at the Palace Hotel in St. Moritz. In the late 1970s and during the 1980s, Lichtenstein received major commissions for works in public places: the sculptures Lamp (1978) in St. Mary's, Georgia; Mermaid (1979) in Miami Beach; the 26 feet tall Brushstrokes in Flight (1984, moved in 1998) at John Glenn Columbus International Airport; the five-storey high Mural with Blue Brushstroke (1984–85) at the Equitable Center, New York and El Cap de Barcelona (1992) in Barcelona. In 1994, Lichtenstein created the 53-foot-long, enamel-on-metal Times Square Mural in Times Square subway station. In 1977, he was commissioned by BMW to paint a Group 5 Racing Version of the BMW 320i for the third installment in the BMW Art Car Project. The DreamWorks Records logo was his last completed project. "I'm not in the business of doing anything like that (a corporate logo) and don't intend to do it again," allows Lichtenstein. "But I know Mo Ostin and David Geffen and it seemed interesting. In 1996 the The National Gallery of Art in Washington, D.C. became the largest single repository of the artist's work when Lichtenstein donated 154 prints and 2 books. The Art Institute of Chicago has several important works by Lichtenstein in its permanent collection, including Brushstroke with Spatter (1966) and Mirror No. 3 (Six Panels) (1971). The personal holdings of Lichtenstein's widow, Dorothy Lichtenstein, and of the Roy Lichtenstein Foundation number in the hundreds. In Europe, the Museum Ludwig in Cologne has one of the most comprehensive Lichtenstein holdings with Takka Takka (1962), Nurse (1964), Compositions I (1964), besides the Frankfurt Museum fur Modern Kunst with We Rose Up slowly (1964), and Yellow and Green Brushstrokes...