20th Century Prints and Multiples

Patti Smith Devotions to Arthur Rimbaud 1973: A rare early Patti Smith print featuring her poetry and artwork; constructed by Smith as a declaration of her admiration & love for Arth...

Wayne Thiebaud: Bakery Case Wayne Thiebaud (1920) is famous for his mouthwatering depictions of cakes, ice creams and hot dogs. He is well-known for his clear compositions, glisteni...

John Sloan, 'New Year's Eve and Adam', etching, 1918, edition 100, (only 85 printed), Morse 190. Signed, titled and annotated '100 proofs' in pencil. Signed and dated in the plate, l...

Lioness is a modern artwork realized by Evert Louis van Muyden (Albano, Lazio 1853 - 1922 Orsay) in 1900 . Black and white etching. Signature and date on plate. Includes passe-pa...

Convair 880 SuperJet TWA Original vintage poster published by the TWA to promote the latest airplane in their fleet - World's Fastest Jetliner - Convair 880 SuperJet. Dynamic design ...

'The Lobster' Vanity Fair cricket portrait of Digby Jephson. Jephson was an all-rounder for Surrey who is best remembered for his lob bowling, a style he cultivated after employing...

Paper Size: 34 x 24 inches ( 86.36 x 60.96 cm ) Image Size: 30 x 24 inches ( 76.2 x 60.96 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Addit...

To see our other original vintage public information posters, scroll down to "More from this Seller" and below it click on "See all from this seller...

Jeanne Marguerite Frey-Surbek (Swiss, * 23.2.1886 Delémont, † 17.5.1981 Bern) Country Road near Gabés, Tunesia, North Africa • Etching • Platte, ca. 7 x 11 cm • Sheet, ca. 33 x 25.5 cm • Monogrammed lower right • Edition noted lower left 74/100 • Printed title lower right Worldwide shipping for this object is complimentary - There are no additional charges for handling & delivery. Looking through my stock, buyers will notice my liking of female artistes working in Switzerland and here I introduce you to another important heroine of Swiss artistes and present a sweet little Swiss School orientalist pre-war etching...

Colorful vintage poster for the 1980 Democratic National Convention, held in Madison Square Garden in New York.Concentric lines of orange and bright green interweave with strokes of ...

Windmill And Well At Dusk - Original Vintage Lithograph Original vintage black and white lithograph of a windmill and well at dusk by Peter Hurd (American, 1904-1984). The viewer looks out into the New Mexico desert, as a windmill stands in back of a full water tank. The setting dusky sun lights the horizon as the crescent moon comes into view. Simple, beautiful New Mexico desert scene. Signed in print575 "Peter Hurd" lower right. Presented in a silver frame with an inner white mat. Frame: 15.25"H x 19.25"W Mat: 14.5"H x 18.5"W Image: 8.75"H x 10.25"W Peter Hurd (American, 1904-1984) was an American painter whose work is strongly associated with the people and landscapes of San Patricio, New Mexico, where he lived in the 1930s. He is equally acclaimed for his portraits and his western landscapes. Early in his life, Hurd studied in Chadds Ford, Pennsylvania under the noted illustrator N. C. Wyeth, along with two of his grown children. Hurd later married the painter's eldest daughter, Henriette Wyeth, who also is known as an accomplished painter. During World War II, Hurd worked for Life magazine as a war correspondent attached to the US Air Force. He created hundreds of "War Sketches". Hurd came to national attention in the 1930's for both painting and book illustration. Among the books are Last of the Mohicans (1926), Great Stories of the Sea and Ships (1933), and Habit of Empire (1938). Nevertheless, he was most associated with the New Mexico subjects which occupied most of his career. He worked primarily in egg tempera on gesso, a medium he introduced to his younger brother-in-law, Andrew Wyeth. Hurd's realist palette and brush technique of fine, linear marks and hatches beautifully conveyed the scrubby high-desert landscape. He loved to explore the visual effect of constantly changing weather and sunlight on the land. Hurd also was known for his honest yet sympathetic portrayals of local ranch and farm families going about the work and pleasures of their daily lives. Sponsored by New Deal art programs, Heard painted murals for the Big Springs, Texas Post Office in 1938 and the Terminal Annex Building in Dallas in 1940. In that latter year he also completed three fresco murals at the Alamogordo, New Mexico Post Office. From 1942 to 1945 Hurd worked as a war correspondent for Life magazine and then resumed full-time painting. During 1953 and 1954 Peter, Henriette, and two students, Manuel Acosta...

Jean-Baptiste VALADIE Treasure : Harlequine Original lithograph Handsigned in pencil Limited /199 copies On vellum 71 x 55 cm (c. 28 x 22 in) Excellent condition

Paper Size: 36.5 x 25 inches ( 92.71 x 63.5 cm ) Image Size: 29 x 25 inches ( 73.66 x 63.5 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Wassily Kandinsky
 Bunt im Dreieck, 1965
 Lithograph in colours on Arches paper
 Signed in the plate
 50 x 37.5 cm
 Sheet: 74 x 45.5 cm

Artist: Joan Mitchell (American, 1925-1992) Title: "Meditations in an Emergency" Portfolio: In Memory of My Feelings *Issued unsigned Year: 1967 (First edition) Medium: Original Lithograph on Mohawk Superfine Smooth paper Limited edition: 514/2,500 Printer: Crafton Graphic Company, Inc., New York, NY Publisher: The Museum of Modern Art, New York, NY Sheet size: 12" x 9" Condition: In excellent condition Rare Notes: Comes with its accompanying poetry pages. Numbered on colophon page. Comes from the 1967 "In Memory of My Feelings: A Selection of Poems" book volume by Frank O'Hara with approx. 46 unbound original lithographs by various artists. Collaboration: Edward Katz (printing). The last image of the complete book is for reference/provenance; it is not included. This image Mitchell contributed to "In Memory of My Feelings: A Selection of Poems" by Frank O'Hara, edited by Bill Berkson, for the Museum of Modern Art. The project was published in 1967 in memory of Frank O'Hara, poet and associate curator at the museum, who died in a tragic accident in 1966. Bill Berkson (with the assistance of Kenneth Koch and John Ashbery) selected the poems and (with advice from Robert Motherwell) asked the following artists to contribute: Nell Blaine, Norman Bluhm, Joe Branaird, John Buton, Giorgio Cavallon, Allan D'Arcangelo, Elaine de Kooning, Willem de Kooning, Niki de Saint-Phalle, Helen Frankenthaler, Jane Freilicher, Michael Goldberg, Philip Guston, Grace Hartigan, Al Held, Jasper Johns, Matsumi Kanemitsu, Alex Katz, Lee Krasner, Alfred Leslie, Roy Lichtenstein, Marisol, Joan Mitchell, Robert Motherwell, Reuben Nakian, Barnett Newman, Claes Oldenburg, Robert Rauschenberg, Larry Rivers, and Jane Wilson...

David Hockney, Munich Olympics Poster - Olympische Spiele Munchen, 1972 Lithographic Poster 101 x 64 cm (39.76 x 25.2 in) An original vintage poster featuring Hockney's iconic poo...

Offset lithograph on wove paper. Published in 1993. Copyright © David Hockney, verso.

Pablo Picasso, Spanish (1881 - 1973) - Nature morte au verre, Portfolio: Cahiers d'Art, Year: 1945, Medium: Lithograph, signed and dated in the plate, Size: 12.75 x 10 in. (32.39 x ...

1980s Keith Haring Record Art: David BOWIE "Without You" A Rare Highly Sought After Vinyl Art Cover featuring original cover artwork by Keith Haring. Year: 1983. Medium: Off-Set Li...

Untitled (for the journal, XXe Siécle) Color lithograph on wove paper, 1973 Unsigned (as issued) From: XXe Siecle,, December 1973, No. 41 Published by G. di San Lazzaro for A. Maeght, Paris Printed by Mourlot, Paris Edition 3000 (There was also a signed edition of 75 on larger paper) Catalogue raisonné: Subsequent to Schmücking Condition: Excellent Image/Sheet size: 12 1/4 x 9 1/2 inches "Hans Hartung B. 1904, LEIPZIG, GERMANY; D. 1989, ANTIBES, FRANCE Hans Hartung was born on September 21, 1904, in Leipzig, Germany. He cultivated interests in philosophy, astronomy, music, and religion at a young age before he turned to painting. Early in his career he found inspiration in the works of Rembrandt van Rijn and Francisco de Goya, and later influences included Lovis Corinth, Oskar Kokoschka, Emil Nolde, and Max Slevogt. At just 17, Hartung began to experiment with abstraction, synthesizing the graphic techniques of his artistic models while completely eliminating figurative elements. Hartung entered the Universität Leipzig in 1924 to study philosophy and art history but left to concentrate on painting at the Kunstakademie, Leipzig. While Hartung was advised to pursue further training at the Bauhaus, he opted to study at the Kunstakademie, Dresden. In 1926 Hartung saw an exhibition of international art in Dresden, which exposed him to Cubism and other modern styles that had emerged in France. His encounters with works by Georges Braque, Juan Gris, Henri Matisse, and Pablo Picasso, along with various travels abroad, encouraged him to move to Paris in 1926, where he spent the majority of his time until 1932, although he passed the summer of 1928 in Munich studying under artist and theorist Max Dörner. In 1929 Hartung married the Norwegian painter Anna-Eva Bergman. After several years abroad, they tried to reestablish themselves in Berlin in 1935 but were soon forced into exile by the National Socialist regime. In the years leading up to World War II, Hartung's work reflected his attempts to reconcile chance and control, combining expressive graphic elements with patches of black and color to produce a sense of spontaneity. After the outbreak of the war, Hartung served in the Foreign Legion (1939–40), and later in the Free French (1943–44). He was gravely wounded at the German Front, and one of his legs was amputated. In 1945 he returned to Paris and resumed painting and the following year earned French citizenship. Hartung was a major figure in Art Informel and Tachisme (from the French tache, meaning blot or stain). While Hartung's postwar paintings are generally described as exhibiting a calligraphic quality, his work moved through a series of phases, becoming less spontaneous and more formally aggressive than his work from the late 1930s. In many works of the late 1940s and early 1950s, such as T-50 Painting 8 (T-50 peinture 8, 1950), he applied large areas of color to the canvas on which he painted a combination of bold black brushstrokes and thinner frenetic linear strokes. Hartung received several international awards, including the 1956 award for the Europe-Africa section at the Guggenheim International Award and the International Grand Prize for painting at the 1960 Venice Biennale. His first major group show was organized by curator and critic Christian Zervos at the Jeu de Paume, Paris (1937). After settling permanently in Paris, he exhibited regularly at the Salon des Surindépendants (1935, 1937, 1945). His first solo show took place at Galerie Lydia...

Artist: Gene Davis Title: Ferris Wheel Year: 1980 Medium: Lithograph on Arches Paper, signed and numbered in pencil Edition: 250 Image Size: 18 x 25.5 in...

Marc Chagall, Russian (1887 - 1985) - The Flute Player, Portfolio: Jacques Lassaigne "Marc Chagall", Year: 1957, Medium: Lithograph, Edition: 6000, Size: 9 x 15.25 in. (22.86 x 38.7...

After Gustav Klimt, Max Eisler Plate #27, Madchen im Profile; grey-toned monochrome collotype after the 1916 painting in oil on canvas. Original destroyed by fire May 1945. GUSTAV K...

Salvador Dali (1904-1989) Heaven 33 - Prayer of Saint Bernard Color woodcut with the signature printed in the plate 1960/63 Printed on paper Vélin BFK Rives Size 32,8 x 26,4 cm (c. ...

Playful black and white etching of a child figure looking out on a quaint city square in Nancy, France, 1959. Signed and dated lower right, titled and numbered 16 of 140 lower left. ...

Artist: (after) Robert Indiana (American, 1928-2018) Title: "Louisiana Museum of Modern Art (LOVE)" Year: 1972 (First edition) Medium: Original Screenprint, Exhibition Poster on heav...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Arnold Iger Lily (Readers Digest Association Art Collection), 1988 Intaglio (Hand Signed, Dated, Titled, Numbered & Framed) Signed in pencil lower right recto Numbered "77/350" on lo...

The Umbrellas, a temporary work of art realized in two countries at the same time, reflected the similarities and differences in the ways of life and the use of the land in two inlan...

Print on paper new custom framed by Sargent Claude Johnson (November 7, 1888 – October 10, 1967) was one of the first African-American artists working in California to achieve a nat...

Biet Mariam is a modern artwork realized by Lino Bianchi Barriviera in the 1930s. Black and white etching. Signed on plate. Plate n.60 (as reported on the higher margin). The art...

The monolithic churches of Lalibelà and others in Ethiopia is a modern artwork realized by Lino Bianchi Barriviera in the 1930s. Black and white etching. The artwork is from the se...

Abstract Composition is a lithograph artwork realized by Antonio Sanfilippo in 1971. Good conditions. Artist's proof. Hand-signed. This artwork represents an abstract composition...

Seascape is an artwork realized  by Giovanni Omiccioli (February 25, 1901 – March 1, 1975). Colored Lithograph on cardboard. Numbered. Edition, 100/200. Hand-signed. The artist w...

Ex-Libris Giorgio Balbi is an Etching realized in the mid-20th Century . Good conditions.

Ex-Libris Giorgio Balbi is an Etching by Luigi Angelini in the mid-20th Century . Good conditions.

Ex-Libris is a Woodcut print by Giorgio Balbi in the mid-20th Century . Good conditions.

Scorpio is a screen print on grey paper realized by Sergio Barletta in the 1970s.  Good conditions except for some some signs of the time on the margins. Sergio Barletta  (1934) ...

 The Mountain and the Rose is a Vintage Offset Print by Douglas Prince in 1980. Good conditions.

Abstract Composition - Signs on Yellow is a lithograph realized by  Hans Hartung  in 1972. It comes from the portfolio " San Lazzaro et ses Amis. Hommage au fondateur de la revue XX...

Abstract Composition is a mixed-colored screen print realized by Amintore Fanfani in 1972. Hand-signed and dated on the lower right. Numbered on the lower left. Edition 56/70.  Th...

Abstract Composition is a mixed-colored screen print realized by Amintore Fanfani in 1972. Hand-signed and dated on the lower right. Numbered on the lower left. Edition 48/60.  Th...

Abstract Composition is a mixed-colored Etching realized by Amintore Fanfani in 1972. Hand-signed and dated on the lower right. Numbered on the lower left. Edition 4/80.  The stat...

Whimsical Original Aquatint Etching by German/American artist Hedi Bak (1927 - 2010). The etching presents in a side fold mat and is in excellent condition. Tape adheres the print to...

Artist: Andy Warhol Title: Wild Raspberries FS IV.126-143 The complete book, comprising 18 offset lithographs, 3 with hand-coloring, (one of which is a double plate), printed title ...

Paper Size: 22.5 x 32 inches ( 57.15 x 81.28 cm ) Image Size: 19 x 32 inches ( 48.26 x 81.28 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling This offset l...

This is a printer's proof of "Clowns, Clowns, Clowns" by Wayland Moore, from his 1977 circus portfolio, published by Pamplemousse Press. The screen print captures the whimsical and c...

This is a printer's proof of "Parade Scene" by Wayland Moore, part of his Circus Portfolio, published by Pamplemousse Press in 1977. The artwork depicts a vibrant and festive scene f...