Postcard Drawings and Watercolor Paintings

Original hand-drawn postcard by Jean-Michel Folon, addressed to Evelyn Farland from France to New York. This unique, one-of-a-kind piece is framed in a silver metal and wood frame wi...

Jogen Chowdhury - Flower Vase 7 x 5 Inches Mixed media on Paper 2023 Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his indiv...

This small watercolor painting by Anna Palm de Rosa, titled "Coach and horses at full speed, Boulogne-sur-Seine," is a vibrant and dynamic piece that captures a moment of speed and elegance from the past. The scene is set in what was known then as Boulogne-sur-Seine, now Boulogne-Billancourt, prior to its name change in 1926. The artwork is only like a postcard and depicts a horse-drawn carriage in full gallop, stirring up a cloud of dust along the gravel path. This sense of motion is further emphasized by one of the ladies on the carriage, who is seen clutching her hat, a detail that adds a personal touch to the scene and underscores the speed at which they are traveling. The artist's ability to capture such a fleeting moment, with the horses' hooves barely touching the ground and the dust cloud swirling around, is a testament to her skill and the liveliness of her compositions. Anna Sofia Palm...

Initialed lower right, 'M. W.' for Margaret Wentworth (American, 1914-1999) and dated 1959. Exhibited: Feingarten Galleries, Carmel, California, 1960, and titled on label, verso, 'Ro...

Carl Andre Handwritten Letter to the Artist's Parents, 1974 Letter handwritten with black marker on postmarked, stamped postcard (hand signed by Carl Andre) Boldly signed @ - the art...

Signed lower right, 'Danail Ochkov' (Bulgarian-American, born 1977) and dated 2003. Born in Bulgaria, Danail Ochkov studied fine art at St. Cyril and St. Methodius University in Sof...

Sol LeWitt Unique Geometric Abstraction on Postcard, 1982 Original drawing done on postcard from the Van Gogh Museum (Amsterdam), mailed, stamped and postmarked (franked) from Spolet...

Stately portrait of George Arliss by Ivan Opffer (Danish, 1897-1980). Mr. Arliss is depicted wearing his signature monocle, looking directly at the viewer. Although this piece appears to be done rapidly, there is a clear confidence in Opffer's work - he was an accomplished portrait artist - and the resemblance to the subject is unmistakable. George Arliss (born Augustus George Andrews; 10 April 1868 – 5 February 1946) was an English actor, author, playwright, and filmmaker who found success in the United States. He was the first British actor to win an Academy Award – which he won for his performance as Victorian-era British prime minister Benjamin Disraeli in Disraeli (1929) – as well as the earliest-born actor to win the honour. He specialized in successful biopics, such as Disraeli, Voltaire (1933), and Cardinal Richelieu (1935), as well as light comedies, which included The Millionaire (1931) and A Successful Calamity (1932). Signed and dated "Ivan Opffer 1934" in the lower right. Titled "Mr. Arliss" in the lower left. Presented in a new off-white mat with foamcore backing. Mat size: 22"H x 16"W Art size: 17.5"H x 12"W Ivan Opffer (Danish, 1897-1980) was born in Nyborg, Denmark, on June 4, 1897, to a family of Danish scholars and journalists. His brother was Emil Opffer, a Danish merchant seaman and journalist who was known for his relationship with American writer Hart Crane. Ivan was raised in Mexico City and New York, where his anarchist father was the editor of a radical Danish-language newspaper. His involvement in painting and drawing began at an early age. At a summer workshop, he met and studied drawing with Winslow Homer, then went on to study at the National Academy of Design and the Art Students League of New York. When the US entered World War I, Opffer was one of the members of the American Army Camouflage Corps, headed by Homer Saint-Gaudens (whose mother was a relative of Winslow Homer), the son of Augustus Saint-Gaudens. As a camoufleur, Opffer served with other artists and architects, some of whom became well-known, including Barry Faulkner, Sherry Edmundson Fry, Kimon Nicolaides, Robert Lawson, Abraham Rattner, Kerr Eby, and others. It was this same unit, while still in training in at Camp American University in Washington DC, that launched a camp newspaper called The Camoufleur. Only three issues were published before the unit’s deployment to France in late 1917. In the October 31 issue, a satirical portrait by Opffer of Homer Saint-Gaudens (titled “Our Boss”) was published on page 5. After the war, Opffer returned to New York, where he became known for his caricatures of leading Modern writers, among them James Joyce, Edgar Lee Masters, Siegfried Sassoon, George Bernard Shaw, Carl Sandburg, G.K. Chesterton, and Thomas Mann. In the years between the wars, Opffer married Betty à Beckett Chomley, and settled in Paris, where he was a student at the Academie Julliard. He also lived in London and Copenhagen, where his drawings were frequently published in newspapers and magazines. With the outbreak of World War II, he and his family returned to New York and lived in Greenwich Village. Among his friends in that era were William Butler Yeats, F. Scott and Zelda Fitzgerald...

Small landscape with cows by Carmel artist Cetin (20th Century). Two cows are grazing in the foreground. Beyond the cows, a field stretches out towards a...

Highly detailed patterned abstract composition by Patricia "Patti" Omori Shepp (American, b. 1954). This piece has a repeating pattern across the width, reflected on itself. Texture ...

Design-quality illustration of a Philco Ford Television set by Edward T. Liljenwall (American, 1943-2010). The TV is expertly rendered against an olive green gradient background, wit...

French Coastal Scene in Brittany with a merchant ship onloading fish and people by an unknown artist. A sailing vessel is anchored at a beach. A ramp extends from the ship yo to the ...

Signed lower right, 'Arthur Parton' (American, 1842-1914) and painted circa 1885. This notable Hudson River School painter first studied under William Trost Richards, from whom he gained a grounding in the technical aspects of his craft, and, subsequently, at the Pennsylvania Academy of Fine Arts. While in Philadelphia, he began to exhibit with success and, in 1864, moved to New York where he continued to exhibit before leaving for Europe in 1869. In France, he was influenced by the works of the Barbizon painters and then furthered his studies in Paris and London (1870) before continuing to Scotland (1871). Upon his return to America, he would go on to establish himself as a major figure in the art world, maintaining a studio at 51 West 10th Street from 1874 to 1893. Best known for his landscapes of the Adirondacks and Catskill Mountains, Parton also painted in England and Scotland. During his career, he explored several styles including Tonalism and Impressionism, but remained closely influenced by the Hudson River style including Luminism. Parton was a member of the American Watercolor Society, the Artists Fund Society and, from 1871, the National Academy of Design, becoming a National Academician in 1884. Parton exhibited widely and with success including at the Corcoran Gallery of Art (1907-1908, 1910), Brooklyn Artists Association (1866-85), Philadelphia Centennial Exposition (1876), Boston Art Club (1882-1909), New York City (1886 gold medal), Pennsylvania Academy of Fine Arts (1889 Temple gold medal, 1891, 1896-97, 1905), Paris Exposition Universelle (1889 honorable mention), St Louis Exposition (1904 medal), the Art Institute of Chicago and, for more than 50 years, at the National Academy of Design (1862-1914, 1896 prize). Parton gained widespread recognition after his painting of the Shenandoah River (1872) was published in William Cullen Bryant...

Design-quality blueprint of a concept vehicle by Edward T. Liljenwall (American, 1943-2010). Top and side views are highlighted, with a partial rear view to the left hand side. The v...

Estate stamped, lower left, 'Wm. A. Gaw' for William Alexander Gaw (American, 1891-1973) and painted circa 1935. William Alexander Gaw was born ...

Signed lower right, 'Tapie' for Viva Flower Tapie (American, 1897-1993) and painted circa 1925. Viva Flower Tapie was born in Sibley, Iowa and lived in Oakland, California where she exhibited with success at the Oakland Art...

Flowing, organic abstract by Unger (20th Century). Several biomorphic shapes are flowing around each other, rendered in high-contrast shading. Signed and dated "Unger, 1975" on vers...

Untitled 2009 (Abstract Drawing) Oil on postcard - Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge...

Untitled 2010 (Abstract Painting) Oil on postcard - Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerg...

Untitled 2009 (Abstract Drawing) Oil on postcard - Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge...

Signed lower right, 'Laura Hills' for Laura Coombs Hills (American, 1859-1952) and created circa 1915. Laura Coombs Hills first studied at the Cowles Art School in Boston, the New Y...

Oil on postcard - Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets intuition. H...

Three seashells, each depicted on their own individual pastel color background and with fine detail, by Gary Ermoloff (American, b. 1949). Unsigned, but was acquired with a collection of other Ermoloff pieces. Presented in a new blue-grey mat with foamcore backing. Paper size: 17.75"H x 23.75"W Gary Ermoloff (American b. 1949) attended the Academy of Art University in San Francisco, where he received his BA in Fashion Illustration. He is a former member of AIGA and a former Board Member...

Highly detailed and precise illustration of a 1966 Mercury Commuter Station Wagon by Joseph Yeager (American, 20th Century). Signed in the lower right portion of the illustration. This piece is on heavy cardstock. Presented in a new black mat. No frame. Joseph "Joe" Yeager (American, 20th Century) was raised in Cleveland Ohio, where he went to art school at night and started his art career at 19. He was a commercial artist for the Cleveland Press...

Oil on postcard - Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets intuition. H...

Oil on postcard - Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets intuition. H...

Original hand-drawn postcard by Jean-Michel Folon addressed to Evelyn Farland from France to New York. Unique and one-of-a-kind. It is framed in a s...