Oil Portrait Paintings

Portrait Of Anna Maria Mancini (1639-1715), 17th Century Studio of Sir PETER LELY (1618-1680) Large 17th Century Court Portrait of Anna Maria Mancini, oil on canvas. Excellent qua...

Antique Dog Painting of a Terrier Jules Chardigny (1849-1892) Circa 1870 Oil on wood panel 8 1/8 x 5 5/8 (13 1/4 x 10 3/4 frame) inches This is one of several examples of dogs being painted in this precise style as face-on with a mirthful expression that we've located. The examples all seemingly date to around 1870 and were painted by several artists all who rather contemporaneous of one another; Louis...

'Elegant Woman in an Interior', oil on panel (circa 1960s), by Gaetano Bocchetti. This painting captures its subject, an elegantly presented woman in her night clothes and indoor sli...

JOHN HOPPNER R.A. (British, 1758–1810), "Countess Margaret Spencer," oil on canvas, canvas (relined): 36" x 28", overall (framed): 35" x 43". John Hoppner, R.A. plaque mounted cente...

This superb British Impressionist portrait oil painting is by noted female artist Florence Kate Upton. Born in America to English parents, Upton visited Britain with her family aged 20 and remained here to further her art career. Although a children's book illustrator, Upton was first a painter and exhibited at the Paris Salon and the Royal Academy. This lovely portrait, painted circa 1900, is a half length profile view of a lady in a black dress with gold front panel. A vibrant peacock blue shawl is across her arm and the background is a rich plum coloured drape. She has a black and silver choker...

Painted circa 1930 this Modern British oil portrait of Philip Joubert has superb colouring and detail. Painted by Charles Cundall RA RWS, it came from the artist’s daughter and is fr...

Portrait of Hortense Mancini, Duchess of Mazarin (1746-1699), 17th Century by Jacob Ferdinand Voet (1639-1689) Large 17th Century Italian portrait o...

Portrait Of Mary Of Modena, Queen Of England, 17th Century Studio Of SIR PETER LELY (1618-1680) Huge 17th century English Old Master portrait of Mary Of Modena, Queen Of England, oil on canvas. Huge full length portrait of the second wife to James II wearing a burgundy dress with blue wrap. Excellent quality and rare full length study of Mary typical of Lely and his studio from the period. Presented in an antique gilt frame. Authentication: by David Taylor...

After an initial training at the Toulouse School of Fine Arts, Jules-Arsène Garnier joined the Paris School of Fine Arts in 1867 in Jean-Léon Gérôme's studio. As an academic artist, ...

Cute with the e 2022 oil pastel, pen, acrylic, and watercolor on paper 6.5 x 4.5 inches Christina Nicola’s paintings are a direct reflection of herself — a liberated, queer, Black f...

Oil on canvas c.1855 - 1860 Image size: 19 x 14 inches (48.25 x 37.25 cm) Original Watts frame The Sitter Herbert William Fisher (1826 - 1903) was a British historian, best known for his 'Considerations on the Origin of the American War' (1865). Fisher was tutor to the future King Edward VII, and served as Private Secretary to the 5th Duke of Newcastle. in 1863 he became Private Secretary to the Prince of Wales, his former pupil, before being appointed to the position of Vice-Warden of the Stannaries in 1870. One of his daughters, Adeline, married Ralph Vaughan Williams. George Frederick Watts Watts (1817 - 1904) was a British painter and sculptor associated with the Symbolist movement. He is known to have said 'I paint ideas, not things'. Watts became famous in his lifetime for his allegorical works, such as 'Hope' and 'Love and Life' in which the emotions and aspiration life were intended to be represented in a universal symbolic language. Watts was born in Marylebone in central London on the birthday of George Frederic Handel (after whom he was named), to the second wife of a poor piano-maker. He showed artistic promise very early, learning sculpture from the age of 10 with William Behnes, starting to study devotedly the Elgin Marbles (later writing "It was from them alone that I learned") and then enrolling as a student at the Royal Academy Schools at the age of 18. He first exhibited at the Academy in 1837, with a picture of "The Wounded Heron" and two portraits, but his attendance at the Academy was short-lived, and his further art education was confined to personal experiment and endeavour, guided by a constant appeal to the standard of ancient Greek sculpture. He also began his portraiture career, receiving patronage from his close contemporary Alexander Constantine Ionides, who later came to be a close friend. In 1849 the first two of the allegorical compositions which form the most characteristic of the artist's productions were exhibited—"Life's Illusions," an elaborate presentment of the vanity of human desires, and "The people that sat in darkness," turning eagerly towards the growing dawn. In 1850 he first gave public expression to his intense longing to improve the condition of humanity in the picture of "The Good Samaritan" bending over the wounded traveller; this, as recorded in the catalogue of the Royal Academy, was "painted as an expression of the artist's admiration and respect for the noble philanthropy of Thomas Wright, of Manchester," and to that city he presented the work. From the late 1840s onward he painted many portraits in France and England, some of which are described below. Notable pictures of the same period are “Sir Galahad...

This lovely portrait oil painting is by Scottish exhibited artist Allan Newton Sutherland. It was painted in 1914 and is a seated portrait of a young Scottish girl with auburn hair a...

A beautiful, colourful British 1920's exhibited oil on canvas portrait painting by Francis Dodd RA and with extensive provenance. The work depicts the Feminist and famous artist Susa...

Henri BOUCHÉ-LECLERCQ (1878-1946) Portrait of the painter Louis Degallaix (1877-1951), 1910 Oil on canvas Signed, dated “1910” and dedicated “à mon ami Degallaix” lower right 55 x 4...

Here we have a great portrait of a Yorkie Terrier, signed to its lower left, 'Sister Phoebe' and stamped with a dogs paw. This is a great example of 19th century pet portraiture as...

This gorgeous loose portrait of the bon vivant "Owen" is very much in line with Bailey's instantly recognizable style.

This interesting British Victorian military portrait is by artist C Marten. Painted in 1897 it is a three quarter length portrait of a soldier by a brick wall and window with bars. T...

Neapolitan caravagist artist, 17th century SAINT JAMES THE MINOR oil on canvas, cm 127x101 (The painting is part of a triptych together with the two holy apostles Saint Thomas and S...

19th Century German School Br: Venus aus Chemnitz 50 Jahre alt 58 24/5 39, 1839 Oil on canvas Signed lower left 25.5 x 20 inches 30.5 x 24.75 inches, framed The gentleman is Johann ...

This early 20th-century oil painting by Dutch artist Jelle Troelstra (1891-1979) depicts a seated woman wearing a floral top and dark grey dress. With eyes closed and hands held upo...

48" x 40" Unframed Original - Oil and Acrylic on Canvas Hand Signed by Johnathan Ball

36" x 24" Unframed Original - Oil and Acrylic on Canvas Hand Signed by Johnathan Ball

42" x 36" Unframed Original - Oil and Acrylic on Canvas Hand Signed by Johnathan Ball

48" x 30" Unframed Original - Oil and Acrylic on Canvas Hand Signed by Johnathan Ball

36" x 36" Unframed Original - Oil and Acrylic on Canvas Hand Signed by Johnathan Ball

Portrait Of David Lyon Junior (1794-1842), early 19th Century English School Large early 19th Century portrait of a David Lyon Junior, oil on canvas. Good quality and condition Re...

"Uncanny brilliance is deployed as we run through art history’s highlight reel via the work of Ta Byrne. With the recurrent motif of an egg and Edward Burra-like layered body composi...

Oil paint on canvas Hand-signed lower left by the artist

Ozer Shabat 1978-1901 Ozer Shabbat was an Israeli painter, a resident of Haifa. Belonged to the Palestine Expressionist group of the late 1920s and early 1930s. Shabbat was born in Wolbrom, Poland. At the end of the First World War he went to Holland for agricultural training in the framework of the HeChalutz movement, prior to his immigration to Palestine. In 1920 he immigrated to Eretz Israel and joined the Hulda group. Later he joined the Merhavia group and there he began painting. Because of his desire to study drawing, he left the group and moved to Jerusalem. In 1921, he wrote articles in the newspaper "HaSadeh" on the subject of agriculture and Dutch cheese. Ozer Shabath won the first prize in a competition for the design of the Dutch Consulate's Garden in Jerusalem, enabling him to travel to Paris in 1923 to study painting. Until 1925 he studied painting at the Grande Chaumiere Academy in Paris. This year he returned to Eretz Israel and settled in Haifa, where he lived until his death. In 1928 he participated for the first time in an exhibition of Eretz Israel artists at the Tower of David. Since then he has participated in all the general exhibitions of Israeli artists. In 1934, together with painters Menachem Shemi, Avraham Mohar, Zvi Meirovitch and others, he founded the Haifa Artists' Group. In 1935-36 he toured Europe and visited Italy, France and England. During his visit, he maintained contacts with artists from the Jewish school of Paris. He has exhibited in several solo exhibitions, represented Israel in exhibitions in Europe and participated in international exhibitions in New York, Johannesburg and Zurich. In 1958 he represented Israel in the Venice Biennale. In 1960, Shabat, together with Elchanan Halpern he represented the Israeli Painters Association at the International Congress of Plastic Arts held in Vienna, Austria . In the 40s and 50s he focused on landscape pictures. However, despite the focus on the Israeli landscape, the approach is universal in the framework of the post-Impressionist painting school. In the 1960s, his approach changed and he turned more to abstraction. The abstract direction gradually evolved. The point of departure of the abstract approach is the architectural landscape, but this view loses its real character and becomes only imaginary: the buildings lose their real character and turn into exclusive geometric areas that are usually set against a dark background. Over time, architecture captured the lion's share of his paintings. Cities like Safed, Jaffa and Jerusalem are the subject of many pictures. He taught painting and art at the schools of the kibbutzim in Ramat Yochanan and Kfar Yehoshua, in high schools in Haifa and in the IDF and Gordon seminars. His paintings were purchased and are in the permanent collection of the Bezalel National Museum (now the Israel Museum), Haifa Museum of Art, Haifa Maritime Museum, Acre Municipal Museum. Select Solo exhibitions 1936 - Nadler Gallery, Haifa. 1943 - The Tel Aviv Museum of Art. 1952 - Artists House, Haifa. 1953 - Bezalel House, Jerusalem. 1955 - Gallery in Geneva, Switzerland. 1955 - The Writers' Club, Haifa. 1959 - Artists House, Haifa. 1960 - Museum of Modern Art, Haifa. 1962 - Museum of Modern Art, Haifa. 1963 - Gallery 220, Tel Aviv. 1968 - The Municipal Museum of Beit Emanuel, Ramat Gan. 1979 - Memorial exhibition marking the first anniversary...

In a classic monochrome palette, Valarie Wolf skillfully captures the essence of bygone days with her intricate horse painting featuring a man with a cap donned in vintage attire. The artwork harkens back to yesteryear and evokes the nostalgia of original black and white photography...

Portrait General George Brinton McClellan (1826-1885), 19th Century Commanding General Of US Army to Abraham Lincoln, Governor of New Jersey American School Large 19th century military portrait...

This work along with its companion piece "Listen Here", exemplify Conde's unique pop realist style. They are to women speaking to each other. Though they can stand alone they appear ...

This alluring Art Deco portrait oil painting is by former British Newlyn artist John Da Costa. Painted circa 1930 the painting is of Christine Bonnar, the artist's wife. She was the ...

An elegant study of a young lady, possibly a fragment taken from a larger composition. Well presented in an oval mount and gilt effect frame. Unsigned. On canvas.

A super circa 1955 British portrait oil painting in tones of red. A very evocative period portrait of a woman painted by British listed female artist Constance Anne Parker. A highly...

Swan Scalabre "Western n°5" Oil on Wood 10 x 12 in. Framed Born in the Alpes de Haute Provence region of France in 1977, Swan Scalabre investigates the silent gaze placed on women,...

I paint people; I want my paintings to have character to tell a story but without words as if using mime. To be dramatic, emotional, sometimes theatrical but always with feelings and...

This wonderful 19th century interior portrait oil painting is attributed to the circle of Martin Archer Shee. It is a half-length portrait of a seated lady in a black silk dress, ermine stole and superb floral bonnet. It is a super realistic depiction of different textures - fur, silk and her beautiful face and hair. She is also holding her glasses, suggesting she is an educated woman who likes to read. A really magnificent portrait. The fur of the white winter ermine or stoat, with its trademark black tail-tip can often be seen in portraits of royalty...

This charming British portrait oil painting is by noted artist Allan Douglas Davidson. Painted circa 1920, the painting is an endearing bedtime scene of a mother and young son embracing as she gets his pyjamas on ready for bed. Stood on the bed he is the ideal height to kiss his mother, whilst teddy is already tucked in bed, waiting to be joined. The blond hair of the child and auburn hair of his mother both gleam in the light as they embrace. A really sweet painting and an excellent example of Davidson's skill as an artist. Signed lower left. Provenance. Essex estate. Condition. Oil on canvas 32 inches by 26 inches unframed and in good condition. Frame. Housed in a complementary frame, 40 inches by 34 inches framed and in good condition. Allan Douglas Davidson, R.B.A., R.O.I., R.M.S. (1873-1932) was an English painter who predominantly worked in oils and specialized in portraits, interiors and female nudes. Allan Davidson was born in London on 14 May 1873. His father was the historical painter Thomas Davidson. Allan studied art at the Royal Academy Schools in London, where he won a medal and the Armitage Prize, he also studied at the Académie Julian in Paris. He was elected to the Royal Institute of Oil Painters in 1921 and was also a member of the Langham...

Kazuya Ushioda of Japan presents "Fraternity," a serene portrayal of a young woman resting her gaze downwards, lost in a moment of introspection. The me...

A unique, medium to large scale figurative painting with a vivid, exotic background. The painting style shows influences from the post...

Neapolitan caravagist artist, 17th century SAINT JUDE THADDEUS oil on canvas, cm 127x101 (The painting is part of a triptych together with the two holy apostles Saint Thomas and Sai...

An original, circa 1970, oil on canvas painting by listed Northern artist Harry Rutherford. A fine example of a Modern British portrait. In fine untouched condition and framed in a p...

Swan Scalabre "Western n°3" Oil on Wood 8 x 10 in. Framed Born in the Alpes de Haute Provence region of France in 1977, Swan Scalabre investigates the silent gaze placed on women, ...

Sveta Hessler's 40" x 40" portrait is a symphony of emotion and color. In this evocative piece, the viewer is drawn into the depths of a gaze that seems to harbor a universe of stori...

This absolutely charming exhibited British Victorian oil painting is by female artist Maria Louisa Angus. Painted in 1891, it was exhibited at the Royal Academy that same year. The composition is an interior scene with two young girls on a sofa, looking at a picture book and keeping 'out of mischief' as it is entitled. The room holds an exotic mix of oriental objects and a gorgeous umbrella plant in a gleaming terracotta pot. The girls themselves are sat on a beautifully detailed fur throw, looking at a book, with a marine painting on the wall behind them. The brushwork and colouring are superb and the pink of the older girl's dress is picked up throughout the room. A really lovely painting by a very talented Victorian female artist. Signed and dated M.L. Angus 1891 lower left. Provenance. Exhibited at the London, Royal Academy, 1891, no. 841 entitled Out of Mischief. Anonymous, sale, Doyle, New York, May 20, 1998, lot 161, illustrated. Private collection, Newport, Rhode Island. Condition. Oil on canvas, 27 inches by 20 inches unframed and in good condition. Frame. Housed in a gilt frame, 34 inches by 27 inches framed and in good condition. Maria Louisa Angus (1863 - 1934) was born in Southwark on 29th July 1863, the daughter of a printer. She studied at the Lambeth School of Art in 1886 and established a studio at 1a Cowley Street in Westminster, later she worked out of Powers Studio in Ruskin House, Rochester Row. She specialised in genre subjects and some landscapes. She exhibited 10 pictures at the Royal Academy between 1888 and 1893 as well as many London Galleries and Societies. In 1913 she exhibited in the Anglo German Exhibition...

Ready to hang and free worldwide shipping. “The longer you look at an object, the more abstract it becomes, and, ironically, the more real.” Lucian Freud I want my art to be unpred...

Swan Scalabre "Western n°6" Oil on Wood 18 x 18 in. Framed Born in the Alpes de Haute Provence region of France in 1977, Swan Scalabre investigates the silent gaze placed on women,...

Santibañez Servat works his magic in creating this stunning example of photorealism, with his brand of the surreal. The artist works in thin layers of oil paint diluted with linseed oil to create an old world master portrait of a Japanese woman. The background inspired by his interpretation of Shunga, Japanese erotic woodblock prints.

"Itunu (Comfort)" is a heartwarming artwork by the talented artist Olalekan Adeyemi, which beautifully captures the essence of a young woman's comfort...

Samuel Grodensky (1894-1974) "Hassidim" Hand signed and dated "Grodensky '62" u.l., Titled verso in pencil on stretcher 31" x 27" canvas , 35 1/2" x 31 1/2" framed. Large Fauvist Expressionist Jewish Family Oil Painting This is done in an Expressionist style in Fauvist colors. Influenced by the Judaic artists of the early Israeli...

Classic Paul Marigny (1922-1998, French) painting of 2 young ladies with flowers. Oil on canvas Canvas dimensions 24" x 36" Frame dimensions 30" x 42"

This charming British early 19th century portrait oil painting is attributed to circle of Sir William Etty and is masterfully portrayed with beautiful pre Impressionist impasto. Pain...

This evocative oil painting by Girbent depicts a woman in a hotel room, visible in the viewers line of sight and also reflected in the mirror. His interior sings with detail while m...

Original painting. Oil, acrylic and paper on high quality canvas stretcher. Finished off with a soft glossy varnish. 80 x 100 cm 31.5 x 39.4". The sides are painted and it’s ready...

Someone once said of my work. 'I often wonder why is it that people from around the world acquire Ta's work and speak and write such beautiful things about her art. There has to be ...