First Kiss Austin

Screen%20Shot%202020-02-22%20at%207.11_edited.jpg STORY OF AN ARTIST Todd White Todd White's distinctive style and down to earth personality have won him an international reputation. And his profile just keeps on growing. Born in 1969 in Texas, he came from humble roots. During his twenties he relocated to Hollywood and worked in the animation field, developing characters at some of the most renowned production studios in the country. He was even part of the lead team for the international hit cartoon series SpongeBob SquarePants. During this period Todd started to forge his artistic style by experimenting with style and concept. He eventually arrived at the working method that now guides him through every piece. He always names his pieces first, visualizes faces and personalities, then develops each person's story. In fact, he doesn't paint at all until he can conceptually see that story in his head. And he always tells it as directly as possible - what isn't necessary to the story doesn't go on the canvas. Hands are a focal point as he's always been impressed by how powerfully and expressively tiny gesticulations can amplify an actor's performance. ''Everyone's hands are full of personality,"' says Todd "They reflect the subject's state of mind almost as much as facial expressions." He's a compulsive observer of detail, always studying and absorbing figures, faces and features. Subconsciously, he spends his life people-watching - scribbling down sketches whatever the situation (often on napkins, even tablecloths) to record an idea for his next work. His paintings captivate people. They often invoke laughter and demand repeated viewings. By revealing his subjects' innermost feelings he creates timeless scenes of attraction and intimacy. Beneath the exaggerated features and textured skin of his characters, there is truth. Both theirs and ours. Todd's subjects come from the everyday world, but his perspective is so unusual that he alters the way we perceive people and the roles we play around each other. He studies body language, using its nuances to capture the subtleties of what people show and hide. He was chosen from hundreds of artists as the Official Artist of the GRAMMY® Awards in 2007, the world's most prestigious music event. And in 2009, Todd was invited by Warner Bros. to contribute to a major design exhibition celebrating the 70th Anniversary of The Wizard of Oz. Todd collaborated with Coca Cola in 2010 to produce limited edition bottles and cans. His unique box signature appears right on the product, which is the first time Coca-Cola has given credit to a fine artist in this manner. In 2011 Todd was awarded one of the United Kingdom's most prestigious accolades in the shape of the Diana Princess of Wales Gold Medal, after donating his portrait of the Princess to the Diana Awards charity. Only 11 people to date, Todd now included as the only American, have been honored with the Award. Todd flew to London to officially receive the award.

While “expressionist” is used to describe any art that avoids naturalism and instead employs a bold use of flattened forms and intense brushwork, Expressionist art formally describes early-20th-century work from Europe that drew on Symbolism and confronted issues such as urbanization and capitalism. Expressionist artists experimented in paintings and prints with skewed perspectives, abstraction and unconventional, bright colors to portray how isolating and anxious the world felt rather than how it appeared. 

Between 1905 and 1920, Austrian and German artists, in particular, were inspired by Postimpressionists such as Paul Gauguin and Vincent van Gogh in their efforts to strive for a new authenticity in their work. In its geometric patterns and decorative details, Expressionist art was also marked by eclectic sources like German and Russian folk art as well as tribal art from Africa and Oceania, which the movement’s practitioners witnessed at museums and world’s fairs.

Groups of artists came together to share and promote the themes now associated with Expressionism, such as Die Brücke (The Bridge) in Dresden, which included Erich Heckel, Ernst Ludwig Kirchner and Karl Schmidt-Rottluff and investigated alienation and the dissolution of society in vivid color. In Munich, Der Blaue Reiter (The Blue Rider), a group led by Wassily Kandinsky and Franz Marc, instilled Expressionism with a search for spiritual truths. In his iconic painting The Scream, prolific Norwegian painter Edvard Munch conveyed emotional turmoil through his depiction of environmental elements, such as the threatening sky.

Expressionism shifted around the outbreak of World War I, with artists using more elements of the grotesque in reaction to the escalation of unrest and violence. Printmaking was especially popular, as it allowed artists to widely disseminate works that grappled with social and political issues amid this time of upheaval. Although the art movement ended with the rise of Nazi Germany, where Expressionist creators were labeled “degenerate,” the radical ideas of these artists would influence Neo-Expressionism that emerged in the late 1970s with painters like Jean-Michel Basquiat and Francesco Clemente.

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Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

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