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M G Robison

The Ponte and Castel S. Angelo (Veduta del Ponte e Castello Sant' Angelo)
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Basilica in the distance. Watermark: Double Circle Fleur de Lys References: Robison c/g
Category

1750s Old Masters Landscape Prints

Materials

Etching

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19th Century English Pine Welsh Step Back Cupboard Dresser
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Charming 19th century country English welsh step back cupboard or dresser with plate rack. Crafted from pine having a beautifully distressed patina on the finish. The one-piece case ...
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Antique 19th Century English Country Cupboards

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XXXIII Fig. I Avanzo del Tempio di Castore e Polluce
By Giovanni Battista Piranesi
Located in Fairlawn, OH
XXXIII Fig. I Avanzo del Tempio di Castore e Polluce .View of the Remains of the Peristyle of the House of Nero, Etching, 1756 Signed in the plate (see photo) From: Le Antichità Roma...
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1750s Old Masters Landscape Prints

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Giovanni Piranesi Etching of Ancient Roman Architecture, 18th Century
By Giovanni Battista Piranesi
Located in Alamo, CA
"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous w...
Category

Early 18th Century Old Masters Figurative Prints

Materials

Drypoint, Engraving, Etching

Veduta dell'esterno della gran Basilica di S. Pietro in Vaticano
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Veduta dell'esterno della gran Basilica di S. Pietro in Vaticano (View of the Exterior of St. Peter's Basilica in the Vatican) Etching, 1748 From the first printing of the "Vedute di...
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1740s Old Masters Landscape Prints

Materials

Etching

San Francesco, Santa Caterina d’Alessandria, Sant’Agostino e San Nicola
Located in Balerna, TI
Luca Signorelli (Cortona 1445 - 1523). € 40,000 San Francesco, Santa Caterina d’Alessandria, Sant'Agostino and San Nicola da Tolentino Oil on panel, 13.5x52.5x1 cm; with 18x55 fram...
Category

15th Century and Earlier Old Masters Interior Paintings

Materials

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Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...
Category

1750s Old Masters Landscape Prints

Materials

Etching

The Column of Trajan in Rome, 19th Century Framed Etching by Luigi Rossini
By Luigi Rossini
Located in Alamo, CA
Early 19th century etching entitled "Veduta dello scavo del Foro Trajano" from Luigi Rossini's "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the histori...
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1820s Old Masters Figurative Prints

Materials

Etching

The Arch of Constantine and the Colosseum
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The Arch of Constantine and the Colosseum Vedute dell' Arco di Costantino, e dell' Anfiteatro Flavio il Colosseo From: "Vedute di Roma" (Roman Views), part II An early Paris edition,...
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1760s Old Masters Landscape Prints

Materials

Etching

Santa Claus Cast Iron Nutcracker, circa 1880s
Located in Incline Village, NV
This copper-plated cast iron Santa Claus nutcracker was manufactured in England, circa 1880s. It pivots on an iron pin. The face is very finely cast detailing Santa's beard and facia...
Category

Antique 1880s English Folk Art Sculptures and Carvings

Materials

Iron

Alceo and Sappho in Elysium - Etching by Francesco Nenci - 1805
By Francesco Nenci
Located in Roma, IT
Opere dei Grandi Concorsi is a beautiful issue realized in 1805 by the Academy of Fine Art in Milan in the occasion of the prestigious artistic price: the Sculpture competition was w...
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Early 1800s Figurative Prints

Materials

Etching

View of Two Churches - Etching by G.B.Piranesi - Late 18th Century
By Giovanni Battista Piranesi
Located in Roma, IT
View of two churches is an artwork realized by Giovan Battista Piranesi (1720 Venice - 1778 Rome ). Madonna of Loreto and Santa Maria at Trajan's column - Rome. Etching on paper, ...
Category

18th Century Modern Landscape Prints

Materials

Etching

Column of Trajan in Rome: A Framed Original 19th C. Etching by Luigi Rossini
By Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta dello scavo del Foro Trajano" was created by Luigi Rossini and included in his publication "Le Antichita Romane" (The Rome of Antiqui...
Category

1820s Old Masters Figurative Prints

Materials

Etching

John Marin "Clock Tower of Santa Maria Zobenigo, Venice, Italy" Etching c.1907
By John Marin
Located in San Francisco, CA
John Marin "Clock Tower of Santa Maria Zobenigo, Venice, Italy" Original Pencil Signed Etching c.1907 Rare pencil signed etching by listed American artist John Marin (1870-1953) Pl...
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Materials

Etching

View of the Campo Vaccino - G. B. Piranesi - 1772
By Giovanni Battista Piranesi
Located in Roma, IT
View of the Campo Vaccino is an original etching realized by the italian artist Giovanni Battista Piranesi in 1772. Very precoius and rare specimen. First lifetime edition. Complet...
Category

1770s Old Masters Figurative Prints

Materials

Etching

Astina Camp Plate 175
By Edward Sheriff Curtis
Located in Fredericksburg, VA
This is a plate 175 Astina Camp print by Edward Sheriff Curtis. This was one of the first professional photographers of the 20th century and he is internationally famous for his west...
Category

Early 20th Century Other Art Style Landscape Photography

Materials

Tissue Paper

"Perseus and Andromeda, " an Etching by Alexander Runciman
By Alexander Runciman
Located in Milwaukee, WI
"Perseus and Andromeda" is an original etching by Scottish artist Alexander Runciman, signed in the lower left area of the plate. It depicts Perseus on the left swinging his shield a...
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Giovanni Battista Piranesi for sale on 1stDibs

Piranesi was born in Venice in 1720 and died in Rome in 1778. He was the son of a stone mason and was trained as an architect. After a slow start he eventually achieved great success as an architect, archaeologist, artist, designer, collector, and antiquities dealer. His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include figures in mysterious activities, who are dwarfed by the magnitude of their monumental surroundings. Piranesi's style greatly influenced the neoclassical art movement of the late 18th century. His dramatic scenes inspired generations of set designers, as well as artists, architects and writers. His prints have continued to increase in value to institutions and collectors.

A Close Look at old-masters Art

Encompassing centuries of change in Europe between 1300 and 1800, from booms of prosperity to bloody revolutions, Old Masters describes a wide range of artists. The informal term was derived from the title of an artist who trained in a guild long enough to become a master, such as Leonardo da Vinci, who studied in a Florence painters’ guild. However, Old Masters paintings, prints and other art is now used to refer to work made by any artist with a high level of skill in painting, drawing, sculpture or printmaking who worked during this era.

The 15th century’s expansive trade and commerce spread culture across borders. A vibrant period of art emerged, bolstered by studies of anatomy and nature that influenced a new visual realism. From Raphael and Michelangelo in the Renaissance to Rembrandt van Rijn and Johannes Vermeer in the Dutch Golden Age, artists expressed emotion, naturalism, color and light in new ways. El Greco and Paolo Veronese were leaders in the dramatic style of Mannerism, while Caravaggio and Peter Paul Rubens demonstrated the movement and meticulous detail of Baroque art.

Historically, most attention was concentrated on male artists, but recent research and exhibitions have elevated the impactful work of women such as Rachel Ruysch and Artemisia Gentileschi. In late-18th-century France, female artists like Adélaïde Labille-Guiard and Élisabeth Vigée Le Brun were prominent names. Nevertheless, access to the academies and guilds was highly restricted for women, and even those able to establish practices were expected to adhere to portraits and still lifes rather than the grand history paintings being created by men.

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Finding the Right prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

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