Schumacher Chairs

Timeless crocus ball armchair, designed by Pierre Guariche for Meurop Belgium, in 1967. The chair is reupholsered in a soft wool bouclé fabric by Dedar...

Set of 8 Louis XVI style French chairs. Painted and patinated wood, upholstered in pale green damask, beautiful model.

This is a very good quality example of an English occasional side chair in the Rococo style, from the mid Victorian period, circa 1850, made from Beech. The back is a Classic balloon back shape, but with intricate cut-out and carved detail to the frame and particularly to the cross splat. This carved detail is continued on the front legs and front stretcher. The foot of the legs are splayed slightly outwards which adds to the features of this chair. Twin side stretchers give additional strength to this chair but overall this is a delicately made chair. It has a good wool-work covered seat with a rose spray design. Please note: This chair is not a strong dining room chair and is not recommended for regular use as a chair to sit on. The chair is light and would make a very pretty bedroom or hall side chair, to be used principally for display either on its own or with say teddy bears displayed on it, or for draping light...

Large and stately chair with some of the best quality carvings we ever seen. This large armchair from the 1800s is as strong and stable as the day it was handcrafted. The two things...

For FULL item description click on CONTINUE READING at the bottom of this page. Offering one of our recent Palm beach estate fine furniture acquisitions of a antique Louis XIV style French armchair hand carved Coloration: Cotton fabric is a light gray with blue diamonds and gold dot accents, best shown in photo 12. Approximate measurements in inches 46" high at back 27" wide 33" deep (back to front) 19" high at seat 22" deep x 22" wide inside seat 28.5" high at arms Condition Report Chair is in good, structurally sound, and sturdy condition with no notable damage to the wood frame. The fabric has no stains or smells but has some light soiling on the back top as shown and which we have not tried to clean. We photograph our pieces in photography lights...

French Louis XVI style dining side chair from Paris decorated with timeless classical styling and hand carved excellence on the entire framework, emphasizing typical neoclassical gil...

A matched set of 19th century Louis XVI style dining or side chairs with walnut furniture, nicely carved floral rosettes, and new cream and light green striped silk upholstery. A Cla...

Pelican chair designed by Finn Juhl in 1940, relaunched in 2001. Manufactured by House of Finn Juhl in Denmark. Pelican chair was probably the one furthest ahead of its time. When it was presented at the Copenhagen Cabinetmakers’ Guild Exhibition in 1940, it stood out with its unusual shape and sturdy legs. The characteristic soft and organic shape is almost like a body holding a body. When you sit down, the chair practically gives you a friendly hug. Like many of Finn Juhl’s later designs, the chair offers several comfortable ways to sit. As a tribute to the Pelican Chair House of Finn Juhl is launching it in natural sheepskin from Gotland. This upholstery gives the chair an individual and unique expression, as the warmth of the sheepskin pleasantly underlines the character of the sculptural chair. The new edition of the Pelican chair will be available from December 1st. Because the supply of sheepskin from Gotland is seasonal, the quantity for sale will be limited. Materials: Gotland Sheepskin...

An antique side chair in the Italian Provincial style, unbranded. Solid walnut, balloon back with a decoratively embellished crest rail, woven caned back & seat, decoratively embelli...

This hand-carved and blackened reclaimed oak chair, designed by Rooms Studio (from their 2018 Wild Minimalism collection), is inspired by the legacy of traditional Georgian craftsmanship. The Sculptural Chair is meticulously handcrafted of ancient wood, and features a diamond shape cut-out on the top rail, which is curved gently, cradling the back, with a round seat and circular cross stretcher. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, "Distant Symphony," expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

Exquisite pair or antique carved wood occasional arm chairs. Chairs feature incredible carved details making for lots of interest. The chairs are in excellent antique condition. ...

Beautiful line with an oval back that we call " Medaillon " Louis XVI Chairs, very elegant. They are in a very good condition, ready to be used around a Dining Table.