Josef Frank Furniture

New silk shade, designed by Josef Frank for Firma Svenskt Tenn, Sweden, 1930s-1940s. One still unrestored and another shade color on requst possible.

Brass with cotton shades. Stamped. Model 2468 is a delightful brass table lamp with three small shades in green, yellow, and red. The lamp has an elegant brass base with three stems that hold the shades at different heights. Because of its tricolour shades, it is known as the “traffic light lamp”. Designed by Josef Frank in the 1950s, this lamp has become a timeless Svenskt Tenn collectable. Read our article “Josef Frank – Modernism Undone” for further information about this pioneer of 20th-century Swedish design. H: 54 cm W: 42 cm Shade D: 15 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

Floor lamp model 1842 designed by Josef Frank for Svenskt Tenn, Sweden, 1932. Brass. Measures: H: 102.5 cm W: 36 cm Shade diameter: 24 cm Base diamete...

Josef Frank coffee table in walnut and black marble. Manufactured by Svenskt Tenn in 1950, Sweden.

Rare and important Coffe table model 1058 designed by Josef Frank and manufactured by Svenskt tenn. The table has a table top made in elm root and legs made of solid walnut with pr...

Occasional table model U 601 designed by Josef Frank for Svenskt Tenn, Sweden, 1960s -1970s. Mahogany, glass, and brass. The map is a replica of the world map drawn by the Venetian monk and cartographer, Fra Mauro, ca 1450. The original map can be found in Doge's Palace H: 49.5 cm D: 127 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

A wonderful pair of Danish Art Deco stools, upholstered in fine vintage fabric from Svenskt Tenn, model "Hawaii" from 2015. Designed in 1943 by Swedish Designer Josef Frank. An exclu...

This vintage midcentury Bentwood Prague Model 811 cafe dining chair was originally designed by Austrian architects Josef Hoffman & Josef Frank for Thonet in the 1920s. This chair was...

Designed by Josef Frank in 1939, this pair produced circa 1960s. New leather and new original Svenskt tenn lampshades.

A gold-black, vintage Mid-Century modern Swedish floor lamp made of hand crafted iron and polished brass, designed by Josef Frank and produced by Svenskt Tenn in good condition. Th...

Sculptural and elegant midcentury wall mirror by Josef Frank Austria or Sweden for Svenskt Tenn, circa 1940s-1950s which is made of patinated brass metal, a beautiful brass loop-wire-decoration, original mirror glass, solid wood at the back and its original golden cord. The mirror is 48 cm / 18.90 inches tall, 37 cm / 14.57 inches wide and 2 cm / 0.79 inches deep. It stays in very good original vintage condition with minor typical characteristic wear consistent with age and use. For further matching midcentury lamps...

Tallboy Cabinet by Josef Frank ( Model 955 ) in mahogany with a brass key and joinery. About Josef Frank: Josef Frank was one of early Vienna mo...

A brass and rattan wall light designed by Josef Frank and produced by Svenskt Tenn, Sweden, 1950s. Dimensions of Back Plate (inches) : 3.9 x 1.5 x 0.7 (Height x Width x Depth) ...

Wall Mirror by Josef Frank - 1950s The designer of this extraordinary object succeeded in combining functionality, design, style and aesthetics. Even today, this convex mirror is ...

Swedish Rug by Josef Frank (Flora) Decorated with Illustrations from the Book Svenskteam Size: 12'10" × 16'5" (391 × 500 cm) Swedish rug designed ...

A metal, brass and fabric table lamp designed by Josef Frank and produced by Svenskt Tenn, Sweden, 1940s. Socket takes standard E-26 medium base bulb. There is no maximum watta...

A brass and paper floor lamp designed by Josef Frank and produced by Svenskt Tenn, Sweden, 1940s. Socket takes standard E-26 medium base bulb. There is no maximum wattage state...

Table lamp model 2466 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass with fabric shade. Stamped. An understated and tim...

Large brass frame with nine arms in two tiers each fitted with E27 porcelain sockets each with silk shades. Designed by Josef Frank in the 1930s for J.T. Kalmar produced in the 1940s...

Table lamp model 2468 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass with cotton shades. Stamped. Model 2468 is a delightful brass table lamp with three small shades in green, yellow, and red. The lamp has an elegant brass base with three stems that hold the shades at different heights. Because of its tricolour shades, it is known as the “traffic light lamp”. Designed by Josef Frank in the 1950s, this lamp has become a timeless Svenskt Tenn collectable. H: 54 cm W: 42 cm Shade D: 15 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

A light-brown, vintage Mid-Century Modern Swedish pair of floor lamps with a new beige round shade, made of handcrafted polished Walnut, designed by Josef Frank and produced by Svens...

A pair of height adjustable floor lamps model 1842 designed by Josef Frank. Produced by Svenskt Tenn in Sweden. Height: 98.5-145 cm.

Exceptional set of five bentwood armchairs design attributed to Josef Frank, marked Made in Czechoslovakia. The chairs are constructed of steam bent wood, probably beech, and nylon, ...

Floor lamp ‘San Francisco’ model G2431 designed by Josef Frank for Svenskt Tenn, Sweden, 1938. Early model with leather clad stem and fabric shades. Stamped. Exhibition: Model sho...

Rare table mirror designed by Josef Frank. Produced by Svenskt Tenn in Sweden.

- Very representative - Rare type.

1920 Designed Josef Hoffmann chased brass lamp base, different finishes available. Hand sewn Lamp Shade with a Josef Frank fabric, different patterns available. Sample book of the Wi...

Stool model 927 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Mahogany and rattan. Measures: H: 43 cm W: 43 cm D: 28 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

Set of six dining chairs model 2027 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Mahogany, leather and brass. Josef Frank developed his characteristic style combining e...

Rare large vanity mirror in brass by Josef Frank for Svenskt Tenn. Features an adjustable mirror which has close to 90 degrees of movement. Elegant and refined details throughout. Mo...

A silver, vintage Mid-Century Modern Swedish " Vänskapsknuten " candle holder made of handcrafted silvered metal, designed by Josef Frank and produced by Svenskt Tenn in good conditi...

A gold, vintage Mid-Century Modern Swedish " Vänskapsknuten " candle holder made of handcrafted polished brass, designed by Josef Frank and produced by Svenskt Tenn in good condition...

Josef Frank, 'Table Mirror' mod. 2214. Brass, mirror glass, backplate in mahogany, Design dating from 1934. This model is manufactured by Svenskt Tenn in Stockholm, circa 1940.

Mid-Century original bentwood beech Prague Armchair model 811 designed in the 1920's by Austrian architect Josef Frank and Josef Hoffman for Thonet. The chair is stamped made in Pola...

Josef Frank, floor lamp, model 2564, Firma Svenskt Tenn. Mahogany feet. Brass with a white lacquered stem. Textile-covered screen. Height 150 cm.

A brass candelabra, designed by Josef Frank and produced by Svenskt Tenn, Sweden, c. 1940s.

It is a tray from the Art Deco period, in brass with geometric patterns. It is equipped with two candle holders. It was made in Sweden around the 1940s. It is gold in color. The manu...

A set of 4 birch model 811 chairs designed in the mid- to late-1920s. The chairs feature handwoven cane seats and backs which provide comfort and give lightness to the design. The No.811 is attributed to Austrian architects Josef Hoffman and Josef Frank. All chairs...

Dining table model 1197 designed by Josef Frank for Svenskt Tenn, Sweden, 1940s. Mahogany. This simple yet elegant dining table is an excellent example of how Josef Frank combined...

A gold, vintage Mid-Century Modern Swedish " Vänskapsknuten " candle holder made of handcrafted polished brass, designed by Josef Frank and produced by Svenskt Tenn in good condition...

Mirror in brass and leather, designed by Josef Frank for Firma Svenskt Tenn. Sweden, mid1900s.  

A vintage Mid-Century Modern Swedish floor lamp made of handcrafted polished brass, designed by Josef Frank and produced by Svenskt Tenn in good condition. The height of the Scandinavian light is adjustable, composed with a new white small round shade...

Josef Frank designed Vänskapsknuten (the Knot of Friendship) as a symbol of friendship and peace at a time when Europe was filled with turmoil. The very first sketch of the candelabr...

A brass and blue and white paper wall light designed and produced by Josef Frank, Sweden, 1950s. Sold with lampshade. Stated dimensions refer to the Sconce with the Shade. S...

A gold, vintage Mid-Century Modern Swedish dressing table lamp with a new white round shade made of hand crafted polished brass, designed by Jos...

Article: mirror Origin: Sweden Design: Josef Frank Producer: Svenskt Tenn Age: 1960s Description: This original vintage mirror was designed by Josef Frank and produced in the 1960s by Svenskt Tenn in Sweden. The mirror glass is surrounded by brass looped metal ring elements, in total the mirror has a diameter of 40cm and a depth of 4,5cm. The backside is in original white tone with the original little metal hanger...

A beautiful mirror with a nice oval brass frame and a decorative brass ring from the 1950s. Designed by Josef Frank for Svenskt Tenn, Sweden.

A brass, metal and white paper sconce designed by Josef Frank and produced by Svenskt Tenn, Sweden, 1940s. Dimensions variable, measured as illustrated in first image. Dimensio...

Table lamp model 1819 designed by Josef Frank. Produced by Svenskt Tenn in Sweden during the 1950-60s. Made from blown clear glass and brass. New linen lamp shade...

Josef Frank & SCANDINAVIAN MODERN A beautiful bench by Josef Frank, for Svenskt Tenn, Sweden, 1960s. The frame is made of mahogany, upholstered seat with brass nails. The feet are elegantly sculpted and the bench can also be used as a table, end of bed stool...

Table lamp model 2467/2 designed by Josef Frank for Firma Svenskt Tenn, Sweden, 1950s. Brass with fabric shade (the shade is most likely original...

Set of four dining chairs model 2027 designed by Josef Frank for Svenskt Tenn. Sweden, 1950s. Mahogany and leather. Together with Estrid Ericson and her furnishing company, Svenskt...

This beautiful sculptural loop wall mirror was designed in Sweden by Josef Frank for Svenskt Tenn in the 1950s. The bronzed frame with nice warm vintage patina. The original mirror...

This elegant floor lamp was designed by Alf Svensson and produced by Bergboms in Sweden in the 1960s. This three-legged design is numbered G34. The design is marked by the three legged base leading to the central tube, all in solid teak wood with a beautiful grain. A brass stem and the light fitting are mounted on top of the teak wood base. The cylinder shade is a custom design in a beautiful linen Svenskt Tenn fabric...

Rare freestanding bar cabinet designed by Josef Frank. Produced by Svenskt Tenn in Sweden.

Although electricity has relegated candleholders to decorative use, interior designers continue to favour candelabra for their cosy light and eye-catching appearance. Josef Frank modernized the classic...

Very rare set of 10 dining chairs model 695 designed by Josef Frank. Produced by Svenskt Tenn in Sweden.

Art Deco vintage coffee table or side table from walnut in brown color by Josef Frank 1930s Vienna. A stunning coffee table or side table by Josef Frank 1930s Vienna in beautiful wa...