Foam Seating

Anfibio sofa-bed by Alessandro Becchi for Giovannetti, 1972. Fully restored and upholstered with high-quality black Italian natural leather. Mattress upholstered with soft sheepski...

Scale of epic proportion, but configure this enormous piece as you wish. With 8 unique pieces, the possibilities are endless. (Take the backrest away, and you have a comfortable twin...

The Togo was designed by Michel Ducaroy in 1973 for Ligne Roset. It is the first sofa/chair ever made only of foam and leather. The Togo collection features an ergonomic design with ...

The Togo was designed by Michel Ducaroy in 1973 for Ligne Roset. It is the first chair ever made only of foam and leather. The innerwork consists of foam in 5 different densities. Th...

Togo Sofa by Michel Ducaroy for Ligne Roset. Togo was designed in 1973 five pieces set: three seater, two seater, one seater, corner and pouf. The sofa is upholstered with brown leat...

Togo sofa by Michel Ducaroy for Ligne Roset. 2 pieces set: 1seater and ottoman. Togo was designed in 1973. 2 pieces set: one seater and pouf. The sofa is upholstered in brown leathe...

The Togo was designed by Michel Ducaroy in 1973 for Ligne Roset. It is the first sofa/chair ever made only of foam and leather. The Togo collection features an ergonomic design with ...

With its monolithic structure and its perfect integration with the floor it is on, the Sosa sofa offers an image that is different from the usual form and appearance that includes yo...

An undeniably beautiful and coveted antique 19th Century Duncan Phyfe sofa upholstered in a feline Onyx Merramec Barrow fabric. One of the brilliant...

Anfibio sofa-bed by Alessandro Becchi for Giovannetti, 1972. Fully restored and upholstered with high-quality grey Italian natural leather. Mattress upholstered with soft sheepskin wool. The Anfibio sofa ranks among the most outstanding cult products of Italian design. It is innovative, original, and highly functional; it is a revolutionary sofa-bed, a symbol of high quality and sapient artisanry. It is possible to find it in the permanent collection of 13 museums worldwide, among which the MoMa in New York, since 1972. Alessandro Becchi designed the “Anfibio” sofa for the Italian manufacturer Giovannetti in 1970. It is characterized by generous dimensions and soft, embracing shapes that invite relaxation and comfort. It reminds a floating dinghy thanks to its lack of rigid mechanism. This feature inspired its name, which means amphibious. Furthermore, the sofa presents a rectangular steel structure and padding in non-deformable high-density polyurethane, covered with acrylic thermo-welded fibers and protective fabric. The Anfibio sofa by Giovannetti is available covered in leather or fabric and several colors. This artwork is the ideal convertible solution, the perfect combination of aesthetic research and innovative household living. Alessandro Becchi was born in Florence in 1946. He studied at ISIA in his hometown, and in the late 60s, he began his career as a designer. In 1970 he designed the revolutionary Anfibio sofa for Giovannetti. In 1972, thanks to the success of Anfibio, he was invited to the exhibition “Italy: the New Domestic Landscape” at the Museum of Modern Arts in New York. This date opens in close collaboration with Giovannetti. He designed a series of sofa-beds, such as Only You, Brando, Diletto, and the famous armchairs Le Bugie...

The Cloud collection was created around the concept of tress. Started in 2012 today it has a variety of pieces with different typologies . Neocloud Benches are made with neoprene fa...

A stunning pair of F551 'Big Tulip" lounge chairs by French designer Pierre Paulin for Dutch manufacturer Artifort This is the second series of F551 chair to be recognized by the ...

Vintage Set of 6 Mademoiselle dining or armchairs in the original black cotton upholstery and with transparent Lucite frames. Designed by Philippe Starck and made in Italy by Kartel...

This elegant 3-piece upholstered set would make a beautiful addition to any kitchen, game room, or breakfast nook. Crafted in the United States and constructed in straight, contempor...

Mid-Century Wingback Italian sofa. It consists of a solid handcrafted wood structure with a curved high back and ebonized conical leg. Reupholstered in ...

Pair of fully restored 'POD' chairs by French designer Pierre Paulin for Artifort The Netherlands This chair is a rare model to find and as a pair very unique The original chai...

Pair of rare 1960's organic curved lounge chairs by Airborne France fully restored with new foam and De Ploeg 'Monza' Boucle upholster...

Luxurious Mohair velvet upholstered Orchidée "lady & senior" lounge chairs by Michel Cadestin for Airborne International, France, 1968 “Orchidée” was one of the Cadestin models that were ordered by the Centre Pompidou Museum in Paris We fully restored these chairs with high quality 100% mohair wool velvet fabric "Musco" by De Ploeg In this process we preserved the old and original Airborne marked old upholstery from under the cushions and used it again The large model has 4 caster wheels to move the chair around in a space About the designer: Michel Cadestin was born in France in 1942. He is an interior designer and architect and through his work, he wishes to offer a functional and fun design accessible to the majority. A prolific designer, he has experienced with diverse forms and materials during his career. His creations are varied as evidenced by the furniture intended for the Center Georges Pompidou, such as the Karate armchair...

Camaleonda, Mario Bellini, vintage; modular camaleonda, newly reupholstered in bouclé wool; white; Postmodern; Lounge chair; Sofa; Seating element; Italian design classics; Postmod...

Kirk is a set of armchairs and sofas conceived as a game of building blocks, in which the container and the contents play an interlocking game based on minimal asymmetries, unexpecte...

5-6 week production time With its monolithic structure and its perfect integration with the floor it is on, the Sosa armchair offers an image that is different from the usual form an...

As seen in: Sight Unseen, Interior Design Magazine, Surface Magazine BLOC Cube Chair is part of a five-piece collection of sculptural upholstered and mixed-material furniture. BLOC ...

A hard to find original Ignazio Gardella R63 Armchair for Azucena in Olive Brown synthetic vinyl leather that was used at the times by many furniture designers. The chair maintains t...

A stunning vintage serpentine modular sofa designed by Carlo Bartoli as a part of the 'Bogo' luxurious furniture series produced by Rossi di Al...

Archipen Chair Designer: Kateryna Sokolova Materials: Ashwood, metal, foam, leather / textile Dimensions: H 79 cm, W 54 cm, D 62 cm seat H 47 cm The concept behind our latest creat...

Low Chair Hello Designer: Denys Sokolov Materials: wood, plywood, foam rubber, injection-molded soft foam, metal, textile Dimensions: Height: 73 cm Width: 78 cm Depth: 85 cm Seat height: 43 cm The HELLO chair...

A pair for square wicker stools or benches with seat cushions, circa late20th century. Dimensions: 17" x 17.25" x 16" Height (or 18" Height to top of cushion.)

Armchair by Michel Ducaroy for Ligne Roset in the 80s Model Brigantin Ochre/terracotta fabric

"Elevate furniture aesthetics to an artistic level" with this MW02 "Bronze Cannage". High-end designer armchair, custom-made in France. This MW02 "Bronze Cannage" combines vintage ...

2-seat sofa by Michel Ducaroy for Ligne Roset in the seventies Iconic Togo model all in foam covered by black leather from origin

Beautiful example in pristine condition, designed by Man Ray for Gavina's ultramobile exhibition.

Bollo Armchair by Andreas Engesvik for FOGIA Model shown on main images: Black steel legs + Leather: Vintage, Cognac Width: 81cm /32in Depth: 81cm /32in Height: 71cm /28in Seat Hei...

The Trama collection was created around the concept of tress. Started in 2014 today it has a variety of pieces with different typologies . Trama Lounge Chairs 22 made with fabric an...

This ligne roset togo 1 seater has been reupholstered with a new orange / rusty high quality velvet. Foam is still original and in good condition.

The "MW02" armchair by Olivier SANTINI is handmade in France, in a signed and numbered edition. This abstract chair elegantly combines transparent PMMA sides with HR40 foam cushions ...

Signed and numbered edition "MW X NEP" No. 1/10. Model identification number: MW052309. We all know that street art is a contemporary style that loves to surprise us. The creation t...

The MW04 "J'adore" chair (identification number MW042305) is limited to 20 pieces worldwide. It is the result of a collaboration between Olivier SANTINI, the designer of MOJOW...

Sophisticated, two-colored pouf with soft shapes and a clean idiom. The Dainty pouf can be used in any room of your home as extra seating or as a leg rest....

The Trama collection was created around the concept of tress. Started in 2014 today it has a variety of pieces with different typologies . Trama Lounge Chairs 22 made with leather a...

Low chair GROPIUS CS1 by Noom Model : Category Savoy FR - Turquoize H491 Designer: Kateryna Sokolova Dimensions: Height: 71 cm / 27,95 in Width: 75 cm /...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Counter chair Gropius CS1 Designer: Kateryna Sokolova Model in the main picture Wool, Calico 29. Dimensions: Height: 101 cm / 29,13 in Width: 57 cm / 22,44 in Depth: 57 cm ...

Iconic Alky lounge chair designed by Giancarlo Piretti in the sixties for Anonima Castelli, Italy. The shape of the chair is construct with foam printed direct on a metal frame with ...

Baby Chair 'Gropius CS1' by Noom Model in picture: Magic Velvet 2227 Designer: Kateryna Sokolova Dimensions: H 50 cm, W 40 cm, D 40 cm seat height 30 cm ...

The FAMED BENCH...harmoniously combines brass and fabric brining a refined elegance and comfort to your home. Length: 59.1'' / Depth: 17.7'' / Height: 18.5'' -Brass -Registered Design. BRASS USE...

Studio sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Setup 5 (1x small,1x medium,1x large, 1x corner, 2x ottoman, 2x ottoman classic, 3x armrest): L230-280cm & 220cm / P96...

Exceptional 20th century design lounge chair model F678, also known as the Spider Lounge Chair. This piece was designed by Pierre Paulin and manufactured...

Distinctive pair of mid 20th century design armchairs, model CM 194. This pair of chairs are early works designed by the visionary designer Pierre Paulin for Th...

Modularity taken to the limit. All the pieces in the Bandas collection can be interchanged. An ingenious system, designed by Patricia Urquiola, allows the collection to be adapted to...

New Stock ✅ Greaves and Thomas Davenport Sofa Three Seater Sofa Mid Century Vintage Retro MCM A very rare, stylish and incredibly comfortable Greaves and Thomas Davenport three sea...

This sofa was designed by Michel Ducaroy for Ligne Roset in the 1970s. He devoted 26 years of his life to heading the design department at Ligne Roset. It was in 1973 that the designer conceived his most iconic creation: the Togo sofa...

The Togo was designed by Michel Ducaroy in 1973 for Ligne Roset. It is the first sofa/chair ever made only of foam and leather. The collection features an ergonomic design with polye...

Togo sofa VELVET by Michel Ducaroy for Ligne Roset. Togo was designed in 1973. This set is made of 2 modules: 2 seater and ottoman the dimension of ottoman W87, D80, H34 The uphol...

New Stock ✅ Greaves and Thomas Pair of Green Lounge Chairs Mid Century Vintage Retro MCM A beautifully designed & crafted, fully restored pair of lounge chairs manufactured by the ...

This sofa was designed by Michel Ducaroy for Ligne Roset in the 70’s. He devoted 26 years of his life to the head of Ligne Roset’s design department. It was in 1973 that he designed ...

Transforming a piece of Mid-Century Modern furniture is like bringing history back to life, and we take this journey with passion and precision. With over 17 years of artisanal exper...

The Togo was designed by Michel Ducaroy in 1973. It is the first sofa/chair ever made only of foam and leather. The innerwork consists of foam in 5 different densities. Manufactured...

Step back in time and bring classic style to your dining room with our set of four 1960s Miller-style dining chairs. Each chair in this collection boasts a distinctively modern aesthetic, featuring a unique curved back seat design that not only adds a touch of mid-century charm but also provides exceptional comfort and support during your meals. The chairs have been updated with new black vinyl seat cushions, ensuring they blend seamlessly with contemporary home decor while offering a durable and easy-to-clean seating option. The pedestal legs of each chair provide a sturdy base, embodying the perfect balance between elegance and functionality. These sleek and stylish chairs are more than just a place to sit; they're a conversation starter, a nod to the iconic designs of the past, and a durable addition to your home. With a seat height of 20 inches and a depth of 18 inches, they are designed to accommodate a variety of body types, ensuring every guest enjoys the utmost comfort. Whether you're hosting a formal dinner party or enjoying a casual family meal, this set of modern dining chairs...