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Conceptual Figurative Drawings and Watercolors

CONCEPTUAL STYLE

In 1967, artist Sol LeWitt wrote that in “Conceptual art the idea or concept is the most important aspect of the work.” He was giving a name to an art movement that had emerged in the 1960s in which artists were less focused on their medium being something traditionally “artistic” and instead engaged in using any object, movement, form, action or place to express an idea.

LeWitt’s work was featured alongside an assemblage of notes, drawings and outlines by other artists in “Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art,” a groundbreaking show at New York City’s School of Visual Arts curated by Mel Bochner, another leading exponent of Conceptualism. Building on radical 20th-century statements, like Fountain (1917) by French artist Marcel Duchamp, Conceptual artists around Europe and North and South America were not interested in the commercial art scene and rather directly challenged its systems and values.

Stretching into the 1970s, this movement has also been called Post-Object art and Dematerialized art. Conceptual art reflected a larger era of social and political upheaval. Pieces associated with the style range from Roelof Louw’s Soul City (Pyramid of Oranges) (1967) — a work of installation art that sees fresh oranges stacked into a pyramid from which visitors are allowed to take one orange away — to On Kawara’s “Today” series, which saw the Japanese artist carefully painting a date in white acrylic on canvases consisting of a single color from 1966 to his death in 2014. Artists such as Ed Ruscha, who created the Twentysix Gasoline Stations book — a collection of photos of gas stations that is widely said to be the first modern artists’ book — made photography a major platform for Conceptual art, as did Bruce Nauman, who burned one of Ruscha's books and then photographed it for his own.

Conceptual art’s legacy of questioning artistic authorship, ownership and how to work with complex ideas of space and time had a significant influence on the decades of culture that followed, and it continues to inform art today.

The collection of Conceptual photography, paintings and sculptures on 1stDibs includes artworks by John Baldessari, Jenny Holzer, Lawrence Weiner, Joseph Kosuth and others.

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Style: Conceptual
Ken Aptekar Contemporary Conceptual Judaica Art Drawing Go Study Chasidic Rabbis
Located in Surfside, FL
Ken Aptekar American (b. 1950) Go Know (Study) 1996 Graphite, white pigment, transparency film, and staples on paper Hand signed lower right sheet: 18 x 18 inches frame dimensions:...
Category

Late 20th Century Conceptual Figurative Drawings and Watercolors

Materials

Paper, Film, Graphite, Pigment

"The Gardener" Drawing Christopher by Mark Brennan
Located in Pasadena, CA
With this black and white drawing, artist Christopher Mark Brennan plunges us into deep meditation on our relationship with nature, highlighting the challenges and contradictions of ...
Category

21st Century and Contemporary Conceptual Figurative Drawings and Watercolors

Materials

Gouache

Nova
Located in Toronto, Ontario
In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over 25 years, they made a significant contribution to po...
Category

1970s Conceptual Figurative Drawings and Watercolors

Materials

Graphite

Cecilia Arrospide - DESCANSANDO II, Drawing 2019
Located in Greenwich, CT
Engraving Intervened
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Engraving, Paper

Drawing 14, Series Drawing - Large Format, Charcoal On Paper Panting
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category

Early 2000s Conceptual Figurative Drawings and Watercolors

Materials

Charcoal, Paper

Tippie Comic Strip Original Art - Female Cartoonist
Located in Miami, FL
An early example from pioneering Female Cartoonist/ Illustrator Edwina Dumm, who draws a comic strip from her long-running cartoon series Tippie which lasted for almost five decades. Signed and dated Edwina, 9-25, matted but unframed. Frances Edwina Dumm (1893 – April 28, 1990) was a writer-artist who drew the comic strip Cap Stubbs and Tippie for nearly five decades; she is also notable as America's first full-time female editorial cartoonist. She used her middle name for the signature on her comic strip, signed simply Edwina. Biography One of the earliest female syndicated cartoonists, Dumm was born in Upper Sandusky, Ohio, and lived in Marion and Washington Courthouse, Ohio throughout her youth before the family settled down in Columbus.[1] Her mother was Anna Gilmore Dennis, and her father, Frank Edwin Dumm, was an actor-playwright turned newspaperman. Dumm's paternal grandfather, Robert D. Dumm, owned a newspaper in Upper Sandusky which Frank Dumm later inherited. Her brother, Robert Dennis Dumm, was a reporter for the Columbus Dispatch, and art editor for Cole Publishing Company's Farm & Fireside magazine. In 1911, she graduated from Central High School in Columbus, Ohio, and then took the Cleveland-based Landon School of Illustration and Cartooning correspondence course. Her name was later featured in Landon's advertisements. While enrolled in the correspondence course, she also took a business course and worked as a stenographer at the Columbus Board of Education. In 1915, Dumm was hired by the short-lived Republican newspaper, the Columbus Monitor, to be a full-time cartoonist.[2] Her first cartoon was published on August 7, 1915, in the debut issue of the paper. During her years at the Monitor she provided a variety of features including a comic strip called The Meanderings of Minnie about a young tomboy girl and her dog, Lillie Jane, and a full-page editorial cartoon feature, Spot-Light Sketches[3]. She drew editorial cartoons for the Monitor from its first edition (August 7, 1915) until the paper folded (July 1917). In the Monitor, her Spot-Light Sketches was a full-page feature of editorial cartoons, and some of these promoted women's issues. Elisabeth Israels Perry, in the introduction to Alice Sheppard's Cartooning for Suffrage (1994), wrote that artists such as Blanche Ames Ames, Lou Rogers and Edwina Dumm produced: ...a visual rhetoric that helped create a climate more favorable to change in America's gender relations... By the close of the suffrage campaign, women's art reflected the new values of feminism, broadened its targets, and attempted to restate the significance of the movement.[4] After the Monitor folded, Dumm moved to New York City, where she continued her art studies at the Art Students League. She was hired by the George Matthew Adams Service[5] to create Cap Stubbs and Tippie, a family strip following the lives of a boy Cap, his dog Tippie, their family, and neighbors. Cap's grandmother, Sara Bailey, is prominently featured, and may have been based on Dumm's own grandmother, Sarah Jane Henderson, who lived with their family. The strip was strongly influenced by Mark Twain’s Adventures of Huckleberry Finn, as well as Dumm’s favorite comic, Buster Brown by Richard F. Outcault. Dumm worked very fast; according to comics historian Martin Sheridan, she could pencil a daily strip in an hour.[6] Her love of dogs is evident in her strips as well as her illustrations for books and magazines, such as Sinbad, her weekly dog page which ran in both Life and the London Tatler. She illustrated Alexander Woollcott's Two Gentlemen and a Lady. For Sonnets from the Pekinese and Other Doggerel (Macmillan, 1936) by Burges Johnson (1877–1963), she illustrated "Losted" and other poems. From the 1931 through the 1960s, she drew another dog for the newspaper feature Alec the Great, in which she illustrated verses written by her brother, Robert Dennis Dumm. Their collaboration was published as a book in 1946. In the late 1940s, she drew the covers for sheet music by her friend and neighbor, Helen Thomas, who did both music and lyrics. During the 1940s, she also contributed Tippie features to various comic books including All-American Comics and Dell Comics. In 1950, Dumm, Hilda Terry, and Barbara Shermund...
Category

1920s Conceptual Figurative Drawings and Watercolors

Materials

Ink, Color Pencil, Graphite

Drawing 13, Series Drawing - Large Format, Charcoal On Paper Panting
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. ...
Category

Early 2000s Conceptual Figurative Drawings and Watercolors

Materials

Charcoal, Paper

OPPORTUNITIES
Located in Madrid, ES
The series They fly are twelve works, six in Spanish and six in English. In it, six concepts are represented in both languages: time, opportunities, children, imagination, news and money. All of them related to sayings, proverbs and popular expressions that make them fly. Time flies. Opportunities fly. Children fly. Imagination flies. The news flies. Money flies. The series They fly represent these concepts literally by flocks of starlings. For each concept a textual work is created (a visual poetry, a concrete...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Canvas

TIEMPO
Located in Madrid, ES
The series They fly are twelve works, six in Spanish and six in English. In it, six concepts are represented in both languages: time, opportunities, children, imagination, news and money. All of them related to sayings, proverbs and popular expressions that make them fly. Time flies. Opportunities fly. Children fly. Imagination flies. The news flies. Money flies. The series They fly represent these concepts literally by flocks of starlings. For each concept a textual work is created (a visual poetry, a concrete...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Canvas

TIME
Located in Madrid, ES
The series They fly are twelve works, six in Spanish and six in English. In it, six concepts are represented in both languages: time, opportunities, children, imagination, news and money. All of them related to sayings, proverbs and popular expressions that make them fly. Time flies. Opportunities fly. Children fly. Imagination flies. The news flies. Money flies. The series They fly represent these concepts literally by flocks of starlings. For each concept a textual work is created (a visual poetry, a concrete...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Canvas

NEWS
Located in Madrid, ES
The series They fly are twelve works, six in Spanish and six in English. In it, six concepts are represented in both languages: time, opportunities, children, imagination, news and money. All of them related to sayings, proverbs and popular expressions that make them fly. Time flies. Opportunities fly. Children fly. Imagination flies. The news flies. Money flies. The series They fly represent these concepts literally by flocks of starlings. For each concept a textual work is created (a visual poetry, a concrete...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Canvas

CHILDREN
Located in Madrid, ES
The series They fly are twelve works, six in Spanish and six in English. In it, six concepts are represented in both languages: time, opportunities, children, imagination, news and money. All of them related to sayings, proverbs and popular expressions that make them fly. Time flies. Opportunities fly. Children fly. Imagination flies. The news flies. Money flies. The series They fly represent these concepts literally by flocks of starlings. For each concept a textual work is created (a visual poetry, a concrete...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Canvas

HIJOS
Located in Madrid, ES
The series They fly are twelve works, six in Spanish and six in English. In it, six concepts are represented in both languages: time, opportunities, children, imagination, news and money. All of them related to sayings, proverbs and popular expressions that make them fly. Time flies. Opportunities fly. Children fly. Imagination flies. The news flies. Money flies. The series They fly represent these concepts literally by flocks of starlings. For each concept a textual work is created (a visual poetry, a concrete...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Canvas

NOTICIAS
Located in Madrid, ES
The series They fly are twelve works, six in Spanish and six in English. In it, six concepts are represented in both languages: time, opportunities, children, imagination, news and money. All of them related to sayings, proverbs and popular expressions that make them fly. Time flies. Opportunities fly. Children fly. Imagination flies. The news flies. Money flies. The series They fly represent these concepts literally by flocks of starlings. For each concept a textual work is created (a visual poetry, a concrete...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Canvas

OPORTUNIDADES
Located in Madrid, ES
The series They fly are twelve works, six in Spanish and six in English. In it, six concepts are represented in both languages: time, opportunities, children, imagination, news and money. All of them related to sayings, proverbs and popular expressions that make them fly. Time flies. Opportunities fly. Children fly. Imagination flies. The news flies. Money flies. The series They fly represent these concepts literally by flocks of starlings. For each concept a textual work is created (a visual poetry, a concrete...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Canvas

IMAGINACIÓN
Located in Madrid, ES
The series They fly are twelve works, six in Spanish and six in English. In it, six concepts are represented in both languages: time, opportunities, children, imagination, news and m...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Canvas

Wish Not to Be Disturbed for the Duration of Winter - Playboy Cartoon
Located in Miami, FL
Gahan Wilson was the Master of the macabre, and most of his work is associated with Charles Addams. The beauty of a Gahan Wilson is that is a payoff pu...
Category

1960s Conceptual Figurative Drawings and Watercolors

Materials

Ink, Gouache, Color Pencil

Untitled
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
Category

1980s Conceptual Figurative Drawings and Watercolors

Materials

Lithograph

Untitled
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Wax Crayon

Caricature. "A bon chat bon rat" lithograph on paper, 30x22 cm
Located in Riga, LV
Honore-Victor Daumier (1808–1879) - Caricature. "A bon chat bon rat" lithograph on paper, 30x22 cm
Category

1840s Conceptual Figurative Drawings and Watercolors

Materials

Paper, Lithograph

Human Target 2, Mixed Media Painting by Anatol Pacanowski
Located in Long Island City, NY
Human Target 2 Anatol Pacanowski, (1945) Date: 1981 Acrylic, Airbrush and Collaged Media on Canvas, Signed and Dated right Size: 50 x 40 in. (127 x 101.6...
Category

1980s Conceptual Figurative Drawings and Watercolors

Materials

Canvas, Paper, Acrylic

Human Target 1, Acrylic Paint and Paper on Canvas by Anatol Pacanowski
Located in Long Island City, NY
Human Target 1 Anatol Pacanowski, (1945) Date: 1981 Acrylic, Airbrush and Collaged Media on Canvas, Signed and Dated right Size: 51 in. x 41 in. (129.54 ...
Category

1980s Conceptual Figurative Drawings and Watercolors

Materials

Paper, Acrylic, Canvas

Conceptual Text Based Painting "Lousy Director"
Located in New York, NY
38"x28" signed by the artist, David Kramer. (oil, acrylic, enamel, pencil on gessoed paper) In this conceptual work on paper, the imagery of a film director is overwritten with the ...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Oil, Paper, Pencil

Conceptual Text Based Painting "Paved with Gold" (tax the poor, feed the rich)
Located in New York, NY
38"x28" signed by the artist, David Kramer. (oil, acrylic, enamel, pencil on gessoed paper) In this conceptual work on paper, the title: "Paved with Gold" counters the text which ov...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Oil, Paper, Pencil

"Backstage Rant" Conceptual Text Based Painting
Located in New York, NY
This large scale conceptual text based painting by New York artist, David Kramer, features, in bold type the phase: "... I AM STILL WAITING FOR MY...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Oil, Canvas

Portrait of Herb Tauss, Charcoal Drawing on Archival Paper by Byron Goto
By Byron Goto
Located in Long Island City, NY
Artist: Byron Goto Title: Portrait of Herb Tauss Year: circa 1975 Medium: Charcoal on Paper, signed Paper Size: 62 x 42 in. (157.48 x 106.68 cm) Frame Size:...
Category

1970s Conceptual Figurative Drawings and Watercolors

Materials

Archival Paper, Charcoal

De la serie aglomeraciones _05
Located in Mexico City, CDMX
#draw #scketch #pencil #frame #box Por un lado está el diario de lo que ha estado sucediendo durante los últimos meses alrededor del mundo. De pequeño formato, los dibujos muestran e...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Paper, Pencil, Carbon Pencil

De la serie aglomeraciones _04
Located in Mexico City, CDMX
#draw #scketch #pencil #frame #box Por un lado está el diario de lo que ha estado sucediendo durante los últimos meses alrededor del mundo. De pequeño formato, los dibujos muestran e...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Paper, Pencil, Carbon Pencil

De la serie aglomeraciones
Located in Mexico City, CDMX
#draw #scketch #pencil #frame #box Por un lado está el diario de lo que ha estado sucediendo durante los últimos meses alrededor del mundo. De pequeño formato, los dibujos muestran e...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Paper, Pencil, Carbon Pencil

De la serie aglomeraciones _03
Located in Mexico City, CDMX
#draw #scketch #pencil #frame #box Por un lado está el diario de lo que ha estado sucediendo durante los últimos meses alrededor del mundo. De pequeño formato, los dibujos muestran e...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Paper, Pencil, Carbon Pencil

De la serie aglomeraciones _02
Located in Mexico City, CDMX
#draw #scketch #pencil #frame #box Por un lado está el diario de lo que ha estado sucediendo durante los últimos meses alrededor del mundo. De pequeño formato, los dibujos muestran e...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Paper, Pencil, Carbon Pencil

Relocation Lasso
Located in New York, NY
Designated Problem Area Relocation Lasso (Plot Plan No. 170520 ) framed, with signature on reverse This ink and watercolor, work on paper is from Patricia Smith's newly released ser...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Archival Paper, Watercolor, Archival Ink

"Hard Shell Confinement Structure"
Located in New York, NY
Potentially Materialized Hard Shell Confinement Structure (Plot Plan No. 10618) framed, pen and ink with watercolor, signed on reverse by the artist. Beautifully rendered in ink an...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Archival Ink, Watercolor, Archival Paper

Leftist Hemisphere Disintegration Study Gerrymandered Version
Located in New York, NY
Ink and watercolor on paper, signed on reverse. Presented floated in a finely crafted hardwood frame. Titled as: "Plot Plan No. 178521 Leftist Hemisphere Disintegration Study Gerry...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Archival Paper, Watercolor, Archival Ink

Rigged Opulence Compartment
Located in New York, NY
"Rigged Opulence Compartment With Temporal Resonance Modules" framed, with signature on reverse This ink and watercolor, work on paper is from Patricia Smith's newly released series...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Archival Paper, Archival Ink, Watercolor

Plot Plan No. 170519
Located in New York, NY
Plot Plan No. 170519 Full-Dress Protectionist Pad With Knotted Entrance Strategy This ink and watercolor, work on paper is from Patricia Smith's newly released series: "Shelter in P...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Archival Paper, Archival Ink, Watercolor

Plot Plan No. 170518
Located in New York, NY
Plot Plan No. 170518 Self-Generating Polarization Structure With Pronounced Left Hemisphere Compartmentalization This ink and watercolor, work on paper is from Patricia Smith's newl...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Archival Paper, Watercolor, Archival Ink

Plot Plan No. 13821
Located in New York, NY
Plot Plan No. 13821 For Proposed Positive Aspect Containment Strategy, watercolor and ink on paper, signed on reverse by the artist and presentd framed in a high quality shadowbox fr...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Archival Paper, Watercolor, Archival Ink

"Dual Chamber Confinement Study" watercolor ink, text based conceptual painting
Located in New York, NY
Titled: For All Intents and Purposes Dual Chamber Confinement Study Plot Plan No. 10615, presenting framed in a natural wood shadowbox frame. This is a finely rendered pen and ink ...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Ink, Watercolor, Archival Paper

Behind, Ink and Watercolor on Paper by Thaddeus Strode
By Thaddeus Strode
Located in Long Island City, NY
An ink and watercolor work by Thaddeus Strode. A conceptual piece of a shadowed figure and ghost with caption "Behind the Sufferer is a Ghost". Artist: Thaddeus Strode Title: Beh...
Category

20th Century Conceptual Figurative Drawings and Watercolors

Materials

Watercolor, Ink

RIC: Random Internet Cat #9
Located in New York, NY
Random Internet Cats 
Robotically-fabricated drawings on paper, these series formally deal with mediation from screen image to ‘drawing’ while using a computer-controlled pen plotte...
Category

21st Century and Contemporary Conceptual Figurative Drawings and Watercolors

Materials

Archival Paper, Archival Ink

RIC: Random Internet Cat #7
Located in New York, NY
Random Internet Cats 
Robotically-fabricated drawings on paper, these series formally deal with mediation from screen image to ‘drawing’ while using a computer-controlled pen plotte...
Category

21st Century and Contemporary Conceptual Figurative Drawings and Watercolors

RIC: Random Internet Cat #3
Located in New York, NY
Random Internet Cats 
Robotically-fabricated drawings on paper, these series formally deal with mediation from screen image to ‘drawing’ while using a computer-controlled pen plotte...
Category

21st Century and Contemporary Conceptual Figurative Drawings and Watercolors

Conceptual figurative drawings and watercolors for sale on 1stDibs.

Find a wide variety of authentic Conceptual figurative drawings and watercolors available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add figurative drawings and watercolors created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Patricia Smith, David Kramer, Patrick Lichty, and Anastasia Kurakina company. Frequently made by artists working with Paper, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Conceptual figurative drawings and watercolors, so small editions measuring 6 inches across are also available. Prices for figurative drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $175 and tops out at $16,000, while the average work sells for $1,760.

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