Portrait Drawings and Watercolors

L'Alchimista (The Alchimist, Portrait of Giorgio Morandi)  is a drawing on paper, realized around the Sixties by the great Italian artist and journalist,  Mino Maccari  (Siena, 1898 ...

Medieval Concert is an ink and watercolour drawing on llaid and ivory-colored paper, realized around the Sixties by the great Italian artist and journalist, Mino Maccari (Siena, 1898...

Portrait of Carlo Forte is a drawing on paper, realized in the Mid-20th Century by the great Italian artist and journalist,  Mino Maccari  (Siena, 1898 - 1989). Charcoal and pencil ...

A charming portrait depicting the bust of a soldier. Drawn in 1941, the picture was drawn at the height of World War II. Signed and dated. Presented in a gilt frame with stick and ri...

The murder of John Lennon. The birth of my children. Nixon’s resignation. Brain surgery. Driven by the desire to express myself, and leave a physical record of my life and times, I’v...

A well rendered watercolour portrait of a woman in red with dark black hair and gentle blue eyes, staring directly at the viewer. The painting has been presented in a thin black fram...

A delightful three-quarter length portrait depicting a girl in winter attire. She wear a flamboyant pink scarf tied in a bow which compliments her greek cloaked coat and hand muffs. ...

Two Sketched Portraits  is a drawing on paper, realized around the Sixties by the great Italian artist and journalist,  Mino Maccari  (Siena, 1898 - 1989).  China ink (fountain pen)...

Portrait of Carlo Forte is a drawing on paper, realized in the Mid-20th Century by the great Italian artist and journalist,  Mino Maccari  (Siena, 1898 - 1989). Charcoal and pencil ...

Self portrait is a beautiful pen drawing on paper, realized in 1993 by the French artist  Pierre Lagénie (1938-2020). Hand-signed and dedicated on the lower right margin. The work ...

Edwin, 2013 by Celso Castro Crayon, pencil on paper Image size: 39.2 H in. x 28 in. W Unframed ____________ Undefined by medium, Celso Castro’s works each carry the presence of the...

A fine watercolour study of Hon Robert Ward who fought in the The Peninsular War in the early 19th century. The artist captures ward in his red military coat worn by infantry service...

Rudolf SCHLICHTER (1890-1955) Seated man ; head studies India ink on paper Signed "R. Schlichter" at the bottom right 59 x 46 cm Missing at the top l...

This set of drawings included Two Studies of Cezanne's paintings in National Gallery and The Courtauld Gallery , London where Shizico Yi learned her craft in drawings from old master...

A charming watercolour study depicting a mother seated in an armchair with her daughter to her side. The portrait is a wonderful example of the differing fashions between the generat...

Victor François Éloi BIENNOURRY (1823-1893) Study of Christ, hands crossed Three pencils on blue paper Signed "V. Biennourry" and located in "Paris" at the top right 10 x 8,5 inch Fr...

Unknown School. Second half of the mid-20th Century. Charcoal, Oil Paint & Spray Paint on Plywood Panel. Signed Indistinctly. Image size 26.8 inches x 21.7 inches ( 68cm x 55cm ). ...

Pen and brownish black ink on grayish-cream laid paper, 6 1/2 x 8 inches (165 x 175 mm), irregular hexagonal sheet with margins. Some archival repairs along the top sheet edge, scatt...

Arch Architecture is a drawing realized by Alberto Ziveri in 1928. Pencil on paper. Hand-signed. In good conditions.

A powerful depiction of a regal, queenly woman wearing a gold crown and ornate blue/gray dress. Signed, dated and titled on verso. Francine Fox works in many mediums including oil paint, watercolor, gouache, graphite and ink to produce striking and unsettling works of great beauty and psychological complexity. Fox incorporates art historical references, organically composed diagrams and personal and cultural vocabularies into her work. "I strive to produce work that is at once both striking and unsettling and intend the compilation of my formal and conceptual elements to parallel and reveal the intricacies of gray areas between seemingly dissonant traits. The gray areas I depict most frequently can be classified as the shared liminal compartments in Venn Diagrams, the middle sections along continuums or circumstances when the correct answer is both yes and no. While it is easier to think and understand in terms of binaries, these types of thought processes tend to oversimplify. The murky places in between are often harder to comprehend, and yet they are also more relatable and interesting because of their complex, confusing, and sometimes unresolved nature. My goal is not to clarify gray areas; rather, I hope to lure viewers into contemplation of the causes of the wonder and discomfort surrounding liminals. My work frequently returns to the gray areas between the themes of physical and metaphysical, evidence and faith, chaos and order, and identity philosophies rooted in either individualism or collectivism. My paintings and drawings create records of the perceived significance and beauty of these transitional spaces through the mediums of graphite, charcoal, watercolor, gouache, oil paint and digital painting. Within my body of work, the imagery includes figures, gently anthropomorphized animals, traditional and contemporary semiotics, and depictions of invisible forces through modified and invented charting symbols. My influences range from Walton Ford, Martin Wittfooth...

Church Bell is a drawing realized by Alberto Ziveri in the 1930s. Watercolor on paper. Hand-signed. In good conditions.

Charcoal on paper, signed and dated '1888' bottom right Image size: 9 x 7 1/2 inches (22.75 x 19 cm) Period frame The half-length portrait depicts the subject sat, wearing a white s...

Ana Adelaida, 2013 by Celso Castro Crayon, watercolor on paper Image size: 39.2 H in. x 28 in. W Unframed ____________ Undefined by medium, Celso Castro’s works each carry the pres...

Jean La Forgue (French 1901-1975) signed watercolour on paper, unframed painting: 8.5 x 10.5 inches provenance: the artists estate, France condition: very good and sound condition; ...

Set of x 9 figures original watercolour painting on artist paper signed by Marjorie Schiele (1913-2008) *see notes below piece of paper is 14 x 10 inches In good condition provenance...

Camilo, 2014 by Celso Castro Pencil, Crayon on paper Image size: 39.2 H in. x 28 in. W Unframed ____________ Undefined by medium, Celso Castro’s works each carry the presence of th...

Portrait of a Woman is an Artwork  realized by  the Artist Roland Cruypelants (1882-1947). Drawing pencil on paper, Hand-signed by the artist on the lower right corner. The artwork...

Portrait of Men is an Artwork  realized by  the French Artist Gaston Charles Vuillier. Drawing-ink on paper.  The artist wants to define a well-balanced composition, through precis...

The Portrait is a painting realized by Alberto Ziveri in 1936. Oil on cardboard Hand-signed and dated In good conditions.

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. In recent years there has been new scholarship and increasing commercial interest in Andy Warhol's early works, material created prior to Pop Art. During the 1950's Warhol established himself in New York City as a trendy illustrator contributing to a wide number of fashion publications and retailers. His simple line drawings were modern and gentle, with a subtle but unmistakably gay touch. In a short period of time, he created an aesthetic that was both versatile and distinctively his. Like the consummate artist that he was, Warhol was frequently drawing. The images he created during this era, independent from his fashion commissions, were romantic, hopeful, and unabashedly gay. It is worth emphasizing that Warhol was almost exclusively dedicated to drawing during this period, only creating a handful of paintings - which were intended to be used for window displays. Taschen, the legendary art book publisher, recently released the book Andy Warhol: Love, Sex, and Desire 1950-1962 which celebrates his drawings of the male form from the pre-Pop era. This portrait is a paradigm of Warhol's mastery of line and visionary framing. A man's profile commands the composition as he gazes forward with his hand raised towards his mouth, holding a delicate flower. With the lightest touch, Warhol masterly portrays this male ideal with the details of his chiseled jawline, softened gaze, and timeless elegance. Warhol drawings from the 1950s are marked by a gentle whimsy that embodies Warhol's vivid imagination. With fanciful details such as exaggerated lips and eyebrows, "Young Man with Flower...

"Roland Kirk" - Figurative Ink and Watercolor of a Jazz Musician on Paper Colorful watercolor of Rahsaan Roland Kirk by Santa Cruz artist Brian Rounds (b. 1968). Set against a color...

Sketch is an artwork realized by Serge Fotisnky (1887-1971) , in the Mid-20th Century.  Drawing in Charcoal. Stam-signed Good conditions except some yellowing due by time.

Rudolf Schlichter (1890-1955) Man Pencil on paper Signed "R. Schlichter" on the lower right Study of a man leaning forward on the back 59 x 44 cm Sma...

15M RINGERS, 2023 by Rodrigo Spinel Chinese ink on Fabriano paper 250 g. Frame size: 43 cm H x 43 cm W x 3 cm D Image size: 30 cm H x 30 cm W Unique Ivory Wood Brown Frame As a r...

The murder of John Lennon. The birth of my children. Nixon’s resignation. Brain surgery. Driven by the desire to express myself, and leave a physical record of my life and times, I’v...

Profiles is a drawing realized by Alberto Ziveri in the 1930s. Pencil on paper. Hand-signed. In good conditions with some foxing.

Painter is a drawing realized by Alberto Ziveri in 1938. Ink and watercolor on paper. Hand-signed. In good condition.

19th century Italian school drawing. Academic study of the figure of the young naked man. Drawing made from two sides of the sheet of paper On the other side two feet and an arm are ...

Melchior DOZE (1827-1913) Study of a saint, ca. 1875-79 Preparatory drawing for the decoration of the church of Saint-Félix de Saint-Gervasy (Gard), chapel of the Cross (south side...

French Romantic school, circa 1840 Portrait of a young man, charcoal on paper 22.5 x 17 cm In good condition, however, there is a restoration of the paper in the upper right-hand qu...

Young child crying. Black chalk drawing, early 20th century. Monogram K lower left. Paper wear, especially at the bottom. Drawing (at sight): 28 x 19 cm Passepartout: 42 x 31 cm

Untitled  is a drawing, realized in  1952,  by the Artist Cristian Uboldi.  Black and white mixed media on paper. Hand Signed and dated on the right corner. The artist wants to def...

'Chez Maxim's', pastel and gouache on fine art paper, by André Meurice (circa 1950s - 60s). The artist depicts the glamorous clientele at the entryway to...

Landscape Study is a  drawing, realized in early 20th Century, by the French Artist André Meaux Saint-Marc (1885-1941). Charcoal  on paper. Hand Signed on back.

Figures  is an artwork realized by  Maurice Rouzée  in the Mid-20th Century. Pen Drawing.  The artwork is in good conditions . The artwork is depicted skillfully through confident...

14x11.5 image size , 22.5x17.5 backing size The New-York born artist William Gropper was a painter and cartoonist who, with caricature style, focused on social concerns, and was ac...

115 years after they were created, one can view these silhouettes differently than the artist’s intent. After all, the genesis of this work was an editorial illustration for Life Magazine to showcase elaborate women’s hats. They were done for a commercial assignment with a deadline, and picky editors were overseeing the final work. Today, they have a dual meaning. These charming silhouettes are abstractions as much as they are representations. Moreover, each one is a compact little gem stuffed with observational detail. Golden Age female illustrator Jesse Gillespie's mastery of technical skill, is apparent in minute details and composition. Young women, old women, pendants, necklaces, feathers, and laced vails all contribute to the works understated complexity. The identity of the subjects are revealed by small areas of exposed neck and chin. As the viewers eyes goes from left to right - all six silhouettes read as fashion hieroglyphs in a sentence with a visual rhythm and cadence. . Initialed JG lower right., Matted but not framed. Published: Life Magazine, March 17th, 1910. Provenance: Honey and Wax Bookstore ________________________________ From Wikipedia, the free encyclopedia Jessie Gillespie Willing (March 28, 1888 – August 1, 1972) was an American illustrator during the Golden Age of illustration. She was considered the foremost silhouette illustrator of her time, although she did traditional illustration as well. Willing illustrated for books and magazines including Life, The Ladies' Home Journal, Woman's Home Companion, Mother and Child, McClure's Magazine, Childhood Education, the Sunday Magazine, Association Men (the magazine of the YMCA), Farm and Fireside, Every Week, Children: The Magazine for Parents (which became Parents Magazine), and the American Magazine. She is perhaps most well known for her work for the Girl Scouts. Early life Willing was born in Brooklyn on March 28, 1888 to John Thomson Willing (August 4, 1860 – July 8, 1947)[1][2] and Charlotte Elizabeth Van Der Veer Willing (December 1, 1859 – March 4, 1930).[3] Thomson Willing was a noted illustrator and art editor. He was also well known for finding new artistic talent. Jessie Willing was the eldest of three children. Her brother Van Der Veer (November 30, 1889 – January 14, 1919), who died of pneumonia at the age of 29, was an advertising agent.[4] Her sister Elizabeth Hunnewell Willing (July 26, 1908 – August 15, 1991) was one of the first women to graduate from the Philadelphia Divinity School.[5][6] Elizabeth married the Rev. Orrin Judd, rector of St. Mary's Episcopal Church, on September 22, 1931, and was active in church work.[citation needed] The Willing family moved to the Germantown neighborhood of Philadelphia in 1901 or 1902. Jessie Willing attended the Stevens School, from which she graduated in 1905. She then went on to attend the Philadelphia Academy of Fine Arts from 1906 to 1907.[7][8] Career Willing used her middle name Gillespie as her professional surname. She also often signed her illustrations J.G.[9] The story goes that the art editor of Life magazine was in Thomson Willing's office when he was the art editor of the Associated Sunday Magazine syndicate. Thomson Willing had some of Jessie's artwork on his desk, which the Life editor saw and admired. He asked for the artist's information so that he could give her freelance work. Thomson Willing did not want to be accused of nepotism so he persuaded Jessie to use Jessie Gillespie as her professional name, which she did.[10][11] In addition to her extensive illustration work, Willing was also the editor of Heirlooms and Masterpieces from 1922 to 1931 and the art editor of Jewelers' Circular-Keystone from 1933 to 1939.[12] She specialized in jewelry publicity and advertising. In 1966 she won the Gold medal of the Printing Week Graphic Arts Exhibit in Philadelphia for her Christmas catalog for J.E. Caldwell Co., Philadelphia. Willing was a member of the Plastic Club of Philadelphia,[13] the American Institute of Graphic Arts (AIGA) and the National Arts Club of New York.[14] She was an honorary life member of the National Arts Club[15] and served on its Board of Governors from 1941-1970. In 1963, she received the Gold Medal of the National Arts Club in recognition of 32 years of selfless devotion.[15] Additionally, she was the national director of the American Institute of Graphic Arts (AIGA) from 1943 to 1946.[15] Previous to this she served as the Program Chairman of the AIGA and in that position she put together a travelling exhibit on the "history of narrative art from the first recorded picture story to the comic book of the twentieth century."[16][17] Illustrations in books With Tongue and Pen--Frederick Bair, et al. (MacMillan, 1940) Masoud the Bedouin--Alfred Post Carhart (Missionary Education Movement, 1915) The Path of the Gopatis--Zilpha Carruthers (National Dairy Council, 1926) The Schoolmaster and His Son: A Narrative of the Thirty Years War--Karl Heinrich Caspari (Lutheran Publication Society, 1917) On a Rainy Day--Dorothy Canfield Fisher and Sarah Scott Fisher (A.S. Barnes and Co., 1938) Book of Games for Home, School and Playground--William B. Forbush and Harry R Allen...

Red Tulip is an artwork realized by Ferdinando Codognotto in 2023.  Black and color marker on paper. Hand-signed in the lower right margin and dated Good conditions.

Oriental woman. 19th century watercolor. Signature to be identified. Framed and under glass. Watercolor (at sight): 20.5 x 10 cm Frame: 33.5 x 23 cm

Villeneuve cloister in Avignon is a watercolor on paper, realized by Leon Boulier, 1941.  26 x 35 cm. Titled lower  left side. Hand signed on the back. Good conditions

Horses is a drawing realized by Alberto Ziveri in the 1926. Ink, pencil and watercolor on paper. Hand-signed and dated. In good conditions.

Cityscape is a drawing realized by Alberto Ziveri in the 1930s. Ink and watercolor on paper. Hand-signed. In good conditions.

Portrait of a Child is an Artwork  realized by  the French Artist  Gaston Charles Vuillier. Gouache on paper. 

The work represents a carefully rendered and meticulously observed environmental portrait of a young girl absorbed in study in front of a book case. It celebrates the intelligence o...

Green Tree is a drawing realized by Alberto Ziveri in 1935. Tempera on paper. Hand-signed. In good conditions.

Figures is a drawing realized by Alberto Ziveri in the 1930s. Ink and watercolor on paper. Hand-signed. In good conditions.

The Roman Roots is a drawing artwork realized by Yus in the 1990s. Waterclor and ink drawing on paper. Hand-signed on the lower right. The state of preservation is good. Th artwo...

Red Roses is an artwork realized by Ferdinando Codognotto in 2023.  Black and color marker on paper. Hand-signed in the lower right margin and dated Good conditions.