Christopher Mark Brennan

Black and White Drawing of a Clown by Christopher Mark Brennan

2019

"Paddling Woman" is a minimalist watercolor that captures the essence of the human experience. Through the delicate strokes of a brush dipped in watercolor, the artist has conveyed the inner turmoil of the main subject, which may be remembering or dreaming of past or previous journeys. Her long, curly hair cascading down her shoulders symbolizes the wildness within us all. The simple black ink lines that create the birds and ships in the background add a touch of innocence and childlike wonder, evoking a sense of nostalgia for a simpler time. The signature is in the right corner, and it is dated (September 1995). It sits in a simple black wood frame. Christopher Paul Cobb is an American artist born in the 20th Century. He is the grandson of baseball great player Ty Cobb.

This very unusual and introspective watercolor is a contemplative piece that invites viewers to ponder the nature of memories and how they come back into our brains. The artist creat...

This watercolor painting #2 is part of a series featuring minimalist characters with pastel watercolors. The artwork depicts a pensive woman in the foreground. She poses with her head in her hands. A large water-down shadow covers the right half of her face, suggesting that she may have something on her mind, like what the artist depicted in the background. Sketched with black ink lines, it is a city...

In this drawing, the background is deliberately neutral to accentuate the prominence of the face. Charcoal is a "free" drawing medium known for its expressive qualities, requiring artists to work within its unique constraints. As an experienced figure work instructor at the California Art Institute, Max Turner...

A certain enigma surrounds Max Turner: he possesses both undeniable mastery and the humility of a great artist. Endowed with musicality and vibrancy in his brushwork, he remains a man of unassuming nature, far removed from the realm of trendy art galleries. His experience as an art instructor has sharpened his acuity for studying and capturing the essence of figure models, nurtured by his lifelong fascination with the human visage. In this gouache portrait, one can sense that with each stroke, he repeats a gesture as if it was the very first time, capturing that fleeting fraction of a second, an emotion, a secret of his subject to infuse into his canvases. One can feel the artist’s pleasure...

In this gouache portrait, Max Turner has opted for caricature. Caricature is a form of art that involves exaggerating a person's physical features to create...

Tsuguharu Foujita 1886-1968 | Japanese-French Portrait of a Mother and Child Signed “Foujita / Paris” (lower left) Ink and watercolor on paper An artistic luminary well ahead of his time, Tsuguharu Foujita burst onto the international art scene in the early 20th century as one of the most important artists in early Japanese modernism...

Sunil Das - Untitled - 9 x 7 inches (unframed size) Pen and Ink on Paper Inclusive of shipment in ready to hang form. The exceptions are the faces such as the profiles of bearded me...

Lauren Ellis Matthews is a Californian-based writer, illustrator and designer. She studied Art History at Columbia University, New York and was an artist-...

Pen and ink, ink wash and pencil on paper, signed and dated (lower right), 38cm x 29cm (65cm x 55cm framed). This penetrating and wonderfully executed self-portrait, is all the mor...

Believing that the departed continue to hold influence over the lives of the living, many Chinese households honor their ancestors in private family rituals, invoking their spirits for long life, health, and prosperity. Commemorative portraits, which came into vogue in the late Ming and Qing dynasties, were commissioned specifically for ancestor worship and were believed to house the spirits of the deceased. When properly cared for, one's ancestors were believed to be a powerful source of honor, protection, and good luck. This pair of ancestor portraits was hand-painted in the mid-19th century and beautifully depicts a Qing-dynasty couple. While some ancestral portraits offer a more stylized representation of one's ancestors, this particular pair is painted with incredible realism and life-like expressions. Rather than depict the pair in a regal hall wearing elaborate finery, the couple is shown in a quiet home environment, seated at either end of a square tea table. Their surroundings are minimal, practically undecorated, and they wear simple, matching blue silk robes...

Karol Drzewiecki (born in 1987) He studied at the Academy of Fine Arts (University of Arts) in Poznań (2006-2011) at the department of Graphics and Visual Communication. In 2011 grad...