Art by Medium: Lacquer

Luxurious vintage black lacquer and gold plated lighter with red Chinese lettering.

Yayoi Kusama, Pumpkin Cast Resin Figure - Red, 2019 The nine decades of Yayoi Kusama's life have taken her from rural Japan to the New York art scene to contemporary Tokyo, in a car...

Painted by Jim Jacobs (American, born 1945), titled, 'Nankaweep' and dated 1983. Previously with Lopoukhine Gallery, Boston from label, verso. A substantial, dynamic abstract compri...

FREE SHIPPING TO WORLDWIDE! Artisan: Juan Zeferino Rivera MASTERPIECE (Award Prize in Temalacatzingo 2016) Made with Tzomplantli wood, woodcarving technique gouges, machete and sa...

Signed lower right, 'Charles Seligman' (American, 20th century) and created circa 2000. Texas abstract artist Charles Seligman boldly interweaves poi...

Dimensions: 19" x 13" including frame, 17.5" x 11.5" image only. Frank Aumüller is a contemporary artist. Frank Aumüller is a german male artist born in Stuttgart (DE) in 1960. Frank Aumueller had his first exhibition at Art Cologne 1989 at Koelnmesse GmbH in Cologne in 1989, and Prognose at Württembergischer Kunstverein in Stuttgart in 2021. A notable show was 2041 Endlosschleife at Württembergischer Kunstverein in Stuttgart in 2014. Other notable shows were at Villa Merkel - Galerie der Stadt Esslingen in Esslingen and Museum für Neue Kunst in Freiburg. Frank Aumüller has been exhibited with Hildegard Esslinger and Beate Baumgärtner. Aumuellers jigsaw puzzle pictures are results of a multistage production process. Expressive, partially with strong auto-lacquers created paintings form the basis. Aumueller then takes a photograph of these abstract color experiments and cuts the photo by machine into jigsaw puzzles. Afterwards he reassembles individual parts, whereby the original parts produce a new picture in a new composition, a sculpture work. At first sight the jigsaw puzzle pictures appear as a "pleasant idea": The result of time-consuming artistic creation is presented as a well-known game for children and adults. This appears to be an ironic move by Aumueller. However, irony is not the artist's concern. There is more to the jigsaw puzzles than just a nice conception: Aumueller labels his jigsaw puzzles "unstable equilibria" - a suitable description for many things in a world which in many ways appears to be stable and arranged. The jigsaw puzzle is more than just a means of formal expression. Aumueller labels his jigsaw puzzles "unstable equilibria" - a suitable description for many things in a world which in many ways appears to be stable and arranged. The jigsaw puzzle is more than just a means of formal expression. It is metaphoric message as well as a clue to the artistic intention. Solo Exhibitions Frank Aumüller: Fotografie Kunstraum Kleine Galerie, Haus am Stadtsee Bad Waldsee Germany Frank Aumüller fine arts 2219 Galerie für Kunst der Gegenwart Stuttgart Germany Group Exhibitions 2023 Bis die Bude brummt – 30-jähriges Jubiläum des Fördervereins Museum für Neue Kunst Museum für Neue Kunst Freiburg Germany. Exhibition series with: Mandana Moghaddam, Jacob Ott, Thomas Ruff, Pia Stadtbäumer, Peter Vogel, Georg Winter...

Dimensions: 18 X 12 including frame, 16" x 11." image only. Frank Aumüller is a contemporary artist. Frank Aumüller is a german male artist born in Stuttgart (DE) in 1960. Frank Aumueller had his first exhibition at Art Cologne 1989 at Koelnmesse GmbH in Cologne in 1989, and Prognose at Württembergischer Kunstverein in Stuttgart in 2021. A notable show was 2041 Endlosschleife at Württembergischer Kunstverein in Stuttgart in 2014. Other notable shows were at Villa Merkel - Galerie der Stadt Esslingen in Esslingen and Museum für Neue Kunst in Freiburg. Frank Aumüller has been exhibited with Hildegard Esslinger and Beate Baumgärtner. Aumuellers jigsaw puzzle pictures are results of a multistage production process. Expressive, partially with strong auto-lacquers created paintings form the basis. Aumueller then takes a photograph of these abstract color experiments and cuts the photo by machine into jigsaw puzzles. Afterwards he reassembles individual parts, whereby the original parts produce a new picture in a new composition, a sculpture work. At first sight the jigsaw puzzle pictures appear as a "pleasant idea": The result of time-consuming artistic creation is presented as a well-known game for children and adults. This appears to be an ironic move by Aumueller. However, irony is not the artist's concern. There is more to the jigsaw puzzles than just a nice conception: Aumueller labels his jigsaw puzzles "unstable equilibria" - a suitable description for many things in a world which in many ways appears to be stable and arranged. The jigsaw puzzle is more than just a means of formal expression. Aumueller labels his jigsaw puzzles "unstable equilibria" - a suitable description for many things in a world which in many ways appears to be stable and arranged. The jigsaw puzzle is more than just a means of formal expression. It is metaphoric message as well as a clue to the artistic intention. Solo Exhibitions Frank Aumüller: Fotografie Kunstraum Kleine Galerie, Haus am Stadtsee Bad Waldsee Germany Frank Aumüller fine arts 2219 Galerie für Kunst der Gegenwart Stuttgart Germany Group Exhibitions 2023 Bis die Bude brummt – 30-jähriges Jubiläum des Fördervereins Museum für Neue Kunst Museum für Neue Kunst Freiburg Germany. Exhibition series with: Mandana Moghaddam, Jacob Ott, Thomas Ruff, Pia Stadtbäumer, Peter Vogel, Georg Winter...

Chen Yu’s art started with lacquer painting. On this foundation, her materials experiments and conceptual extensions have developed in two directions; she is serious and measured, an...

Chen Yu’s art started with lacquer painting. On this foundation, her materials experiments and conceptual extensions have developed in two directions; she is serious and measured, an...

When I arrived at my grandmother's house, the neighbors said, "Oh, the city girl has arrived." And my grandmother said, "Child, what have you done to yourself? You're a girl..." My g...

Chen Yu’s art started with lacquer painting. On this foundation, her materials experiments and conceptual extensions have developed in two directions; she is serious and measured, an...

Chen Yu’s art started with lacquer painting. On this foundation, her materials experiments and conceptual extensions have developed in two directions; she is serious and measured, an...

Chen Yu’s art started with lacquer painting. On this foundation, her materials experiments and conceptual extensions have developed in two directions; she is serious and measured, an...

Chen Yu’s art started with lacquer painting. On this foundation, her materials experiments and conceptual extensions have developed in two directions; she is serious and measured, an...

Chen Yu’s art started with lacquer painting. On this foundation, her materials experiments and conceptual extensions have developed in two directions; she is serious and measured, an...

Chen Yu’s art started with lacquer painting. On this foundation, her materials experiments and conceptual extensions have developed in two directions; she is serious and measured, an...

Chen Yu’s art started with lacquer painting. On this foundation, her materials experiments and conceptual extensions have developed in two directions; she is serious and measured, an...

Chen Yu’s art started with lacquer painting. On this foundation, her materials experiments and conceptual extensions have developed in two directions; she is serious and measured, an...

Chen Yu’s art started with lacquer painting. On this foundation, her materials experiments and conceptual extensions have developed in two directions; she is serious and measured, an...

Chen Yu’s art started with lacquer painting. On this foundation, her materials experiments and conceptual extensions have developed in two directions; she is serious and measured, an...

Chen Yu’s art started with lacquer painting. On this foundation, her materials experiments and conceptual extensions have developed in two directions; she is serious and measured, an...

Chen Yu’s art started with lacquer painting. On this foundation, her materials experiments and conceptual extensions have developed in two directions; she is serious and measured, an...

Chen Yu’s art started with lacquer painting. On this foundation, her materials experiments and conceptual extensions have developed in two directions; she is serious and measured, an...

Chen Yu’s art started with lacquer painting. On this foundation, her materials experiments and conceptual extensions have developed in two directions; she is serious and measured, an...

Chic midcentury stylized brass palm or banana tree with dramatic decorative appeal, removable leaves, layered sheath trunk and a round weighted base with embossed floral designs. Pol...

Brass banana tree or palm tree sculpture with a custom burnished bronze like finish, removable leaves, a weighted base decorated with floral designs,...

François Benoit Lison (1968 - ) "Au détour" Laque sur toile 130 x 97 cm 2022 Born in Granville, France, on April 14, 1968, François Benoît-Lison began with a figurative approach, which gradually evolved into abstraction, first lyrical, then more contrasting, where black reigns supreme. Black is a sacred color, sometimes dark, sometimes dazzling, without limits, it can be dominant or gentle. After acrylics and oils, bituminous pastes and inks opened another door, that of the abstract, much more profound and contemporary, with the possibility of working these materials in many aspects and forms. Since the 1980s, the artist has been offering us works imbued with research, reflection and philosophy, charged with a strong, raw message, highlighting his thoughts and leaving an indelible imprint. Abstraction is his adventure, his freedom, his struggle, his dreams, his rage, his solitude. Works by Jackson Pollock, Caravaggio, Egon Schiele, Pierre Soulages and André Marfaing...

This piece by Billy Al Bengston is titled "The Alamo-Yellow". It measures 36" x 34", it is lacquer paint on dented aluminum and was completed in 1969. Bill...

François Benoit Lison (1968 - ) "Unwrapped" Acrylic and lacquer on canvas 100 x 81 cm 2022 Born in Granville, France, on April 14, 1968, François Benoît-Lison began with a figurative approach, which gradually evolved into abstraction, first lyrical, then more contrasting, where black reigns supreme. Black is a sacred color, sometimes dark, sometimes dazzling, without limits, it can be dominant or gentle. After acrylics and oils, bituminous pastes and inks opened another door, that of the abstract, much more profound and contemporary, with the possibility of working these materials in many aspects and forms. Since the 1980s, the artist has been offering us works imbued with research, reflection and philosophy, charged with a strong, raw message, highlighting his thoughts and leaving an indelible imprint. Abstraction is his adventure, his freedom, his struggle, his dreams, his rage, his solitude. Works by Jackson Pollock, Caravaggio, Egon Schiele, Pierre Soulages and André Marfaing...

Striking midcentury stylized brass tabletop palm or banana tree with a tropical ambiance suitable for traditional or modern interiors. Hand polished and lacquered for easy care.

Chic stylized brass palm or banana tree sculpture with a graceful form and a custom finish, hand polished and lacquered for easy care.

Midcentury brass stylized Palm Tree with an exclusive custom hand finish. Removable palm fronds and trunk and lacquered for easy care.

Daniel Lergon (German, b. 1978) Untitled, 2012 Lacquer on retroflective fabric 47 1/2 x 39 1/4 in. Signed verso: Daniel Legon 2012 Provenance: Galerie...

Pair of sea fan sculptures crafted or dipped in silvered metal with amazing accuracy and presented on classic form lacquered stands. Signed Eduardo Garza...

Standout Anglo Indian cast brass elephant head sculpture presented on a turned brass stand. Hand polished and lacquered for easy care.

Swank pair of wall sculptures crafted in copper and brass in the form of stylized cattails or Typha. Hand polished and lacquered for easy care.

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint and and lacquer on board. It features light textured and a light blue-grey and yellow palette contrasted by the almost black focal point of the composition. The painting is 14.5" x 19" and measures 16.25" x 20.5" x 2" framed. Signed by the artist in the lower left-hand corner of the painting, it is framed in a floater frame with warm silver face and black sides and is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Size: 90 x 90 cm Edition: Original Artwork About the Artist: Detlef E. Aderhold is a contemporary abstract painter from...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Edition: Original Abstract Painting in Yellow, Blue, Red and Black About the Artist: Detlef E. Aderhold is a contemporar...

Playful and colorful steel pedestal sculpture with acrylic lacquer paint. Joseph Slusky's sculptures are often described as charismatic and exuberant. The liveliness of the varied s...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Size: 59 x 47 150 x 120 Edition: Original Artwork Year: 2009 About the Artist: Detlef E. Aderhold is a contemporary abstract painter from Germany. "Detlef Aderhold...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Size: 59 x 47 150 x 120 Edition: Original Artwork Year: 2009 About the Artist: Detlef E. Aderhold is a contemporary ab...

Steel and acrylic lacquer paint. Joseph Slusky's sculptures are often described as charismatic and exuberant. The liveliness of the varied shapes -- a playful mix of linear, geometr...

Steel and acrylic lacquer paint. Joseph Slusky's painted steel sculpture "Zongo" prominently features a circle and exuberant wave form among the angles, but look closer and you'll a...

Playful and colorful steel pedestal sculpture with acrylic lacquer paint. Joseph Slusky's sculptures are often described as charismatic and exuberant. The liveliness of the varied s...

Thoughts of a long, happy life greeted the young couple who gazed up from their bed on this canopy panel. Adorned with chrysanthemums and peaches, both symbols of longevity, the lyri...

60x84cm (without frame) Hand-cut vinyl applied to Perspex panel. The 5th in a new series of artworks focusing on British seaside towns. I have longed to capture my own take on this t...

Playful and colorful steel pedestal sculpture with acrylic lacquer paint. Joseph Slusky's sculptures are often described as charismatic and exuberant. The liveliness of the varied s...

Hand-cut vinyl applied to Artboard. No.3 in the 80’s aesthetics series. This piece looked into Americana imagery of which was all over British TV during the 80’s, but with an added t...

Hand-cut vinyl applied to Perspex panel. The 5th in a new series of artworks focusing on British seaside towns. I have longed to capture my own take on this theme, where even the mos...

Hand-cut vinyl applied to Perspex panel. No.7 in the British Seaside series visits Deal Promenade, in Kent. I have longed to capture my own take on the charming bleakness of many Bri...

Hand-cut vinyl applied to Perspex panel. The 8th in a new series of artworks focusing on British seaside towns. I have longed to capture my own take on the charming bleakness of many...

Playful and colorful steel pedestal sculpture with acrylic lacquer paint. Joseph Slusky's sculptures are often described as charismatic and exuberant. The liveliness of the varied s...

A unique handmade sculptural coffee table. Designed after the mask of Tutankhamun. Made by Joseph Dasta. 1990. Solid cherry, aniline dye, lacquer. Hand rubbed finish. Hand planed boards. Hand cut joints. History of the table: I made this table in 1990 while a first year student at The School of the American Craftsman at Rochester Institute of Technology (formerly The Wendell Castle School). The assignment was simple, make a coffee table of your design and only use hand tools to construct it. Please, contact us for shipping options. # wharton esherick george nakashima gustave stickley modern...

Emma's artwork is inspired by the Parisian luxury world of fashion, textures and pure colour. "Rainy Day 04" is a stylish and contemporary bright emerald green abstract painting. It ...

Playful and colorful steel pedestal sculpture with acrylic lacquer paint. California-based sculptor Joseph Slusky says of his work: "Beyond the more immediate historical art roots o...

Emma's artwork is inspired by the Parisian luxury world of fashion, textures and pure colour. "Soft Light 02" is a stylish and contemporary bright emerald green abstract painting. It...

Emma's artwork is inspired by the Parisian luxury world of fashion, textures and pure colour. "Night 01" is a stylish and contemporary bright blue abstract painting. It is created us...