Oil More Art

Life is a long journey of harshness, honesty, brutality and mistakes. But it is validated in the experience and in the recognition of the the finite.

A fine impressionist landscape of a rustic bridge in Washington, New Hampshire by American artist George Frank Higgins (1859-1891). Higgins was a Massachusetts artist, living in Pepp...

"Looking down towards Ludlow Castle" and "View of Bridgnorth" Oils on Canvas laid on board 9 by 12 inches, Signed and Framed (Framed in handmade gold leaf frames 14 by 17 inches) £28...

In 1607, the Delft city council decided to commission a portrait of Stadholder Maurits of Nassau for the town hall, with Michiel van Mierevelt as the chosen artist due to the passing...

A fine naive landscape painting with a windmill by American artist Janet Munro (b. 1949). Munro was born in Woburn, MA, and her work focuses on the waterfront lives of everyday peopl...

"Looking down towards Ludlow Castle" and "View of Bridgnorth" Oils on Canvas, laid on board 9 by 12 inches, Signed and Framed (Framed in handmade gold leaf frames 14 by 17 inches) £2...

"Flying Dutchman" by Roman Goss is an original abstract painting that mesmerizes viewers with its intricate composition and dynamic use of color and texture...

"Congo" by Roman Goss is an original abstract painting that captivates viewers with its dynamic composition and bold use of color and texture. Through a com...

"Sommer's Glow" captures the essence of a tranquil seaside moment, rendered in the vibrant strokes of impressionism by the talented Lia Madsen. This diptych masterpiece consists of t...

In "Azure Tempest," Lia Madsen presents a breathtaking vista of the ocean in all its tumultuous beauty, expertly rendered in realistic detail. This original seascape painting invites...

In "Green Glow of the Sea," Lia Madsen transports viewers to the mesmerizing realm where land meets water, capturing the essence of the ocean's verdant embrace in stunning realism. T...

Sailing Boats on the Fowey River Oil on Panel, Signed and Framed A stunning gem by the wonderful Frits Goosen. This oil depicts Sailing boats in the Fowey Estuary with the beautifu...

Dahlia Painting by Tessa Newcomb B. 1955, 2001 Additional information: Medium: Oil on card Dimensions: 14.9 x 21 cm 5 7/8 x 8 1/4 in Signed with initi...

Daniel Tavares considers his oil paintings part drawing and part painting. His artwork is a visual synthesis of his life experiences reflecting the influence of comic books - which ...

Dahlia Painting by Tessa Newcomb B. 1955, 2001 Additional information: Medium: Oil on card Dimensions: 14.9 x 21 cm 5 7/8 x 8 1/4 in Signed with initi...

Daniel Tavares considers his oil paintings part drawing and part painting. His artwork is a visual synthesis of his life experiences reflecting the influence of comic books - which ...

Daniel Tavares considers his oil paintings part drawing and part painting. His artwork is a visual synthesis of his life experiences reflecting the influence of comic books - which ...

Daniel Tavares considers his oil paintings part drawing and part painting. His artwork is a visual synthesis of his life experiences reflecting the influence of comic books - which ...

Daniel Tavares considers his oil paintings part drawing and part painting. His artwork is a visual synthesis of his life experiences reflecting the influence of comic books - which ...

"Day at the Beach" Oil on Canvas, laid on board, Signed and Framed by Rene Jerome Legrand (Born 1953) This is a super oil painting by Legrand which has employed his more muted colou...

"Washerwomen on the River Paillon, Nice in France" Oil on Canvas on original stretchers, Signed and Framed in handmade gilt and painted frame. Another splendid impressionist pain...

Goldern Flowers Painting by Tessa Newcomb B. 1955, 2001 Additional information: Medium: Oil on card Dimensions: 14.9 x 21 cm 5 7/8 x 8 1/4 in Signed with initials; signed, dated and...

Canopy Vase I Painting by Daisy Cook B. 1965, 2024 Additional information: Medium: Oil and collage Dimensions: 26 x 32 cm 10 1/4 x 12 5/8 in Daisy Cook is...

Canopy Vase II Painting by Daisy Cook B. 1965, 2024 Additional information: Medium: Oil and collage Dimensions: 26 x 32 cm 10 1/4 x 12 5/8 in Daisy Cook is a British painter of lan...

Moonlight on the River Fal, Cornwall - view of the River Fal with trees and a vessel on the river by moonlight. Oil on Canvas on original stretchers housed in a handmade period styl...

The Grouse Shoot, 19th century Gun shooting Grouse with Gun dogs and hilly landscape Oil on Canvas on original stretchers, housed in its original bronzed frame. This is a very speci...

Daniel Tavares considers his oil paintings part drawing and part painting. His artwork is a visual synthesis of his life experiences reflecting the influence of comic books - which ...

Daniel Tavares considers his oil paintings part drawing and part painting. His artwork is a visual synthesis of his life experiences reflecting the influence of comic books - which ...

Daniel Tavares considers his oil paintings part drawing and part painting. His artwork is a visual synthesis of his life experiences reflecting the influence of comic books - which ...

Daniel Tavares considers his oil paintings part drawing and part painting. His artwork is a visual synthesis of his life experiences reflecting the influence of comic books - which ...

Roseworthy Valley, Cornwall - A large Oil on Canvas on original stretchers, view of sparkling stream and gorse in flower. This is a view from the artists studio... Garstin Cox 1892 -...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Vic Ellis RSMA Thames Barges and other Shipping. Oil on Board, Signed and Framed. Ellis lived in Essex and latterly spent his time painting shipping on the Thames and the Medway. He...

Daniel Tavares considers his oil paintings part drawing and part painting. His artwork is a visual synthesis of his life experiences reflecting the influence of comic books - which ...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Presented by Titan Fine Art, this painting formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Regency Grade-I listed family home, Ombersley Court. The house was among the most fascinating survivals of its kind in this country. The atmospheric interiors were distinguished above all for the works of art associated with two key moments in national history. The collection was acquired or commissioned over five centuries and remained at Ombersley Court until its recent sale, the first in 294 years. This portrait hung in the Grand Hall. This exquisite grand manner work is an evocative example of the type of portrait in vogue during a large part of the seventeenth and eighteenth centuries. The artist has depicted an elegant lady, three quarter length and seated on porch with a luxurious crimson swag curtain by her side. The clothing – known as “undress” at the time, consists of red silk fastened at the front and sleeves by large gold and diamond jewels over a simple white chemise. In her lap she holds a blue wrap and in her other hand, at her chest, she clutches the end of a sheer gauzy scarf that has been draped around her body with the other end a type of headdress – this type of sheer scarf was often employed by Wissing in his portraits. The classical architecture signifies cultivation and sophistication and the luxurious swag curtain is a signifier of wealth. The portrait can be dated to circa 1680 based on the sitter’s attire, the “hurluberlu” hairstyle, and other portraits by Wissing using the same formula. This oil on canvas portrait has been well cared for over its life, which spans almost 350 years. Having recently been treated to remove an obscuring discoloured varnish, the finer details and proper colour can now be fully appreciated. Once owned by Evesham Abbey, the manor of Ombersley was acquired by the Sandys family in the early 1600s, when Sir Samuel Sandys, the eldest son of Edwin Sandys, Bishop of Worcester and later Archbishop of York, took a lease on the manor, before receiving an outright grant in 1614. The present house, Ombersley Court, dates from the time of Samuel, 1st Lord Sandys, between 1723 and 1730. The house itself is a fine example of an English Georgian country house set in rolling countryside and surrounded by Wellingtonias, planted to commemorate the Battle of Waterloo by Arthur Hill, 2nd Baron Sandys, who played a distinguished part in the battle and was one of the Duke of Wellington’s aides de camp. The Duke also stayed in the house and in the Great Hall, was the Waterloo banner which was brought to the house by Sir Arthur Hill, aide-de-camp to the Duke of Wellington, who succeeded his mother, the Marchioness of Downshire as 2nd Lord Sandys. Further Waterloo memorabilia are kettle drums from battle. The family had a strong tradition of military and political service, dating back to the 17th century, and this was also reflected in the fine collection of portraits and paintings in the house. In short, Ombersley represented a vital aspect of British history. The house and more especially the collection were of the greatest historical importance. Houses that have remained in the possession of the same family for as many as three centuries have become increasingly rare. Through this portrait, collectors have a chance to acquire a piece of British history and an evocative vestige of a glittering way of life, which is now gone. Much of the attractiveness of this portrait resides in its graceful manner and the utter beauty of the youthful sitter. Presented in a beautiful carved and gilded period frame, which is a work of art in itself. Willem Wissing was a Dutch artist who enjoyed a solid artistic training at The Hague under Arnold van Ravesteyn (c.1650-1690) and Willem Dougijns (1630-1697). He came to London in 1676 and most probably joined the studio or Sir Peter Lely as an assistant that same year. After Lely’s death in 1680 he effectively took over his business and he scaled the heights of patronage with extraordinary ease, creating an independent practise in 1687, and painted for very important aristocratic patrons. King Charles II was so impressed by a portrait Wissing painted of his son, the Duke of Monmouth, in 1683 that he commissioned his own portrait and that of his Queen Catherine...

”Yellow” canvas, oil, 60x60

"A quadriptych of Mini oil paintings in decorative vintage style . Beautiful elegant ornamentation of vegetable plants. Each of the paintings depicts different vegetables tomatoes, ...

"That Golden Hour" by Nick Vivian is a breathtaking depiction of nature's most enchanting spectacle - the sunset. Vivid colors dance across the canvas, capturing the animated hues of...