Billy Al Bengston

Honolulu Watercolor (unique signed heart watercolor by West Coast Pop art star)

1992

Billy Al Bengston Sweet Filthy Cheat, 2004 Watercolor and acrylic on paper Signed, dated and titled on the front Frame included Unique This unique work, with it's charmingly sly tit...

Robert Rauschenberg Abstract Composition (Robert Rauschenberg Foundation #88.D109), 1988 Solvent transfer, watercolor, and gouache on Japanese dedication board Hand-signed by artist,...

Taro Yamamoto Untitled Abstract Expressionist watercolor, ca. 1957 Watercolor wash, drips & splatter on rice paper Pencil signed on the front 12 × 16 inches Unframed Mid century mod...

Larry Zox Dexter's Choice, State II, ca. 1990 Mixed media, Watercolor pochoir, and Oil stick Wax, Water-Based Crayons, on heavy Arches museum watercolor rag paper with deckled edges ...

Steven Sorman In Real Time, 2003 Acrylic, gouache, gel medium, oil and beeswax collage painting on paper 48 × 34 inches Signed and dated 2003; The frame also bears the original label...

Saint Clair Cemin (Brazilian-American) Double Sculpture, 1987 Graphite and watercolor on paper Hand signed, dated and titled on the back of the sheet ...

'Work no. 1 (Circle Drawing), Gold/Red, 2hours 24minutes, 2018’ graphite on 315 gsm Heritage Fine Art Paper by Carali McCall (born 1981). McCall began her ‘Circle Drawing' artworks in 2004 where she focuses on the durational element and physical process of drawing. Using graphite on paper she draws her full arm's length in a continuous circular motion to the point of complete exhaustion. During this physically demanding process, her position and ability to extend the arm diminishes to the extent she can no longer hold the graphite. McCall quotes, 'an important aim is to maintain a constant and continuous visible line that embodies time and energy. While performing, painfully, my entire body is noticeably putting effort into the drawing.' This intense action and durational element often cause the paper to fatigue and rip, which is often identified as her distinctive trademark. In McCall’s new addition to the series, materials such as Gold and Gouache are used to treat the surface and bring another layer of reference to important art historical processes. The combination of these new materials and grand scale of this practice, make McCall’s work particularly striking. About Artist: Carali McCall is an emerging artist whose works are internationally recognised. A Canadian artist born in 1981, she is based in London, UK. McCall was awarded a PhD from Central Saint Martins, University of the Arts, London, and her work is featured in the upcoming publication by Bloomsburg Publishing, 'Performance Drawing: New Practices since the 1960s'. A finalist in the 2017 Jerwood Drawing Prize, McCall’s work is currently touring the United Kingdom and is situated in private and public collections curated alongside artworks by Picasso and Damien Hirst. Other notable exhibitions include: Again and Again and Again: Serial Formats and Repetitive Actions, Vancouver Art Gallery, Canada, (2012), Kenny Schachter’s Rove Gallery, Hoxton Square, London (2008), Folkestone Fringe Festival (2014), Woolff Gallery, London UK (2017) and EMPIRE II...

'Work no. 1 (Circle Drawing), 1hour 30minutes, 2017’ graphite on paper by Carali McCall (born 1981). McCall began her ‘Circle Drawing' artworks in 2004, during her final year at art school in Toronto, Canada. Using graphite on paper she draws her full arm's length in a continuous circular motion to the point of complete exhaustion. McCall continues to focus on the durational element and physical process of drawing; however, her earlier works are rare as she now only performs for live audiences at certain events. During this physically demanding process, her position and ability to extend the arm diminishes to the extent she can no longer hold the graphite. McCall quotes, 'an important aim is to maintain a constant and continuous visible line that embodies time and energy. While performing, painfully, my entire body is noticeably putting effort into the drawing.' This intense action and durational element often cause the paper to fatigue and rip, which is often identified as her distinctive trademark. About Artist: Carali McCall is an emerging artist whose works are internationally recognised. A Canadian artist born in 1981, she is based in London, UK. McCall was awarded a PhD from Central Saint Martins, University of the Arts, London, and her work is featured in the upcoming publication by Bloomsburg Publishing, 'Performance Drawing: New Practices since the 1960s'. A finalist in the 2017 Jerwood Drawing Prize, McCall’s work is currently touring the United Kingdom and is situated in private and public collections curated alongside artworks by Picasso and Damien Hirst. Other notable exhibitions include: Again and Again and Again: Serial Formats and Repetitive Actions, Vancouver Art Gallery, Canada, (2012), Kenny Schachter’s Rove Gallery, Hoxton Square, London (2008), Folkestone Fringe Festival (2014), Woolff Gallery, London UK (2017) and EMPIRE II...

it is currently unframed and will be sold thus. Similar in style to the 80s work of Elizabeth Murray. A bright, colorful expressive piece signed (labels are not included as it is un...

Richard Garrison collects information from typically overlooked aspects of daily life. Observed data from places like big box stores and parking lots are systematically transformed i...

Méditerranée (Abstract painting) Watercolor and colored pencil on paper — Unframed A composition that stayed in my mind afterwards having visited the Rayol gardens where the sea and...

Ecume (Abstract painting) Collage, acrylic, watercolor and colored pencil — Unframed The foam, the water and the earth. Space of a moment when we no longer know whether what we see ...