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Italian beginning 19th oil canvas oval Mythological Bacchus and Apollon child

Georges DEVY (Active at the end of the 19th century) Oil on canvas 86 cm x 65 cm (96 x 76 cm with the frame) Signed and dated lower left "G. Devy / 1883" Very good condition with a f...

J. BREYNAT (XXth century) Oil on cardboard 20 x 30 cm (28 x 38 cm with the frame) Signed and dated lower left "J. Breynat / 1921" Beautiful carved wooden frame from the 19th century ...

French school of the late 18th century Jerome PREUDHOMME (Attributed to) Arras, v1735 - Paris, 1810 Oil on canvas 47.5 x 55 cm (59 x 67 cm with the frame)  Beautiful old carved woode...

19th century French school Oil on canvas 33 x 41 cm (53 x 45 cm with the frame) Original canvas with the stamp of the merchant "Vallé & Bourniche / Successeurs de Bellot" active in P...

Pierre BILLET Cantin (North), 1837 – Cantin, 1922 Oil on canvas 38.5 x 28.5 cm (48 x 36.5 cm with frame) Signed lower left “Pierre Billet” Stamp of the canvas merchant "Tasset & Loth...

Gustave WAPPERS (Attributed to) Anvers, 1803 - Paris, 1874 Oil on panel Trace of monogram lower right 42.5 x 31.5 cm (59.5 x 49.5 cm with the frame) XIXth century frame in carved woo...

This beautiful painting was created in 1877 by the well-known French painter, Gustave Clarence Rodolphe Boulanger. Boulanger often produced work which combined the classical and Orie...

The painting is signed and dated 1872 in Algiers Description: Ferdinand Victor Léon Roybet (1840-1920) was a French painter renowned for...

"Sunrise on the Shore" by Andreas Schelfhout stands as a testament to the extraordinary talent of the Dutch artist, born in The Hague in 1787. A prominent figure of the Romantic move...

John William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...

The Crossing, 1855, by Theodore Frere (1814-1888) Oil on wood panel 9 x 14 inches unframed (22.86 x 35.56 cm) 17 ¾ x 22 ½ inches framed (45.085 x 57.15 cm...

Departure of the Caravan, 1834-1887, by Theodore Frere (1814-1888) Oil on wood 10 x 16 inches unframed (25.4 x 40.64 cm) 18 ¾ x 24 ¾ inches framed (47.625 x 62.865 cm) Signed on bott...