Items Similar to Arthur Boyd Houghton - Victorian Oil Painting of Figures in an Interior
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Arthur Boyd HoughtonArthur Boyd Houghton - Victorian Oil Painting of Figures in an Interior1864
1864
About the Item
ARTHUR BOYD HOUGHTON
(1836-1875)
Sunday Afternoon
Signed l.l.: Houghton
Oil on canvas
Framed
20.5 by 25.5 cm., 8 by 10 in.
(frame size 30.5 by 34.5 cm., 12 by 13 ½ in.)
Provenance:
William Drummond;
Private collection.
Probably painted in 1864, the present work evokes the peaceful contentment of everyday family life, with its small scale further reinforcing the intimacy of the scene. It is one of a series of small intimate family scenes produced during this happy period of his life. A male figure, possibly the artist’s himself, slumbers in a chair, a handkerchief draped over his face whilst Susan, the artist’s young wife reads by the window. Their child, either Arthur or Georgina, plays on the floor with a discarded newspaper. The room is at 4 Adelaide Villas, St Mary’s Grove, Richmond, the house Arthur and Susan moved to shortly after their marriage in 1861. The chaise and window, with its pots of geraniums, also feature in the 1864 painting Coach and Horses (private collection) which depicts Susan, with her hair down, playing with Arthur and Georgina. A pot of daffodils placed beside the same geraniums in the present work suggest it may have been painted in the spring of that year. Such domestic bliss would shortly come to a tragic end when Susan died of pyaemia following the birth of their third child in June 1864.
Houghton was born in India, the son of a captain in the East India Company’s marine service. Both is father and older brother were accomplished military draughtsmen and he probably received early training from them. His family returned to England in the early 1850s and he began studies at Leigh’s and the Langham Art Society before entering to the Royal Academy Schools in 1854. Although he considered his paintings in oils and watercolour to be his most important work, financial concerns make him turned increasingly to illustrating. He became one the most distinguished illustrators of the mid 19th Century, working for a number of magazines including, The Graphic, Good Words, The Sunday Magazine and others. His most important book illustrations were those for Dalziels’ Arabian Nights (1865) and The Adventures of Don Quixote (1866).
- Creator:Arthur Boyd Houghton (1836 - 1875, British)
- Creation Year:1864
- Dimensions:Height: 8.08 in (20.5 cm)Width: 10.04 in (25.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:
About the Seller
4.9
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2004
1stDibs seller since 2018
50 sales on 1stDibs
Typical response time: 1 to 2 days
- ShippingRetrieving quote...Ships From: Banbury, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- The Farmer - 19th century Portrait oil over a photographic baseLocated in London, GBBRITISH SCHOOL (circa 1890) The Farmer Oil over a photographic base, on card and mounted onto original canvas Framed in original frame and behind glas...Category
Late 19th Century Realist Figurative Paintings
MaterialsPhotographic Paper, Oil
- The Dancer - 20th Century British painting by Oliver MesselBy Oliver MesselLocated in London, GBOLIVER MESSEL (1904-1978) Dancer Signed l.r.: Oliver Messel Oil and watercolour on paper Framed 60 by 50 in., 23 ½ by 19 ¾ cm. (Frame size 76.5 by 66.5 in., 30 by 26 ¼ cm.) Bor...Category
Mid-20th Century Realist Figurative Paintings
MaterialsWatercolor, Oil
- A Cotswold Stonebreaker - Charles March Gere - Early 20th Century British OilBy Charles March Gere, RA, RWSLocated in London, GBCHARLES MARCH GERE, RA, RWS (1884-1963) A Cotswold Stonebreaker Signed l.l.: CHARLES GERE; signed and inscribed with title and the artist’s address on the stretcher Oil on canvas ...Category
1930s Realist Landscape Paintings
MaterialsOil
- Elizabeth Taggart - 20th Century British Painting - An Outside PerformanceBy Elizabeth TaggartLocated in London, GBELIZABETH TAGGART (Born 1943) An Outside Performance Signed l.l.: TAGGART; signed, inscribed with title and dated 1978 on the backboard Oil on board Framed 12 by 20.5 cm., 4 ¾ by ...Category
1970s Modern Figurative Paintings
MaterialsOil
- Sorting the Catch - Oil on paper by British Symbolist William ShackletonBy William ShackletonLocated in London, GBWILLIAM SHACKLETON, NEAC (1872-1933) Sorting the Catch – Study for The Mackerel Nets Oil on paper, unframed 32 by 46.5 cm., 12 ½ by 18 ¼ in. (mou...Category
1910s Symbolist Figurative Paintings
MaterialsOil
- Percy Angelo Staynes - Chinese Mandarin - oil on boardLocated in London, GBPERCY ANGELO STAYNES (1875-1953) Chinese Mandarin Signed and inscribed on a label on the reverse Oil on board 31 by 27 cm., 12 ¼ by 10 ¾ in. (fram...Category
Early 20th Century Aesthetic Movement Figurative Paintings
MaterialsOil
You May Also Like
- The Cardinal's VisitLocated in Madrid, ESSALVADOR SÁNCHEZ BARBUDO Spanish, 1857 - 1917 THE CARDINAL'S VISIT signed, located and dated "Barbudo / ROMA 1902" (lower right) oil on canvas 22 x 33-2/3 inches (55.5 x 85.5 cm.) ...Category
Early 1900s Realist Figurative Paintings
MaterialsCanvas, Oil
- "Lady in yellow", 19th Century oil on panel by Rogelio de Egusquiza y BarrenaBy Rogelio de Egusquiza y BarrenaLocated in Madrid, ESROGELIO DE EGUSQUIZA Y BARRENA LADY IN YELLOW signed "R. Egusquiza" (lower right) oil on panel 28-5/8 X 20-3/4 inches (72.5 X 52.7 cm.) framed: 32-5/8 X 24-3/4 inches (82.5 X 62.5 cm.) Rogelio de Egusquiza y Barrena (1845 – 10 February 1915) was a Spanish painter, known for his friendship with the German composer Richard Wagner, whose works he helped make familiar in Spain He was born in El Astillero, into a well-to-do family. He studied in Madrid and with Léon Bonnat at the École des Beaux-Arts in Paris. In 1868, after travelling and participating several times in the National Exhibition of Fine Arts, he returned to Paris and settled there. At first, he painted historical scenes, but later turned to genre scenes and portraits in the Academic style. Following the death of Marià Fortuny, he moved to Rome at the invitation of the Madrazos, Raimundo and Ricardo, taking Fortuny's place at their studio through 1875 and attending classes at the Spanish Academy in Rome. He heard Wagner's music for the first time in 1876, after returning to Paris. Three years later, he travelled to Munich to hear a performance of The Ring of the Nibelungen. His enthusiasm for what he heard led him to go to Bayreuth, where he introduced himself to Wagner and became his friend. In the following years, he and Wagner got together again several times; in Venice (1880), Berlín (1881) and Bayreuth (1882); where he was a guest at the premiere of Parsifal. After his first meeting with Wagner, he decided to devote his career to doing works on Wagnerian themes; mostly portraits of the characters rather than specific scenes. During his visits to Germany, he also created portraits of Arthur Schopenhauer (posthumous) and King Ludwig II...Category
1880s Realist Interior Paintings
MaterialsOil, Panel
- "Partida de Tresillo", Late 19th Century Oil on Canvas by José Jiménez ArandaLocated in Madrid, ESJOSÉ JIMÉNEZ ARANDA Spanish, 1837 - 1903 PARTIDA DE TRESILLO signed, located & dated “J. Aranda / Madrid. 1893.” (lower right) oil on canvas 31-1/2 x 39-1/3 inches (80 x 100 cm) framed: 40-1/3 x 48 inches (102.5 x 122 cm.) BIBLIOGRAPHY - This picture being mentioned and illustrated in “LA ILUSTRACION ESPAÑOLA Y AMERICANA”, Madrid, September 15, 1895 - José Jiménez Aranda, 1837-1903: Centro Cultural El Monte, Seville, October 2005, illustrated p. 102 PROVENANCE Private Collection, USA José Jiménez Aranda (7 February 1837 – 6 May 1903) was a Spanish painter and brother of the painters Luis Jiménez...Category
1890s Realist Figurative Paintings
MaterialsOil, Canvas
- Afternoon Repose By Gustave Léonard De JongheLocated in New Orleans, LAGustave Léonard de Jonghe 1829-1893 | Flemish Afternoon Repose (The Artist's Studio — Antibes) Signed “Gustave De Jonghe” (lower right) Oil on canv...Category
Late 19th Century Realist Figurative Paintings
MaterialsCanvas, Oil
- An auction at Drouot's in Paris.By René Francois Xavier PrinetLocated in Paris, FRAn auction at Drouot's in Paris. Oil on canvas. Signed lower right. Around 1900-1910. René François Xavier Prinet (31 December 1861, Vitry-le-François – 26 January 1946, Bourbonne-les-Bains) was a French painter and illustrator who drew his subjects from middle-class society. He was born to Henri Prinet, an Imperial Prosecutor in Vitry-le-François. A promotion led to him being posted in Paris, where they lived in a home not far from the École Nationale Supérieure des Beaux-Arts. His father painted as a hobby and was supportive of his desire to study art, having him seek the advice of Louis Charles Timbal [fr], a well-known church painter and friend of the family. Around 1880, he began his studies in earnest, in the studios of Jean-Léon Gérôme; remaining with him until 1885. That year, his painting "The Infant Jesus" was accepted for display at the Salon. This was followed by studies at the Académie Julian. At this time, he also became associated with a group of young artists known as the Bande Noire (Black Stripe), which included Lucien Simon, André Dauchez...Category
Early 1900s Realist Figurative Paintings
MaterialsOil
- Grandpa and Naughty Boy Danish Master Genre Scene 19th century Signed FramedBy Erik Ludwig HenningsenLocated in Stockholm, SESigned lower right “Henningsen” and dated 1881 at reverse. Attributed by Erik Ludvig Henningsen (1855 - 1930) was a Danish painter and illustrator. Masterly painted genre scene “testing grandfather’s pipe” depicting lively domestic moment. The little prankster wants to be like his grandfather, but how can he not try his grandfather’s pipe, which he loves so much and does not let go of even in his sleep. The curious and brave sly man, despite the consequences, took off his shoes to approach quietly... One can imagine his disappointment and emotions after he accomplished what he had planned... The boy's faithful friend, a small dog, looks at all this with interest and curiosity. Loved and admired for his talent to realistically portray life and tell a story at the same time, Henningsen took great pride to never include any personal feelings or philosophy, but to stay neutral to the subject matter for whichever painting he was doing. Antique oil painting on canvas, signed, framed. Size: 43 cm x 35 cm (roughly 16.9 x 13.8 in), frame 52 x 43.5 cm (roughly 20.5 x 17.1 in). Very Good pristine condition with minimal wear. Please study good resolution images for cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 1 kg is going to measure some 2 kg packed for shipment. Erik Henningsen was educated at the Copenhagen Royal Academy of Art. He Traveled and studied in Germany, Italy, France and Holland, and received numerous awards and medals throughout Europe. He later became a member of the Royal Academy of Art. Exhibited in Charlottenborg, Copenhagen, Vienna, Paris, Berlin, Munich, Lubeck, and many more. Erik Henningsen is always mentioned in the same breath as his older brother, painter Frants Henningsen. Both with their traditionally classic approach to realism, anecdotal undertones and bold use of dark colors, they were the most loved and celebrated illustrators of life and times; often depicting the hardships and trials of that day and age. One of Erik Henningsen’s large...Category
Late 19th Century Realist Figurative Paintings
MaterialsCanvas, Wood, Oil