Items Similar to VOLUNTEER Off Sandy Hook, Heading Out to Race in the Goelet Cup
Want more images or videos?
Request additional images or videos from the seller
1 of 9
James Edward ButtersworthVOLUNTEER Off Sandy Hook, Heading Out to Race in the Goelet CupCirca 1887
Circa 1887
About the Item
This atmospheric painting by James E. Butterworth depicts a group of yachts leaving New York Harbor on the annual New York Yacht Club cruise. In 1887, when this was painted, upon arrival at Newport, Rhode Island several of these yachts would participate in that year's Goelet Cup, an annual race held between 1882 and 1897 to see which yachts would become the leading contenders to defend the America's Cup each season.
While it was a New York Yacht Club race, competitors were invited to race as well. Besides the honors of the America's Cup defense, at stake was a $1,000 prize for the winning sloop and schooner as well as a perpetual trophy held by the club along with a custom silver trophy designed by Tiffany & Co. of New York.
The main vessel here, VOLUNTEER, would take top honors, winning the right to defend the America's Cup. 1887 was her maiden racing season and the Goelet Cup hosted a large fleet including MAYFLOWER, STILETTO, PURITAN, AMERICA, MISCHIEF, NORSEMAN and ELECTRA. VOLUNTEER proved to be the class yacht of the race, winning the race by more than 8 minutes and losing only one match the entire year.
This painting shows brilliant shafts of light coming through the clouds illuminating Sandy Hook Lighthouse and the yachts at sea. While the clear flag on VOLUNTEER, as well as an inscription verso, identify her as the main yacht, the others are more of a challenge. The other yachts flags are small but we suspect the yacht ahead of VOLUNTEER is the HURON while the schooner behind could be MAYFLOWER. Butterworth has included several interesting details including full crews on the ships and good colors in sea and sky creating a moody depiction of sailing on active waters.
VOLUNTEER would go on to also win the America's Cup- defeating the English Challenger THISTLE. This was the great age of yachting and Buttersworth was the greatest artistic chronicler of the age and its most graceful and strong competitors of the sea.
This painting came out of a private family collection that held the painting for more than 40 years.
Sight Size: 7 1/2 x 11 1/2 inches
Signed LR: J.E. Buttersworth
- Creator:James Edward Buttersworth (1817-1894, American)
- Creation Year:Circa 1887
- Dimensions:Height: 14.25 in (36.2 cm)Width: 18.25 in (46.36 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Costa Mesa, CA
- Reference Number:1stDibs: LU2139212336252
James Edward Buttersworth
Born in 1817 in Middlesex County, Great Britain, James Edward Buttersworth was the son of important English sea painter Thomas Buttersworth. Settling in New York in 1845, he soon established himself as one of America's leading marine artists. For the most part he signed his works J.E. Buttersworth. During the next period of his life, many of his works were chosen by Currier & Ives as subjects for lithographs. His images were also used in magazines and newspapers that reported the yachting events of the day. New York Harbor and the surrounding areas became a favorite background for his vessels which he portrayed faithfully with an eye for precise detail. His reputation sprang from his accurate representations of the great sailing yachts of his time. In order to accent the speed and grace of these vessels, he would often elongate the hulls and sails to create a feeling of motion portrayed along a low horizon line. With dramatic skies, churning seas and accurate detail, he ennobled and romanticized sailing ships with what have become historically important paintings that are both beautiful and refined.
About the Seller
No Reviews Yet
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1972
1stDibs seller since 2022
5 sales on 1stDibs
Typical response time: 1 to 2 days
- ShippingRetrieving quote...Ships From: Costa Mesa, CA
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Breaking SurfBy Sally SwatlandLocated in Costa Mesa, CABlessed with natural artistic ability and finding encouragement from her family at an early age, Sally Swatland has traveled the proper paths to find herself in a unique place: the foremost American woman painting children at the seashore. With a romanticized nod to yesteryear, Swatland's characters are innocent and fair, in an array of matching springtime and summery apparel. Adept with brush and palette knife, she blends many artistic influences and styles into her own unique presentations. This painting features a fair-haired young girl dipping her feet in the shallow waters along a rocky shoreline. The sea behind is a brilliant blue with small white-capped waves rolling into shore. The brushwork alternates between smooth strokes in the child's form and dress and more impasto work and sharper edges on the rocks and in the more active parts of the sea. The overall effect is that of being at the sea and finding serenity in the contrast between the calm shore and the always moving ocean. The seas' eternal inspiration form a common backdrop to many of Swatland's artistic works. Born in Washington D.C., her family moved to Greenwich, Connecticut and often summered at Tod's Point, Long Island Sound. She would go on to become an art major at Mount Saint Vincent College, study under Robert Schulz in the Art Students League of New York, and come to be represented early by Alistair Stair in his New York and Florida galleries...Category
Early 2000s Contemporary Landscape Paintings
MaterialsOil, Board
- Whitehaven QuayBy Robert SalmonLocated in Costa Mesa, CAWhitehaven is a small town and port on the coast of Cumbria, England 70 miles North of Liverpool. Historically a part of Cumberland, it has a manmade harbor which partially dries out...Category
1820s Other Art Style Paintings
MaterialsOil, Panel, Cardboard
- Regatta in Sydney HarbourLocated in Costa Mesa, CAPeriod yacht racing is a rare and desirable subject for marine paintings, and a 19th century work from Australia of this prime subject is among the rarest finds we may offer. The artist, Charles F. Gerrard, shows up in 1882 on the Sydney professional trade list as a painter, then as a marine artist and finally as simply 'artist'. He exhibits his first works with the Royal Art Society in Sydney in 1884, consisting of coastal scenes. He is extremely well received by his contemporaries according to newspaper reports. The recognizable features of "The Rocks", along the western shore of Sydney cove near the harbor bridge, stands forth as a superb background for the racing yachts. This historic location is the foundation of the British Australian empire, and today is the oldest preserved colonial district in the country, described as "Sydney's outdoor museum". Fine-lined cutter yachts compete over a sailing course, with two shown in great close detail while five more hold their positions in the regatta, as the rhythmic small swells are evidence the wind favors the leaders running on close reaches with the crossing tide. The crew and yachts are very much in the British formal yachting manner, with full uniforms and the plum-bow hulls. Note that there is one crew attired in red, possibly a naval marine team, and the sail steam ship anchored in the center flies the Australian Colonial...Category
1880s Other Art Style Landscape Paintings
MaterialsOil, Board
- Amercan Merchant Ship in Philadelphia HarborBy Thomas BirchLocated in Costa Mesa, CAThomas Birch is considered one of the earliest American Marine painters of importance both in his own time and historically, forming the foundation of what would become a great American Maritime movement in the successive years of the 19th century. Born in England, Birch started as a landscape painter but after the War of 1812 he turned to marine subjects, taking inspiration from the best of both English and Dutch maritime traditions but refining these techniques into a very recognizable style all his own. The work featured here is a classic of Birch's later period, when he focused specifically on maritime subjects, mainly the busy waterways of Philadelphia Harbor. Here we see one of those scenes- a series of ships plying their trade, all framed by the city as it sits across the Delaware River, with the tall, white spire of what is either Independence Hall or Christ Church to the left of the main vessel. The details of the city are particularly good in this painting, with the wharf building to the left and the long line of buildings all along the shore. The American Merchant Bark at the center of this painting is rendered in excellent detail, from her house flag and pennant, to her rigging and sails, and down to her deck filled with the activity of crewmembers readying the ship to head out, her gilt billet...Category
1840s Other Art Style Paintings
MaterialsCanvas, Oil, Board
- The Yacht KITSKAD Off Catalina IslandBy J. Duncan GleasonLocated in Costa Mesa, CADuncan Gleason lived in New York and other places for work or studies but it was really Southern California where he felt most at home, and looking at his body of work, that love of ...Category
1950s Modern Paintings
MaterialsCanvas, Oil, Board
- Great Lakes Tugboat CALUMETBy Otto MuhlenfeldLocated in Costa Mesa, CAAn artist who knew the vessels he painted firsthand, Baltimore artist Otto Muhlenfeld has captured the Great Lakes Steam Tug CALUMET in a colorful, working profile. Her American Ensi...Category
1890s Folk Art Landscape Paintings
MaterialsCanvas, Oil, Board
You May Also Like
- Man Reaching Down: TondoBy Michael LeonardLocated in London, GBAlkyd-oil on Masonite, signed and dated (middle left), 61cm (diam.), (83cm diam. framed). (This work was kept by the artist for his personal collection. It remained in his collection...Category
1980s Post-War Figurative Paintings
MaterialsOil, Board
- "La Rencontre", Jean-Claude Gaugy, Oil on Board, 80x144 in, Contemporary, FigureLocated in Dallas, TX"La Recontre" is an original oil on board painting by Jean-Claude Gaugy. The painting is a contemporary portrait of a couple looking at each other seductively on a four-piece master ...Category
2010s Contemporary Portrait Paintings
MaterialsOil, Board
- A Trail through the TreesBy Albert Bierstadt, 1830-1902Located in New York, NYMonogrammed lower left: ABierstadtCategory
19th Century Hudson River School Landscape Paintings
MaterialsBoard, Oil
- Lights of the AuroraBy William BradfordLocated in New York, NYSigned lower right: W BradfordCategory
Late 19th Century Hudson River School Landscape Paintings
MaterialsOil, Board
- Frederick Rondel (American 1826-1892) A Large, Rare Painting of "Four Horses"By Frederick RondelLocated in New York, NYFrederick Rondel (American 1826-1892) A Large, Rare Painting of "Four Horses", 1866 A magnificent and rare oval painting of horses, oil on board, measuring 52" in diameter, with exceptional quality to detail of the horses and landscape. It is indeed very rare for an American artist to paint horses in this quality and size, thus making this painting an extremely important...Category
19th Century Animal Paintings
MaterialsBoard, Oil
- Miner Hillard Milling CompanyBy George William SotterLocated in New York, NYSigned lower right: G.W. Sotter; on verso: MINER HILLARD / MILLING Co.Category
Mid-20th Century American Impressionist Landscape Paintings
MaterialsOil, Board
Recently Viewed
View AllMore Ways To Browse
Tiffany Yacht
Sailing Trophy
Puritan Silver Co
Oil On Board Of A Sloop
Tiffany American Flag
Tiffany Silver Trophy
Tiffany And Co Trophy
Tiffany Flag
Tiffany Thistle
Sandy Hook Painting
Large Silver Trophy Cup
Trophy Cup Large
Tiffany And Co Cup
Tiffany And Co Cups
Tiffany Co Cup
Gilded Shark
Mid19th Century Oil Portraits
Religious18th Century