Joseph Christian LeyendeckerMan with Baton
About the Item
- Creator:Joseph Christian Leyendecker (1874 - 1951, American)
- Dimensions:Height: 21 in (53.34 cm)Width: 11.25 in (28.58 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Fort Washington, PA
- Reference Number:1stDibs: LU38431056413
Joseph Christian Leyendecker
Joseph Christian "J.C." Leyendecker was born in Germany in 1874. He immigrated to the United States with his family in 1882. His eldest brother, Adolph, became a prominent stained glass artist, and Joe, as he was called, had an early artistic calling.
After studying at the Chicago Art Institute under John H. Vanderpoel, J.C. Leyendecker enrolled at the Académie Julien in 1896, where he studied for a year with his younger brother Frank in the Beaux-Arts tradition. During his time there, he was exposed to and influenced by the works of Art Nouveau painters and printmakers Henri de Toulouse-Lautrec, Jules Chéret and Alphonse Mucha, with whom he formed a strong friendship. The next year, he staged his first one-man exhibition at the Salon du Champ-de-Mars and made the auspicious acquaintance of Paul Gauguin.
In 1898, Leyendecker produced the first of 48 covers for Collier’s magazine. The next year, he painted his first cover for The Saturday Evening Post magazine, which was the beginning of a 44-year association with that esteemed publication. Throughout his career, he would also paint covers for Life magazine, illustrations for a library of books, and transform advertising for such companies as B. Kuppenheimer & Co. and Interwoven Socks. His work for Arrow Shirt is the most well-known and beloved.
Using his lover and manager, Charles Beach, as a model, Leyendecker created the ultimate image of modern American masculinity. His work for Kuppenheimer, also known as the House of Kuppenheimer, is just as iconic. Founded in 1876, the company became the manufacturer of uniforms for the United States Army during World War I. Thanks to Leyendecker's advertising, the firm became synonymous with the ultimate in male taste and desirability.
Unfortunately, near the end of his career, as Leyendecker’s associations with Collier’s and The Saturday Evening Post came to an end, his work fell into obscurity. When he died in 1951, his great friend Norman Rockwell, who commemorated their relationship in his painting Waiting for the Art Editor, served as one of his pallbearers.
Find original J.C. Leyendecker prints and paintings on 1stDibs.
(Biography provided by M.S. Rau)
- ShippingRetrieving quote...Ships From: Fort Washington, PA
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Cover of The Saturday Evening Post, Halloween EditionBy Amos SewellLocated in Fort Washington, PADate: 1951 Medium: Oil on Canvas Dimensions: 30.00" x 25.00" Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post...Category
1950s Figurative Paintings
MaterialsOil, Canvas
- The Courtship, Success Magazine CoverBy Joseph Christian LeyendeckerLocated in Fort Washington, PAMedium: Oil on Canvas Signature: Signed Lower Left Sight Size 22.00" x 15.50", Framed 31.00" x 24.00" Success Magazine Cover, The Success Company, Ne...Category
Early 1900s Figurative Paintings
MaterialsCanvas, Oil
- A Spread for Bread, Karo Corn Syrup AdvertisementBy Joseph Christian LeyendeckerLocated in Fort Washington, PAMedium: Oil on Canvas Signature: Unsigned Sight Size 18.00" x 13.50", Framed 25.50" x 20.50" This illustration was used as a Karo Corn Syrup advertisement.Category
20th Century Figurative Paintings
MaterialsCanvas, Oil
- Kuppenheimer Good ClothesBy Joseph Christian LeyendeckerLocated in Fort Washington, PAMedium: Oil on Canvas Dimensions: 28.00" x 21.00" Signature: Unsigned Literature: The Saturday Evening Post, June 14, 1923, illustrated as Kuppenheimer Clothing Company advertisementLaurence S. Cutler and Judy Goffman Cutler, J.C. Leyendecker: American Imagist, New York, 2008, p. 91, illustrated in color p. 92 Notes: The Kuppenheimer Clothing Company used this painting as an advertisment for its men's clothing. The advertisement printed...Category
1920s Figurative Paintings
MaterialsOil, Canvas
- Valentines Day, Saturday Evening Post CoverBy Frederick Sands BrunnerLocated in Fort Washington, PAMedium: Oil on Canvas Sight Size 29.00" x 21.00", Framed 34.00" x 27.00" Signature: Signed Lower Left Valentines Day, Saturday Evening Post cover, February 16, 1935Category
1930s Portrait Paintings
MaterialsCanvas, Oil
- Flat and Chat, Saturday Evening Post CoverBy George HughesLocated in Fort Washington, PAMedium: Oil on Canvas Signature: Signed Lower Left The Saturday Evening Post Magazine Cover, May 21, 1949. The irritated tire-changer? Why, that's artist George Hughes himself. The...Category
1940s Other Art Style Paintings
MaterialsOil, Canvas
- "Ebbing Reef" Corals, Large Scale Contemporary Seascape Oil Painting (deep blue)By Karen MarstonLocated in New York, NY60"x144" large scale painting, oil on canvas, created on two joined canvases. The deep blue palette gives a sense of underwater space in this grand depiction of coral reefs. Artist, Karen Marston presents this endangered species in a grand scale to show its beauty and importance to our environment. Karen Marston is a painter living and working in Brooklyn, NY. Her work has been seen in a number of solo exhibitions in New York City. In addition to her 2018 show Harbingers, at the Owen James Gallery in Soho, other recent solos include: 2017’s To Embrace the Whole Sky with the Mind, at Station Independent Projects on the Lower East Side, Demeter’s Wrath in 2016 at the Owen James Gallery and Storm Watch...Category
2010s Contemporary Landscape Paintings
MaterialsOil, Canvas
- Malia's Garden, botanical, floral, green and pink oil paintingBy Allison GreenLocated in New York, NYAllison Green was born in Philadelphia and grew up in a nearby rural suburb. Throughout her childhood Green lived on the periphery of a lush forest, an e...Category
2010s Contemporary Paintings
MaterialsOil, Canvas
- OriginsBy Osvaldo MariscottiLocated in New York, NYOrigins, 2020 Oil on canvas (3 panels) 72 x 108 x 1 1/2 inches, overall Signed and dated, verso leftmost panelCategory
2010s Abstract Abstract Paintings
MaterialsCanvas, Oil
- Sonata 23 TriptychBy Osvaldo MariscottiLocated in New York, NYSonata 23 Triptych 2017 Oil on canvas (3 panels) 48 x 120 x 1 1/2 inches, overall Signed and dated, versoCategory
2010s Abstract Geometric Abstract Paintings
MaterialsCanvas, Oil
- Color Symphony 49 TriptychBy Osvaldo MariscottiLocated in New York, NYColor Symphony 49 Triptych, 2016 Oil on canvas (3 panels) 72 x 120 x 1 1/2 inches, overall Signed and dated, verso leftmost panelCategory
2010s Abstract Abstract Paintings
MaterialsCanvas, Oil
- Diving for PearlsLocated in New York, NYDiving for Pearls, 1986 Oil on canvas 88 x 76 in. (223.5 x 193 cm) Signed, dated, and titled, versoCategory
1980s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil